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The Alchemical Actor – Performing the Great Work: Imagining Alchemical Theatre offers an imagination for new theatre inspired by the directives of Antonin Artaud. The alchemical four elements – earth, water, air and fire and four alchemical stages – nigredo, albedo, citrino and rubedo perform initiatory steps in the practice of alchemical transformational consciousness. The depth psychological work of Carl G. Jung, theatre techniques of Michael Chekhov, Rudolf Steiner, William Shakespeare and others compose this ‘Great Work’. Jane Gilmer conjures the magical unknown leading the reader through material cognition towards gold-making heart-thinking - key to new and future theatre.
The Alchemical Actor – Performing the Great Work: Imagining Alchemical Theatre offers an imagination for new theatre inspired by the directives of Antonin Artaud. The alchemical four elements – earth, water, air and fire and four alchemical stages – nigredo, albedo, citrino and rubedo perform initiatory steps in the practice of alchemical transformational consciousness. The depth psychological work of Carl G. Jung, theatre techniques of Michael Chekhov, Rudolf Steiner, William Shakespeare and others compose this ‘Great Work’. Jane Gilmer conjures the magical unknown leading the reader through material cognition towards gold-making heart-thinking - key to new and future theatre.
In
Modern Architecture, Empire, and Race in Fascist Italy, Brian L. McLaren examines the architecture of the late-Fascist era in relation to the various racial constructs that emerged following the occupation of Ethiopia in 1936 and intensified during the wartime. This study is conducted through a wide-ranging investigation of two highly significant state-sponsored exhibitions, the 1942 Esposizione Universale di Roma and 1940 Mostra Triennale delle Terre Italiane d'Oltremare. These exhibitions and other related imperial displays are examined over an extended span of time to better understand how architecture, art, and urban space, the politics and culture that encompassed them, the processes that formed them, and the society that experienced them, were racialized in varying and complex ways.
Series:
Spatial Practices, Volume: 36
In
Modern Architecture, Empire, and Race in Fascist Italy, Brian L. McLaren examines the architecture of the late-Fascist era in relation to the various racial constructs that emerged following the occupation of Ethiopia in 1936 and intensified during the wartime. This study is conducted through a wide-ranging investigation of two highly significant state-sponsored exhibitions, the 1942 Esposizione Universale di Roma and 1940 Mostra Triennale delle Terre Italiane d'Oltremare. These exhibitions and other related imperial displays are examined over an extended span of time to better understand how architecture, art, and urban space, the politics and culture that encompassed them, the processes that formed them, and the society that experienced them, were racialized in varying and complex ways.
Series:
The Northern World, Volume: 90
In
Force of Words, Haraldur Hreinsson examines the social and political significance of the Christian religion as the Roman Church was taking hold in medieval Iceland in the 11th, 12th, and 13th centuries. By way of diverse sources, primarily hagiography and sermons but also material sources, the author shows how Christian religious ideas came into play in the often tumultuous political landscape of the time. The study illuminates how the Church, which was gathering strength across entire Europe, established itself through the dissemination of religious vernacular discourse at the northernmost borders of its dominion.
Series:
The Northern World, Volume: 90
In
Force of Words, Haraldur Hreinsson examines the social and political significance of the Christian religion as the Roman Church was taking hold in medieval Iceland in the 11th, 12th, and 13th centuries. By way of diverse sources, primarily hagiography and sermons but also material sources, the author shows how Christian religious ideas came into play in the often tumultuous political landscape of the time. The study illuminates how the Church, which was gathering strength across entire Europe, established itself through the dissemination of religious vernacular discourse at the northernmost borders of its dominion.
Methodologies of the Frankfurt School
Volume Editor:
Jeremiah Morelock
How to Critique Authoritarian Populism: Methodologies of the Frankfurt School offers a comprehensive introduction to the techniques used by the early Frankfurt School to study and combat authoritarianism and authoritarian populism. In recent years there has been a resurgence of interest in the writings of the early Frankfurt School, at the same time as authoritarian populist movements are resurging in Europe and the Americas. This volume shows why and how Frankfurt School methodologies can and should be used to address the rise of authoritarianism today. Critical theory scholars are assembled from a variety of disciplines to discuss Frankfurt School approaches to dialectical philosophy, psychoanalytic theory, human subjects research, discourse analysis and media studies.
