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The African American Novel in the Early Twenty-First Century comprises fourteen essays, each focussing on recent, widely known fiction by acclaimed African American authors. This volume showcases the originality, diversity, and vitality of contemporary African American literature, which has reached a bewildering yet exhilarating stage of disruption and continuity between today and yesterday, homegrown and diasporic identities, and local and global interrelatedness. Additionally, it delves into the complexity of the Black literary imagination and its interaction with broader cultural contexts. Lastly, it reflects on the evolution of the African American community, its tribulations, triumphs, challenges, and prospects.
The African American Novel in the Early Twenty-First Century comprises fourteen essays, each focussing on recent, widely known fiction by acclaimed African American authors. This volume showcases the originality, diversity, and vitality of contemporary African American literature, which has reached a bewildering yet exhilarating stage of disruption and continuity between today and yesterday, homegrown and diasporic identities, and local and global interrelatedness. Additionally, it delves into the complexity of the Black literary imagination and its interaction with broader cultural contexts. Lastly, it reflects on the evolution of the African American community, its tribulations, triumphs, challenges, and prospects.
Emblematics and the Brazilian Avant-Garde (1920-30s)
Series:
Avant-Garde Critical Studies
Author:
In Antropofagia, Aarnoud Rommens shows how this Brazilian avant-garde movement (1920-30s) deconstructed early tendencies in the European vanguard. Through imaginative re-readings, the author reinterprets Antropofagia’s central texts and images as elements within an ever-changing, neo-baroque memory palace. Not only does the movement subvert established conceptions of the pre- and postcolonial; it is also a counter-colonial critique of verbal and visual literacy. To do justice to the dynamic between visibility and legibility, Rommens develops the inventive methodology of ‘emblematics’. The book’s implications are wide-ranging, prompting a revaluation of the avant-garde as a transmedial tactic for disrupting our reading and viewing habits.
Emblematics and the Brazilian Avant-Garde (1920-30s)
Series:
Avant-Garde Critical Studies
Author:
In Antropofagia, Aarnoud Rommens shows how this Brazilian avant-garde movement (1920-30s) deconstructed early tendencies in the European vanguard. Through imaginative re-readings, the author reinterprets Antropofagia’s central texts and images as elements within an ever-changing, neo-baroque memory palace. Not only does the movement subvert established conceptions of the pre- and postcolonial; it is also a counter-colonial critique of verbal and visual literacy. To do justice to the dynamic between visibility and legibility, Rommens develops the inventive methodology of ‘emblematics’. The book’s implications are wide-ranging, prompting a revaluation of the avant-garde as a transmedial tactic for disrupting our reading and viewing habits.
Author:
The book offers an in-depth narratological analysis of the 'Book of Orpheus' (10.1-11.84) of Ovid's Metamorphoses. Starting from fundamental aspects of narrative like time, space, and focalisation, the commentary highlights the polyphony of the various narrative levels. The complex and challenging design results from a constant oscillation between the narrator-persona of Ovid and the programmatic Orpheus-figure which has found a wealth of interpretations. In addition, the study places the 10th book in the overall narrative framework of Ovid's Metamorphoses with its density of intertextuality and metanarrativity.
Author:
The book offers an in-depth narratological analysis of the 'Book of Orpheus' (10.1-11.84) of Ovid's Metamorphoses. Starting from fundamental aspects of narrative like time, space, and focalisation, the commentary highlights the polyphony of the various narrative levels. The complex and challenging design results from a constant oscillation between the narrator-persona of Ovid and the programmatic Orpheus-figure which has found a wealth of interpretations. In addition, the study places the 10th book in the overall narrative framework of Ovid's Metamorphoses with its density of intertextuality and metanarrativity.
Author:
The film District 9 made waves as an allegory of apartheid on the big screen, but it has not yet been given its rightful place as a landmark depiction within broader visual cultural studies of Johannesburg and cities in the Global South.
In this book, Landi Raubenheimer argues that District 9’s portrayal of Johannesburg reverberates within a larger body of representations of the city, collectively shaping a unique visual ‘idiom’ for the post-apartheid city as nostalgic dystopia. Delving deeply into District 9, Raubenheimer brings to light the fascination that images of the city as nostalgic dystopia has held for filmmakers, photographers, viewers, and lovers of Johannesburg alike.
In this book, Landi Raubenheimer argues that District 9’s portrayal of Johannesburg reverberates within a larger body of representations of the city, collectively shaping a unique visual ‘idiom’ for the post-apartheid city as nostalgic dystopia. Delving deeply into District 9, Raubenheimer brings to light the fascination that images of the city as nostalgic dystopia has held for filmmakers, photographers, viewers, and lovers of Johannesburg alike.
