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The African American Novel in the Early Twenty-First Century comprises fourteen essays, each focussing on recent, widely known fiction by acclaimed African American authors. This volume showcases the originality, diversity, and vitality of contemporary African American literature, which has reached a bewildering yet exhilarating stage of disruption and continuity between today and yesterday, homegrown and diasporic identities, and local and global interrelatedness. Additionally, it delves into the complexity of the Black literary imagination and its interaction with broader cultural contexts. Lastly, it reflects on the evolution of the African American community, its tribulations, triumphs, challenges, and prospects.
The African American Novel in the Early Twenty-First Century comprises fourteen essays, each focussing on recent, widely known fiction by acclaimed African American authors. This volume showcases the originality, diversity, and vitality of contemporary African American literature, which has reached a bewildering yet exhilarating stage of disruption and continuity between today and yesterday, homegrown and diasporic identities, and local and global interrelatedness. Additionally, it delves into the complexity of the Black literary imagination and its interaction with broader cultural contexts. Lastly, it reflects on the evolution of the African American community, its tribulations, triumphs, challenges, and prospects.
Volume Editor:
Alastair Davidson is a pioneer of global Gramsci studies, beginning with his first essays from 1968 through to the present.This volume collects his work from various difficult to access sources covering such diverse topics as the sources: Marx, Lenin, Machiavelli, Labriola and Croce; the party and workers councils, through to the question of what is living and what is dead in the legacy of Gramsci, cultural studies and subalternality, uneven development and globalization, human rights and the peasantry, literature and culture.
Gramsci in Australia
Volume Editor:
Alastair Davidson is a pioneer of global Gramsci studies, beginning with his first essays from 1968 through to the present.This volume collects his work from various difficult to access sources covering such diverse topics as the sources: Marx, Lenin, Machiavelli, Labriola and Croce; the party and workers councils, through to the question of what is living and what is dead in the legacy of Gramsci, cultural studies and subalternality, uneven development and globalization, human rights and the peasantry, literature and culture.
Utopia, History, and Revolution
Translator:
A renowned Peruvian historian, Alberto Flores Galindo (1949-1990) wrote fundamental books on Andean utopianism, José Carlos Mariátegui, subaltern Lima, and more. He participated in fiery debates on the left about Marxism, democracy, and socialism.
Written by two specialists in Peruvian history, this book addresses many of his major topics and contributions, including Peru's rupture with Spanish colonialism, his role as a Marxist public intellectual, his relationship with the Cuban Revolution, the Shining Path and human rights, and his passion for literature. The book introduces English readers to the life and work of one of Latin America's major Marxist thinkers.
Written by two specialists in Peruvian history, this book addresses many of his major topics and contributions, including Peru's rupture with Spanish colonialism, his role as a Marxist public intellectual, his relationship with the Cuban Revolution, the Shining Path and human rights, and his passion for literature. The book introduces English readers to the life and work of one of Latin America's major Marxist thinkers.
Utopia, History, and Revolution
A renowned Peruvian historian, Alberto Flores Galindo (1949-1990) wrote fundamental books on Andean utopianism, José Carlos Mariátegui, subaltern Lima, and more. He participated in fiery debates on the left about Marxism, democracy, and socialism.
Written by two specialists in Peruvian history, this book addresses many of his major topics and contributions, including Peru's rupture with Spanish colonialism, his role as a Marxist public intellectual, his relationship with the Cuban Revolution, the Shining Path and human rights, and his passion for literature. The book introduces English readers to the life and work of one of Latin America's major Marxist thinkers.
Written by two specialists in Peruvian history, this book addresses many of his major topics and contributions, including Peru's rupture with Spanish colonialism, his role as a Marxist public intellectual, his relationship with the Cuban Revolution, the Shining Path and human rights, and his passion for literature. The book introduces English readers to the life and work of one of Latin America's major Marxist thinkers.
