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Editor:
Marion Romberg
The book analyzes the evolving interaction between court and media from a yet understudied perspective. Eight case studies focus on different European Empress consorts and Queen regnants from the 17th to the 20th centuries, using a unique, comparative, cross-media, and cross-period approach. This volume raises a multitude of issues, ranging from how prominently female figures were portrayed for the public over time; how their faces and bodies were moulded and rearticulated to fit varying expectations in multiple public spheres; and the degree to which they, as female subjects, engaged with or had agency within the processes of production and reception. Hereby, two types of female rulership and their relationship to the media are contrasted, and lesser-known and under-researched dynastic women are spotlighted.
Contributors include: Christine Engelke, Anna Fabiankowitsch, Inga Lena Ångström Grandien, Titia Hensel, Andrea Mayr, Alison McQueen, Marion Romberg, and Alison Rowley.
Contributors include: Christine Engelke, Anna Fabiankowitsch, Inga Lena Ångström Grandien, Titia Hensel, Andrea Mayr, Alison McQueen, Marion Romberg, and Alison Rowley.
Editor:
Marion Romberg
The book analyzes the evolving interaction between court and media from a yet understudied perspective. Eight case studies focus on different European Empress consorts and Queen regnants from the 17th to the 20th centuries, using a unique, comparative, cross-media, and cross-period approach. This volume raises a multitude of issues, ranging from how prominently female figures were portrayed for the public over time; how their faces and bodies were moulded and rearticulated to fit varying expectations in multiple public spheres; and the degree to which they, as female subjects, engaged with or had agency within the processes of production and reception. Hereby, two types of female rulership and their relationship to the media are contrasted, and lesser-known and under-researched dynastic women are spotlighted.
Contributors include: Christine Engelke, Anna Fabiankowitsch, Inga Lena Ångström Grandien, Titia Hensel, Andrea Mayr, Alison McQueen, Marion Romberg, and Alison Rowley.
Contributors include: Christine Engelke, Anna Fabiankowitsch, Inga Lena Ångström Grandien, Titia Hensel, Andrea Mayr, Alison McQueen, Marion Romberg, and Alison Rowley.
The concepts of 'youth' and the 'postcolonial' both inhabit a liminal locus where new ways of being in the world are rehearsed and struggle for recognition against the impositions of dominant power structures. Departing from this premise, the present volume focuses on the experience of postcolonial youngsters in contemporary Britain as rendered in fiction, thus envisioning the postcolonial as a site of fruitful and potentially transformative friction between different identitary variables or sociocultural interpellations. In so doing, this volume provides varied evidence of the ability of literature—and of the short story genre, in particular—to represent and swiftly respond to a rapidly changing world as well as to the new socio-cultural realities and conflicts affecting our current global order and the generations to come.
Contributors are: Isabel M. Andrés-Cuevas, Isabel Carrera-Suárez, Claire Chambers, Blanka Grzegorczyk, Bettina Jansen, Indrani Karmakar, Carmen Lara-Rallo, Laura María Lojo-Rodríguez, Noemí Pereira-Ares, Gérald Préher, Susanne Reichl, Carla Rodríguez-González, Jorge Sacido-Romero, Karima Thomas and Laura Torres-Zúñiga.
Contributors are: Isabel M. Andrés-Cuevas, Isabel Carrera-Suárez, Claire Chambers, Blanka Grzegorczyk, Bettina Jansen, Indrani Karmakar, Carmen Lara-Rallo, Laura María Lojo-Rodríguez, Noemí Pereira-Ares, Gérald Préher, Susanne Reichl, Carla Rodríguez-González, Jorge Sacido-Romero, Karima Thomas and Laura Torres-Zúñiga.
