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Author: Paul Zarembka
Marx's oeuvre is vast but there are key elements of his ever evolving, class-based contribution to social theory. Declining usefulness for him of Hegelian philosophy and his deepening confrontation with Ricardian political economy were expressions. While the French edition of Capital is closest to Marx’s mature thought, Engels did not understand how work on Russia related to Marx’s evolution, and Engels distorted the outcome. Accumulation of capital is particularly difficult conceptually, including use of ‘primitive accumulation’, and is carefully addressed, as is composition of capital. After Marx, Luxemburg is the most significant contributor to Marxism and her works on political economy and on nationalism are highlighted here. The modern topic of state conspiracies, too often avoided, concludes the book. Troubling issues, however, remain.
In Cultural and Political Imaginaries in Putin’s Russia scholars scrutinise developments in official symbolical, cultural and social policies as well as the contradictory trajectories of important cultural, social and intellectual trends in Russian society after the year 2000. Engaging experts on Russia from several academic fields, the book offers case studies on the vicissitudes of cultural policies, political ideologies and imperial visions, on memory politics on the grassroot as well as official levels, and on the links between political and national imaginaries and popular culture in fields as diverse as fashion design and pro-natalist advertising. Contributors are Niklas Bernsand, Lena Jonson, Ekaterina Kalinina, Natalija Majsova, Olga Malinova, Alena Minchenia, Elena Morenkova-Perrier, Elena Rakhimova-Sommers, Andrei Rogatchevski, Tomas Sniegon, Igor Torbakov, Barbara Törnquist-Plewa, and Yuliya Yurchuk.