Series:
Contemporary Cinema, Volume: 10
Author:
The film District 9 made waves as an allegory of apartheid on the big screen, but it has not yet been given its rightful place as a landmark depiction within broader visual cultural studies of Johannesburg and cities in the Global South.
In this book, Landi Raubenheimer argues that District 9’s portrayal of Johannesburg reverberates within a larger body of representations of the city, collectively shaping a unique visual ‘idiom’ for the post-apartheid city as nostalgic dystopia. Delving deeply into District 9, Raubenheimer brings to light the fascination that images of the city as nostalgic dystopia has held for filmmakers, photographers, viewers, and lovers of Johannesburg alike.
In this book, Landi Raubenheimer argues that District 9’s portrayal of Johannesburg reverberates within a larger body of representations of the city, collectively shaping a unique visual ‘idiom’ for the post-apartheid city as nostalgic dystopia. Delving deeply into District 9, Raubenheimer brings to light the fascination that images of the city as nostalgic dystopia has held for filmmakers, photographers, viewers, and lovers of Johannesburg alike.
Narratives around Sacred Places in Sinjar (Iraq) and the Islamic State’s Genocide against Yezidis
Author:
On August 3, 2014, the Sinjar region of Northern Iraq was attacked by the “Islamic State”. Killing and abducting thousands, the jihadists also destroyed many of the religious minority’s shrines. Others, however, were defended by local fighters and groups affiliated with the PKK. In the aftermath of the genocide, stories of divine intervention into the defence bolstered land claims of serveral Kurdish political groups. Through extensive fieldwork in the region, I trace imaginaries of Sinjar as a landscape of resistance and a communal history of continuous persecution to current political disputes and attempts to construct a unified Yezidi identity.
Narratives around Sacred Places in Sinjar (Iraq) and the Islamic State’s Genocide against Yezidis
Author:
On August 3, 2014, the Sinjar region of Northern Iraq was attacked by the “Islamic State”. Killing and abducting thousands, the jihadists also destroyed many of the religious minority’s shrines. Others, however, were defended by local fighters and groups affiliated with the PKK. In the aftermath of the genocide, stories of divine intervention into the defence bolstered land claims of serveral Kurdish political groups. Through extensive fieldwork in the region, I trace imaginaries of Sinjar as a landscape of resistance and a communal history of continuous persecution to current political disputes and attempts to construct a unified Yezidi identity.
Series:
Humanities and Social Sciences E-Books Online, Volume: 2025 and
Literature and Cultural Studies E-Books Online, Volume: 2025
Author:
Literature and Cultural Studies E-Books Online, Collection 2025 is the electronic version of the book publication program of Brill in the field of Literature and Cultural Studies in 2025.
Coverage:
English, German, French, Slavic, and Hispanic literatures, Modernist Studies, Literature & the Arts, Theatre Studies, Ecocriticism, Postcolonial Studies, Comparative Studies and World Literature, and Translation Studies.
This E-Book Collection is part of Brill's Literature and Cultural Studies E-Books Online Collection.
The title list and free MARC records are available for download here.
For other pricing options, consortium arrangements and free 30-day trials contact us at sales-us@brill.com (the Americas) or sales-nl@brill.com (Europe, Middle East, Africa & Asia-Pacific).
Coverage:
English, German, French, Slavic, and Hispanic literatures, Modernist Studies, Literature & the Arts, Theatre Studies, Ecocriticism, Postcolonial Studies, Comparative Studies and World Literature, and Translation Studies.
This E-Book Collection is part of Brill's Literature and Cultural Studies E-Books Online Collection.
The title list and free MARC records are available for download here.
For other pricing options, consortium arrangements and free 30-day trials contact us at sales-us@brill.com (the Americas) or sales-nl@brill.com (Europe, Middle East, Africa & Asia-Pacific).
This volume is a major contribution to the study of the life, work and standing of Joseph Brodsky, 1987 Nobel Prize Laureate and the best-known Russian poet of the second half of the twentieth century. This is the most significant book devoted to him in the last 25 years, and features work by many of the leading experts on him, both in Russia and the West. Every one of the chapters makes a real contribution to different aspects of Brodsky – the growth of interest in his work, his world view and political position, and the unique aspects of his poetics. Taken together, the sixteen chapters offer a rounded interpretation of his significance for Russian culture today.
This volume is a major contribution to the study of the life, work and standing of Joseph Brodsky, 1987 Nobel Prize Laureate and the best-known Russian poet of the second half of the twentieth century. This is the most significant book devoted to him in the last 25 years, and features work by many of the leading experts on him, both in Russia and the West. Every one of the chapters makes a real contribution to different aspects of Brodsky – the growth of interest in his work, his world view and political position, and the unique aspects of his poetics. Taken together, the sixteen chapters offer a rounded interpretation of his significance for Russian culture today.