The concepts of 'youth' and the 'postcolonial' both inhabit a liminal locus where new ways of being in the world are rehearsed and struggle for recognition against the impositions of dominant power structures. Departing from this premise, the present volume focuses on the experience of postcolonial youngsters in contemporary Britain as rendered in fiction, thus envisioning the postcolonial as a site of fruitful and potentially transformative friction between different identitary variables or sociocultural interpellations. In so doing, this volume provides varied evidence of the ability of literature—and of the short story genre, in particular—to represent and swiftly respond to a rapidly changing world as well as to the new socio-cultural realities and conflicts affecting our current global order and the generations to come.
Contributors are: Isabel M. Andrés-Cuevas, Isabel Carrera-Suárez, Claire Chambers, Blanka Grzegorczyk, Bettina Jansen, Indrani Karmakar, Carmen Lara-Rallo, Laura María Lojo-Rodríguez, Noemí Pereira-Ares, Gérald Préher, Susanne Reichl, Carla Rodríguez-González, Jorge Sacido-Romero, Karima Thomas and Laura Torres-Zúñiga.
Contributors are: Isabel M. Andrés-Cuevas, Isabel Carrera-Suárez, Claire Chambers, Blanka Grzegorczyk, Bettina Jansen, Indrani Karmakar, Carmen Lara-Rallo, Laura María Lojo-Rodríguez, Noemí Pereira-Ares, Gérald Préher, Susanne Reichl, Carla Rodríguez-González, Jorge Sacido-Romero, Karima Thomas and Laura Torres-Zúñiga.
The Alchemical Actor offers an imagination for new and future theatre inspired by the manifesto of Antonin Artaud. The alchemical four elements – earth, water, air and fire and the four alchemical stages – nigredo, albedo, citrino and rubedo serve as initiatory steps towards the performance of transmutational consciousness. The depth psychological work of Carl G. Jung, the theatre techniques of Michael Chekhov and Rudolf Steiner infuse ‘this’ Great Work. Jane Gilmer leads the reader through alchemical imaginations beyond material cognition towards gold-making heart-thinking -
key to new and future theatre.
The Alchemical Actor offers an imagination for new and future theatre inspired by the manifesto of Antonin Artaud. The alchemical four elements – earth, water, air and fire and the four alchemical stages – nigredo, albedo, citrino and rubedo serve as initiatory steps towards the performance of transmutational consciousness. The depth psychological work of Carl G. Jung, the theatre techniques of Michael Chekhov and Rudolf Steiner infuse ‘this’ Great Work. Jane Gilmer leads the reader through alchemical imaginations beyond material cognition towards gold-making heart-thinking -
key to new and future theatre.
Series:
The Northern World, Volume: 90
In
Force of Words, Haraldur Hreinsson examines the social and political significance of the Christian religion as the Roman Church was taking hold in medieval Iceland in the 11th, 12th, and 13th centuries. By way of diverse sources, primarily hagiography and sermons but also material sources, the author shows how Christian religious ideas came into play in the often tumultuous political landscape of the time. The study illuminates how the Church, which was gathering strength across entire Europe, established itself through the dissemination of religious vernacular discourse at the northernmost borders of its dominion.
Series:
The Northern World, Volume: 90
In
Force of Words, Haraldur Hreinsson examines the social and political significance of the Christian religion as the Roman Church was taking hold in medieval Iceland in the 11th, 12th, and 13th centuries. By way of diverse sources, primarily hagiography and sermons but also material sources, the author shows how Christian religious ideas came into play in the often tumultuous political landscape of the time. The study illuminates how the Church, which was gathering strength across entire Europe, established itself through the dissemination of religious vernacular discourse at the northernmost borders of its dominion.
For the contributors to
In Fashion: Culture, Commerce, Craft, and Identity being “in fashion” is about self-presentation; defining how fashion is presented in the visual, written, and performing arts; and about design, craft, manufacturing, packaging, marketing and archives. The book’s international cast of authors engage “in” fashion from various disciplinary, professional, and creative perspectives; i.e., anthropology, archaeology, art history, cultural studies, design, environmental studies, fashion studies, history, international relations, literature, marketing, philosophy, sociology, technology, and theatre.
