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Cities, Erudition, and National Identity in Early Modern France
Historical Communities reveals the importance of urban history writing in early modern France, from the 1560s to the 1660s, both for individual towns and the French kingdom. Grounded in published and manuscript works, archival sources, correspondence, and research notes, the book demonstrates how historical traditions mattered to city inhabitants and how local elites combined historical narratives with social and political objectives. Numerous conflicts emerged, including debates regarding city origins, the early French Church, noble genealogies, and the memory of the French Wars of Religion. Simultaneously, provincial scholars maintained active contacts within the Republic of Letters, grounding local research and writing in developing erudite methodologies and making them integral to the ongoing process of forging a French historical identity.
In The Rebirth of Swimming and Free-diving, John McManamon documents the revival of interest in swimming during the European Renaissance and its conceptualization as an art. Renaissance scholars realized that the ancients considered one truly ignorant who knew “neither letters nor swimming.”
Over the past few decades, a growing number of studies have highlighted the importance of the ‘School of Salamanca’ for the emergence of colonial normative regimes and the formation of a language of normativity on a global scale. According to this influential account, American and Asian actors usually appear as passive recipients of normative knowledge produced in Europe. This book proposes a different perspective and shows, through a knowledge historical approach and several case studies, that the School of Salamanca has to be considered both an epistemic community and a community of practice that cannot be fixed to any individual place. Instead, the School of Salamanca encompassed a variety of different sites and actors throughout the world and thus represents a case of global knowledge production.

Contributors are: Adriana Álvarez, Virginia Aspe, Marya Camacho, Natalie Cobo, Thomas Duve, José Luis Egío, Dolors Foch, Enrique González González, Lidia Lanza, Esteban Llamosas, Osvaldo R. Moutin, and Marco Toste.
Essays in Late Medieval and Humanist Drama
Series:  Ludus, Volume: 16
Volume Editors: Peter Happé and Wim Hüsken
Staging History unites essays by nine specialists in the field of late medieval and early Renaissance drama. Their focus is on English, Dutch and Humanist German drama, as well as on a modern Swiss adaptation of Shakespeare’s Henry V. Featuring prominently in this book are plays by, among others, John Bale, Jacob Schoepper, Johannes Agricola and Jacob Duym. Special attention is also paid to the Croxton Play of the Sacrament and the Dutch abele spleen
. So far this topic has not received wide attention within the world of medieval and early Renaissance studies. This exploration aims at arousing more interest in this field by scholars working on European drama from the late Middle Ages and the early Renaissance.
A Companion to Islamic Granada gathers, for the first time in English, a number of essays exploring aspects of the Islamic history of this city from the 8th through the 15th centuries from an interdisciplinary perspective. This collective volume examines the political development of Medieval Gharnāṭa under the rule of different dynasties, drawing on both historiographical and archaeological sources. It also analyses the complexity of its religious and multicultural society, as well as its economic, scientific, and intellectual life. The volume also transcends the year 1492, analysing the development of both the mudejar and the morisco populations and their contribution to Grenadian culture and architecture up to the 17th century.

Contributors are: Bárbara Boloix-Gallardo, María Jesús Viguera-Molíns, Alberto García-Porras, Antonio Malpica–Cuello, Bilal Sarr-Marroco, Allen Fromherz, Bernard Vincent, Maribel Fierro–Bello, Mª Luisa Ávila–Navarro, Juan Pedro Monferrer–Sala, José Martínez–Delgado, Luis Bernabé–Pons, Adela Fábregas–García, Josef Ženka, Amalia Zomeño–Rodríguez, Delfina Serrano–Ruano, Julio Samsó–Moya, Celia del Moral-Molina, José Miguel Puerta–Vílchez, Antonio Orihuela–Uzal, Ieva Rėklaitytė, and Rafael López–Guzmán.