Emblematics and the Brazilian Avant-Garde (1920-30s)
Series:
Avant-Garde Critical Studies
Author:
In Antropofagia, Aarnoud Rommens shows how this Brazilian avant-garde movement (1920-30s) deconstructed early tendencies in the European vanguard. Through imaginative re-readings, the author reinterprets Antropofagia’s central texts and images as elements within an ever-changing, neo-baroque memory palace. Not only does the movement subvert established conceptions of the pre- and postcolonial; it is also a counter-colonial critique of verbal and visual literacy. To do justice to the dynamic between visibility and legibility, Rommens develops the inventive methodology of ‘emblematics’. The book’s implications are wide-ranging, prompting a revaluation of the avant-garde as a transmedial tactic for disrupting our reading and viewing habits.
Emblematics and the Brazilian Avant-Garde (1920-30s)
Series:
Avant-Garde Critical Studies
Author:
In Antropofagia, Aarnoud Rommens shows how this Brazilian avant-garde movement (1920-30s) deconstructed early tendencies in the European vanguard. Through imaginative re-readings, the author reinterprets Antropofagia’s central texts and images as elements within an ever-changing, neo-baroque memory palace. Not only does the movement subvert established conceptions of the pre- and postcolonial; it is also a counter-colonial critique of verbal and visual literacy. To do justice to the dynamic between visibility and legibility, Rommens develops the inventive methodology of ‘emblematics’. The book’s implications are wide-ranging, prompting a revaluation of the avant-garde as a transmedial tactic for disrupting our reading and viewing habits.
Traditional narratives hold that the art and architecture of the Iberian Peninsula in the late 15th century were transformed by the arrival of artists, objects, and ideas from northern Europe. The year 1492 has been interpreted as a radical rupture, marking the end of the Islamic presence on the peninsula, the beginning of global encounters, and the intensification of exchange between Iberia and Renaissance Italy.
This volume aims to nuance and challenge this narrative, considering the Spanish and Portuguese worlds in conjunction, and emphasising the multi-directional migrations of both objects and people to and from the peninsula. This long-marginalised region is recast as a ‘diffuse artistic centre’ in close contact with Europe and the wider world. The chapters interweave varied media, geographies, and approaches to create a rich tapestry held together by itinerant artworks, artists, and ideas.
Contributors are Luís Urbano Afonso, Sylvia Alvares-Correa, Vanessa Henriques Antunes, Piers Baker-Bates, Costanza Beltrami, António Candeias, Ana Cardoso, Maria L. Carvalho, Maria José Francisco, Bart Fransen, Alexandra Lauw, Marta Manso, Eva March, Encarna Montero Tortajada, Elena Paulino Montero, Fernando António Baptista Pereira, Joana Balsa de Pinho, María Sanz Julián, Steven Saverwyns, Marco Silvestri, Maria Vittoria Spissu, Sara Valadas, Céline Ventura Teixeira, Nelleke de Vries, and Armelle Weitz.
This volume aims to nuance and challenge this narrative, considering the Spanish and Portuguese worlds in conjunction, and emphasising the multi-directional migrations of both objects and people to and from the peninsula. This long-marginalised region is recast as a ‘diffuse artistic centre’ in close contact with Europe and the wider world. The chapters interweave varied media, geographies, and approaches to create a rich tapestry held together by itinerant artworks, artists, and ideas.
Contributors are Luís Urbano Afonso, Sylvia Alvares-Correa, Vanessa Henriques Antunes, Piers Baker-Bates, Costanza Beltrami, António Candeias, Ana Cardoso, Maria L. Carvalho, Maria José Francisco, Bart Fransen, Alexandra Lauw, Marta Manso, Eva March, Encarna Montero Tortajada, Elena Paulino Montero, Fernando António Baptista Pereira, Joana Balsa de Pinho, María Sanz Julián, Steven Saverwyns, Marco Silvestri, Maria Vittoria Spissu, Sara Valadas, Céline Ventura Teixeira, Nelleke de Vries, and Armelle Weitz.