In Fashion has five sections:
• Fashioning Representations: Texts, Images, and Performances;
• Fashionable: Shopping, Luxury, and Vintage;
• Fashion’s Materials: Craft, Industry, and Innovation;
• Museum Worthy: Fashion and the Archive;
• Fashioning Cultural Identities: Case Studies.
In Fashion has five sections:
• Fashioning Representations: Texts, Images, and Performances;
• Fashionable: Shopping, Luxury, and Vintage;
• Fashion’s Materials: Craft, Industry, and Innovation;
• Museum Worthy: Fashion and the Archive;
• Fashioning Cultural Identities: Case Studies.
For the contributors to
In Fashion: Culture, Commerce, Craft, and Identity being “in fashion” is about self-presentation; defining how fashion is presented in the visual, written, and performing arts; and about design, craft, manufacturing, packaging, marketing and archives. The book’s international cast of authors engage “in” fashion from various disciplinary, professional, and creative perspectives; i.e., anthropology, archaeology, art history, cultural studies, design, environmental studies, fashion studies, history, international relations, literature, marketing, philosophy, sociology, technology, and theatre.
In Fashion has five sections:
• Fashioning Representations: Texts, Images, and Performances;
• Fashionable: Shopping, Luxury, and Vintage;
• Fashion’s Materials: Craft, Industry, and Innovation;
• Museum Worthy: Fashion and the Archive;
• Fashioning Cultural Identities: Case Studies.
In Fashion has five sections:
• Fashioning Representations: Texts, Images, and Performances;
• Fashionable: Shopping, Luxury, and Vintage;
• Fashion’s Materials: Craft, Industry, and Innovation;
• Museum Worthy: Fashion and the Archive;
• Fashioning Cultural Identities: Case Studies.
Volume Editor:
Ben Zeller
The
Handbook of UFO Religions, edited by esteemed scholar of new religions Benjamin E. Zeller, offers the most expansive and detailed study of the persistent, popular, and global phenomenon of religious engagements with ideas about extraterrestrial life. The present work considers not only new religions founded on ideas about extraterrestrials and UFOs, but how those within more mainstream religions have responded to the science, scientific speculation, and popular culture involving extraterrestrials, UFOs, and related concepts. Global in reach, it includes chapters considering South and East Asia, Europe, and North and South America, and draws on several interdisciplinary methods. In addition, the handbook traces connections between UFO religiosity and cultural patterns such as science and scientism, esoterism and occultism, millennialism, and popular culture.
Volume Editor:
Ben Zeller
The
Handbook of UFO Religions, edited by esteemed scholar of new religions Benjamin E. Zeller, offers the most expansive and detailed study of the persistent, popular, and global phenomenon of religious engagements with ideas about extraterrestrial life. The present work considers not only new religions founded on ideas about extraterrestrials and UFOs, but how those within more mainstream religions have responded to the science, scientific speculation, and popular culture involving extraterrestrials, UFOs, and related concepts. Global in reach, it includes chapters considering South and East Asia, Europe, and North and South America, and draws on several interdisciplinary methods. In addition, the handbook traces connections between UFO religiosity and cultural patterns such as science and scientism, esoterism and occultism, millennialism, and popular culture.
In
Modern Architecture, Empire, and Race in Fascist Italy, Brian L. McLaren examines the architecture of the late-Fascist era in relation to the various racial constructs that emerged following the occupation of Ethiopia in 1936 and intensified during the wartime. This study is conducted through a wide-ranging investigation of two highly significant state-sponsored exhibitions, the 1942 Esposizione Universale di Roma and 1940 Mostra Triennale delle Terre Italiane d'Oltremare. These exhibitions and other related imperial displays are examined over an extended span of time to better understand how architecture, art, and urban space, the politics and culture that encompassed them, the processes that formed them, and the society that experienced them, were racialized in varying and complex ways.