Intoxicating Shanghai Paul Bevan explores the work of a number of Chinese modernist figures in the fields of literature and the visual arts, with an emphasis on the literary group the New-sensationists and its equivalents in the Shanghai art world, examining the work of these figures as it appeared in pictorial magazines. It undertakes a detailed examination into the significance of the pictorial magazine as a medium for the dissemination of literature and art during the 1930s. The research locates the work of these artists and writers within the context of wider literary and art production in Shanghai, focusing on art, literature, cinema, music, and dancehall culture, with a specific emphasis on 1934 – ‘The Year of the Magazine’.
The City of Ye in the Chinese Literary Landscape, Joanne Tsao demonstrates how the city of Ye changed from an iconic space that represented Cao Cao’s heroic enterprise to a symbol of the fruitlessness of human endeavour, and then finally to a literary landmark, a synecdoche for the vicissitudes of human life caught in the predictable cycles of dynastic rise and decline. Through a close reading of literary works on Ye, she illustrates how the city transformed from a lived to imaginative space to become a symbol in the poetic lexicon.
Making use of literary and historical texts on Ye and its material remains through the Song and beyond she shows the potency of place as a generative force in literary production and in historical discourse.
Lu Jia's New Discourses:
A Political Manifesto from the Early Han Dynasty is a readable yet accurate translation by Paul R. Goldin and Elisa Levi Sabattini.
Celebrated as “a man-of-service with a mouth [skilled] at persuasion”, Lu Jia (c. 228-140 BCE) became one of the leading figures of the early Han dynasty, serving as a statesman and diplomat from the very beginning of the Han empire. This book is a translation of Lu Jia’s
New Discourses, which laid out the reasons for rise and fall of empires. Challenged by the new Emperor to produce a book explaining why a realm that was conquered on horseback cannot also be ruled on horseback, Lu Jia produced
New Discourses, to great acclaim.