Perspectives from Critical Theory and Beyond
Today, more than ever, it is easy to understand how populism has become such a contested word in contemporary politics. Despite its relatively short history, the term follows a rather volatile trajectory in terms of its historical development and presence as a political practice. When we look at its political and moral impact, one can see that despite its often strict national commitments and narratives, populism is rather a global political phenomenon. As embodiment of anti-establishment narratives, polarizing attitudes, and emancipatory appeal, we can follow its occurrence from Central and Eastern Europe, Latin America, the USA and UK, the Middle East, all the way to China and India. This edited volume helps fill a gap in the existing literature on Critical Theory (broadly construed) and populism, focusing on the multiple dimensions of historical and contemporary contexts for today’s rising populist movements and their often – but not necessarily – hostile relations towards cosmopolitanism, globalization, environmentalism, and general notions of inclusion and justice.
Contributors are: Emília Barna, Ronald Beiner, Dustin J. Byrd, Samir Gandesha, Carlos Antonio Giovinazzo Júnior, Mlado Ivanovic, Yonathan Listik, Grigoris Markou, Jeremiah Morelock, Felipe Ziotti Narita, Ágnes Patakfalvi- Czirják, Maria Cristina Dancham Simões and Hassan Zaheer.
Contributors are: Emília Barna, Ronald Beiner, Dustin J. Byrd, Samir Gandesha, Carlos Antonio Giovinazzo Júnior, Mlado Ivanovic, Yonathan Listik, Grigoris Markou, Jeremiah Morelock, Felipe Ziotti Narita, Ágnes Patakfalvi- Czirják, Maria Cristina Dancham Simões and Hassan Zaheer.
Perspectives from Critical Theory and Beyond
Today, more than ever, it is easy to understand how populism has become such a contested word in contemporary politics. Despite its relatively short history, the term follows a rather volatile trajectory in terms of its historical development and presence as a political practice. When we look at its political and moral impact, one can see that despite its often strict national commitments and narratives, populism is rather a global political phenomenon. As embodiment of anti-establishment narratives, polarizing attitudes, and emancipatory appeal, we can follow its occurrence from Central and Eastern Europe, Latin America, the USA and UK, the Middle East, all the way to China and India. This edited volume helps fill a gap in the existing literature on Critical Theory (broadly construed) and populism, focusing on the multiple dimensions of historical and contemporary contexts for today’s rising populist movements and their often – but not necessarily – hostile relations towards cosmopolitanism, globalization, environmentalism, and general notions of inclusion and justice.
Contributors are: Emília Barna, Ronald Beiner, Dustin J. Byrd, Samir Gandesha, Carlos Antonio Giovinazzo Júnior, Mlado Ivanovic, Yonathan Listik, Grigoris Markou, Jeremiah Morelock, Felipe Ziotti Narita, Ágnes Patakfalvi- Czirják, Maria Cristina Dancham Simões and Hassan Zaheer.
Contributors are: Emília Barna, Ronald Beiner, Dustin J. Byrd, Samir Gandesha, Carlos Antonio Giovinazzo Júnior, Mlado Ivanovic, Yonathan Listik, Grigoris Markou, Jeremiah Morelock, Felipe Ziotti Narita, Ágnes Patakfalvi- Czirják, Maria Cristina Dancham Simões and Hassan Zaheer.
Homo Mimeticus 2.0 in Art, Philosophy and Technics
Volume Editor:
It is tempting to affirm that on and about November 2022 (post)human character changed. The revolution in A.I. simulations certainly calls for an updated of the ancient realization that humans are imitative animals, or homo mimeticus. But the mimetic turn in posthuman studies is not limited to A.I.: from simulation to identification, affective contagion to viral mimesis, robotics to hypermimesis, the essays collected in this volume articulate the multiple facets of homo mimeticus 2.0. Challenging rationalist accounts of autonomous originality internal to the history of Homo sapiens, this volume argues from different—artistic, philosophical, technological—perspectives that the all too human tendency to imitate is, paradoxically, central to our ongoing process of becoming posthuman.
Homo Mimeticus 2.0 in Art, Philosophy and Technics
Volume Editor:
It is tempting to affirm that on and about November 2022 (post)human character changed. The revolution in A.I. simulations certainly calls for an updated of the ancient realization that humans are imitative animals, or homo mimeticus. But the mimetic turn in posthuman studies is not limited to A.I.: from simulation to identification, affective contagion to viral mimesis, robotics to hypermimesis, the essays collected in this volume articulate the multiple facets of homo mimeticus 2.0. Challenging rationalist accounts of autonomous originality internal to the history of Homo sapiens, this volume argues from different—artistic, philosophical, technological—perspectives that the all too human tendency to imitate is, paradoxically, central to our ongoing process of becoming posthuman.
Urban Ecotones in the Global South
Series:
Francopolyphonies, Volume: 37
Volume Editors: