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This volume brings together thirteen case studies devoted to the establishment, growth, and demise of holy places in Muslim societies, thereby providing a global look on Muslim engagement with the emplacement of the holy. Combining research by historians, art historians, archaeologists, and historians of religion, the volume bridges different approaches to the study of the concept of “holiness” in Muslim societies. It addresses a wide range of geographical regions, from Indonesia and India to Morocco and Senegal, highlighting the strategies implemented in the making and unmaking of holy places in Muslim lands.
Contributors: David N. Edwards, Claus-Peter Haase, Beatrice Hendrich, Sara Kuehn, Zacharie Mochtari de Pierrepont, Sara Mondini, Harry Munt, Luca Patrizi, George Quinn, Eric Ross, Ruggero Vimercati Sanseverino, Ethel Sara Wolper.
Contributors: David N. Edwards, Claus-Peter Haase, Beatrice Hendrich, Sara Kuehn, Zacharie Mochtari de Pierrepont, Sara Mondini, Harry Munt, Luca Patrizi, George Quinn, Eric Ross, Ruggero Vimercati Sanseverino, Ethel Sara Wolper.
This volume brings together thirteen case studies devoted to the establishment, growth, and demise of holy places in Muslim societies, thereby providing a global look on Muslim engagement with the emplacement of the holy. Combining research by historians, art historians, archaeologists, and historians of religion, the volume bridges different approaches to the study of the concept of “holiness” in Muslim societies. It addresses a wide range of geographical regions, from Indonesia and India to Morocco and Senegal, highlighting the strategies implemented in the making and unmaking of holy places in Muslim lands.
Contributors: David N. Edwards, Claus-Peter Haase, Beatrice Hendrich, Sara Kuehn, Zacharie Mochtari de Pierrepont, Sara Mondini, Harry Munt, Luca Patrizi, George Quinn, Eric Ross, Ruggero Vimercati Sanseverino, Ethel Sara Wolper.
Contributors: David N. Edwards, Claus-Peter Haase, Beatrice Hendrich, Sara Kuehn, Zacharie Mochtari de Pierrepont, Sara Mondini, Harry Munt, Luca Patrizi, George Quinn, Eric Ross, Ruggero Vimercati Sanseverino, Ethel Sara Wolper.
Islamic art is often misrepresented as an iconophobic tradition. As a result of this assumption, the polyvalence of figural artworks made for South Asian Muslim audiences has remained hidden in plain view.
This book situates manuscript illustrations and album paintings within cultures of devotion and ritual shaped by Islamic intellectual and religious histories. Central to this story are the Mughal siblings, Jahanara Begum and Dara Shikoh, and their Sufi guide Mulla Shah.
Through detailed art historical analysis supported by new translations, this study contextualizes artworks made for Indo-Muslim patrons by putting them into direct dialogue with written testimonies.
This book situates manuscript illustrations and album paintings within cultures of devotion and ritual shaped by Islamic intellectual and religious histories. Central to this story are the Mughal siblings, Jahanara Begum and Dara Shikoh, and their Sufi guide Mulla Shah.
Through detailed art historical analysis supported by new translations, this study contextualizes artworks made for Indo-Muslim patrons by putting them into direct dialogue with written testimonies.
Islamic art is often misrepresented as an iconophobic tradition. As a result of this assumption, the polyvalence of figural artworks made for South Asian Muslim audiences has remained hidden in plain view.
This book situates manuscript illustrations and album paintings within cultures of devotion and ritual shaped by Islamic intellectual and religious histories. Central to this story are the Mughal siblings, Jahanara Begum and Dara Shikoh, and their Sufi guide Mulla Shah.
Through detailed art historical analysis supported by new translations, this study contextualizes artworks made for Indo-Muslim patrons by putting them into direct dialogue with written testimonies.
This book situates manuscript illustrations and album paintings within cultures of devotion and ritual shaped by Islamic intellectual and religious histories. Central to this story are the Mughal siblings, Jahanara Begum and Dara Shikoh, and their Sufi guide Mulla Shah.
Through detailed art historical analysis supported by new translations, this study contextualizes artworks made for Indo-Muslim patrons by putting them into direct dialogue with written testimonies.
[Ancient Architecture in Syria: The ͑Alā and Ḳaṣr Ibn Wardân]
Editor / Translator:
العلا وقصر ابن وردان من تأليف باتلر وترجمة عائشة موسى يسلط الضوء على (19) موقعًا أثريًا في المنطقة الشمالية من وسط سوريا. ويعد قصر ابن وردان تحفة عمرانية منقطعة النظير تنفرد بين جميع المواقع الأثرية في شمال سوريا بجمالها الأخَّاذ وتنوعها المذهل. وقد بدت مساقطه الأفقية وطرز عمارته ومواد بنائه مماثلة إلى حدٍ كبير لتلك المتَّبعة في تشييد الصروح الإمبراطورية التي اشتهرت في القسطنطينية خلال عهد الإمبراطور جاستينيان.