Contributors include: Robert J. Antonio, Stefanie Baumann, Christopher Craig Brittain, Dustin J. Byrd, Mariana Caldas Pinto Ferreira, Panayota Gounari, Peter-Erwin Jansen, Imaculada Kangussu, Douglas Kellner, Dan Krier, Lauren Langman, Claudia Leeb, Gregory Joseph Menillo, Jeremiah Morelock, Felipe Ziotti Narita, Michael R. Ott, Charles Reitz, Avery Schatz, Rudolf J. Siebert, William M. Sipling, David Norman Smith, Daniel Sullivan, and AK Thompson.
Contributors include: Robert J. Antonio, Stefanie Baumann, Christopher Craig Brittain, Dustin J. Byrd, Mariana Caldas Pinto Ferreira, Panayota Gounari, Peter-Erwin Jansen, Imaculada Kangussu, Douglas Kellner, Dan Krier, Lauren Langman, Claudia Leeb, Gregory Joseph Menillo, Jeremiah Morelock, Felipe Ziotti Narita, Michael R. Ott, Charles Reitz, Avery Schatz, Rudolf J. Siebert, William M. Sipling, David Norman Smith, Daniel Sullivan, and AK Thompson.
Methodologies of the Frankfurt School
Volume Editor:
Jeremiah Morelock
How to Critique Authoritarian Populism: Methodologies of the Frankfurt School offers a comprehensive introduction to the techniques used by the early Frankfurt School to study and combat authoritarianism and authoritarian populism. In recent years there has been a resurgence of interest in the writings of the early Frankfurt School, at the same time as authoritarian populist movements are resurging in Europe and the Americas. This volume shows why and how Frankfurt School methodologies can and should be used to address the rise of authoritarianism today. Critical theory scholars are assembled from a variety of disciplines to discuss Frankfurt School approaches to dialectical philosophy, psychoanalytic theory, human subjects research, discourse analysis and media studies.
Contributors include: Robert J. Antonio, Stefanie Baumann, Christopher Craig Brittain, Dustin J. Byrd, Mariana Caldas Pinto Ferreira, Panayota Gounari, Peter-Erwin Jansen, Imaculada Kangussu, Douglas Kellner, Dan Krier, Lauren Langman, Claudia Leeb, Gregory Joseph Menillo, Jeremiah Morelock, Felipe Ziotti Narita, Michael R. Ott, Charles Reitz, Avery Schatz, Rudolf J. Siebert, William M. Sipling, David Norman Smith, Daniel Sullivan, and AK Thompson.
Contributors include: Robert J. Antonio, Stefanie Baumann, Christopher Craig Brittain, Dustin J. Byrd, Mariana Caldas Pinto Ferreira, Panayota Gounari, Peter-Erwin Jansen, Imaculada Kangussu, Douglas Kellner, Dan Krier, Lauren Langman, Claudia Leeb, Gregory Joseph Menillo, Jeremiah Morelock, Felipe Ziotti Narita, Michael R. Ott, Charles Reitz, Avery Schatz, Rudolf J. Siebert, William M. Sipling, David Norman Smith, Daniel Sullivan, and AK Thompson.
For the contributors to
In Fashion: Culture, Commerce, Craft, and Identity being “in fashion” is about self-presentation; defining how fashion is presented in the visual, written, and performing arts; and about design, craft, manufacturing, packaging, marketing and archives. The book’s international cast of authors engage “in” fashion from various disciplinary, professional, and creative perspectives; i.e., anthropology, archaeology, art history, cultural studies, design, environmental studies, fashion studies, history, international relations, literature, marketing, philosophy, sociology, technology, and theatre.
In Fashion has five sections:
• Fashioning Representations: Texts, Images, and Performances;
• Fashionable: Shopping, Luxury, and Vintage;
• Fashion’s Materials: Craft, Industry, and Innovation;
• Museum Worthy: Fashion and the Archive;
• Fashioning Cultural Identities: Case Studies.
In Fashion has five sections:
• Fashioning Representations: Texts, Images, and Performances;
• Fashionable: Shopping, Luxury, and Vintage;
• Fashion’s Materials: Craft, Industry, and Innovation;
• Museum Worthy: Fashion and the Archive;
• Fashioning Cultural Identities: Case Studies.
For the contributors to
In Fashion: Culture, Commerce, Craft, and Identity being “in fashion” is about self-presentation; defining how fashion is presented in the visual, written, and performing arts; and about design, craft, manufacturing, packaging, marketing and archives. The book’s international cast of authors engage “in” fashion from various disciplinary, professional, and creative perspectives; i.e., anthropology, archaeology, art history, cultural studies, design, environmental studies, fashion studies, history, international relations, literature, marketing, philosophy, sociology, technology, and theatre.
In Fashion has five sections:
• Fashioning Representations: Texts, Images, and Performances;
• Fashionable: Shopping, Luxury, and Vintage;
• Fashion’s Materials: Craft, Industry, and Innovation;
• Museum Worthy: Fashion and the Archive;
• Fashioning Cultural Identities: Case Studies.
In Fashion has five sections:
• Fashioning Representations: Texts, Images, and Performances;
• Fashionable: Shopping, Luxury, and Vintage;
• Fashion’s Materials: Craft, Industry, and Innovation;
• Museum Worthy: Fashion and the Archive;
• Fashioning Cultural Identities: Case Studies.
Volume Editor:
Ben Zeller
The
Handbook of UFO Religions, edited by esteemed scholar of new religions Benjamin E. Zeller, offers the most expansive and detailed study of the persistent, popular, and global phenomenon of religious engagements with ideas about extraterrestrial life. The present work considers not only new religions founded on ideas about extraterrestrials and UFOs, but how those within more mainstream religions have responded to the science, scientific speculation, and popular culture involving extraterrestrials, UFOs, and related concepts. Global in reach, it includes chapters considering South and East Asia, Europe, and North and South America, and draws on several interdisciplinary methods. In addition, the handbook traces connections between UFO religiosity and cultural patterns such as science and scientism, esoterism and occultism, millennialism, and popular culture.
Volume Editor:
Ben Zeller
The
Handbook of UFO Religions, edited by esteemed scholar of new religions Benjamin E. Zeller, offers the most expansive and detailed study of the persistent, popular, and global phenomenon of religious engagements with ideas about extraterrestrial life. The present work considers not only new religions founded on ideas about extraterrestrials and UFOs, but how those within more mainstream religions have responded to the science, scientific speculation, and popular culture involving extraterrestrials, UFOs, and related concepts. Global in reach, it includes chapters considering South and East Asia, Europe, and North and South America, and draws on several interdisciplinary methods. In addition, the handbook traces connections between UFO religiosity and cultural patterns such as science and scientism, esoterism and occultism, millennialism, and popular culture.
Global Impact and Local Dynamics
Volume Editor:
Xosé M. Núñez Seixas
This volume assembles the papers presented at the conference The International Context of the Galician Language Brotherhoods and the Nationality Question in Interwar Europe (Council of Galician Culture, Santiago de Compostela, October 2016). The different contributions, written by historians, political scientists and linguists, shed new light on the political development of the nationality question in Europe during the First World War and its aftermath, covering theoretical developments and debates, social mobilization and cultural perspectives. They also address the topic from different scales, blending the global and transnational outlook with the view from below, from the local contexts, with particular attention to peripheral areas, whilst East European and West European nationalities are dealt with on an equal footing, covering from Iberian Galicia to the Caucasus.
Contributors are: Bence Bari, Stefan Berger, Miguel Cabo, Stefan Dyroff, Lourenzo Fernández Prieto, Johannes Kabatek, Joep Leerssen, Ramón Máiz, Xosé M. Núñez Seixas, Malte Rolf, Ramón Villares, and Francesca Zantedeschi.
Contributors are: Bence Bari, Stefan Berger, Miguel Cabo, Stefan Dyroff, Lourenzo Fernández Prieto, Johannes Kabatek, Joep Leerssen, Ramón Máiz, Xosé M. Núñez Seixas, Malte Rolf, Ramón Villares, and Francesca Zantedeschi.