وتتباهى المنطقة بأكملها بكثرة مبانيها الأثرية التي تمثل فنونًا معماريةً متنوعةً تجسدت في نمطٍ فريدٍ اختصت به سوريا دون غيرها من البلدان؛ إذ لا يوجد في أي مكان آخر في العالم مثل هذا الغنى في أوابده الأثرية الدينية والعسكرية والسكنية والجنائزية والتي تفتح الباب واسعًا أمام كل راغبٍ في دراستها وكشف خفاياها.
وتتباهى المنطقة بأكملها بكثرة مبانيها الأثرية التي تمثل فنونًا معماريةً متنوعةً تجسدت في نمطٍ فريدٍ اختصت به سوريا دون غيرها من البلدان؛ إذ لا يوجد في أي مكان آخر في العالم مثل هذا الغنى في أوابده الأثرية الدينية والعسكرية والسكنية والجنائزية والتي تفتح الباب واسعًا أمام كل راغبٍ في دراستها وكشف خفاياها.
The ͑Alā and Ḳaṣr Ibn Wardân, written by Butler and translated by Aisha Moussa, covers (19) ancient sites in Northern Central Syria. Ḳaṣr Ibn Wardân is the most prominent architectural masterpiece which is unmatched in beauty and diversity of style among all ancient ruins in Northern Syria. It was built on a ground plan, in a style, and of material similar to those employed in the imperial edifices of Constantinople during the reign of Justinian.
The whole area boasts its great body of buildings representing every variety of architecture, in a style which is peculiar to the country. No where else are there such abundant remains of the religious, military, domestic and funerary architecture open for study and research activities.
[Ancient Architecture in Syria: The ͑Alā and Ḳaṣr Ibn Wardân]
العلا وقصر ابن وردان من تأليف باتلر وترجمة عائشة موسى يسلط الضوء على (19) موقعًا أثريًا في المنطقة الشمالية من وسط سوريا. ويعد قصر ابن وردان تحفة عمرانية منقطعة النظير تنفرد بين جميع المواقع الأثرية في شمال سوريا بجمالها الأخَّاذ وتنوعها المذهل. وقد بدت مساقطه الأفقية وطرز عمارته ومواد بنائه مماثلة إلى حدٍ كبير لتلك المتَّبعة في تشييد الصروح الإمبراطورية التي اشتهرت في القسطنطينية خلال عهد الإمبراطور جاستينيان.
وتتباهى المنطقة بأكملها بكثرة مبانيها الأثرية التي تمثل فنونًا معماريةً متنوعةً تجسدت في نمطٍ فريدٍ اختصت به سوريا دون غيرها من البلدان؛ إذ لا يوجد في أي مكان آخر في العالم مثل هذا الغنى في أوابده الأثرية الدينية والعسكرية والسكنية والجنائزية والتي تفتح الباب واسعًا أمام كل راغبٍ في دراستها وكشف خفاياها.
وتتباهى المنطقة بأكملها بكثرة مبانيها الأثرية التي تمثل فنونًا معماريةً متنوعةً تجسدت في نمطٍ فريدٍ اختصت به سوريا دون غيرها من البلدان؛ إذ لا يوجد في أي مكان آخر في العالم مثل هذا الغنى في أوابده الأثرية الدينية والعسكرية والسكنية والجنائزية والتي تفتح الباب واسعًا أمام كل راغبٍ في دراستها وكشف خفاياها.
The ͑Alā and Ḳaṣr Ibn Wardân, written by Butler and translated by Aisha Moussa, covers (19) ancient sites in Northern Central Syria. Ḳaṣr Ibn Wardân is the most prominent architectural masterpiece which is unmatched in beauty and diversity of style among all ancient ruins in Northern Syria. It was built on a ground plan, in a style, and of material similar to those employed in the imperial edifices of Constantinople during the reign of Justinian.
The whole area boasts its great body of buildings representing every variety of architecture, in a style which is peculiar to the country. No where else are there such abundant remains of the religious, military, domestic and funerary architecture open for study and research activities.
Migration is no longer a movement from the rural to the urban, but rather from city to city or from the city to the metropolis in this swiftly urbanising world. This book uses new paradigms to explain why urban movements rise from the development of cities and are gradually increasing. It urges new Urban Studies to recognise that the rate of urbanisation occurring in developing regions is higher than that of developed regions and that the change is profound. A multidisciplinary approach is a prerequisite for Urban Studies to understand urban movements and the struggle for urban space in the nearby future of cities worldwide.
Migration is no longer a movement from the rural to the urban, but rather from city to city or from the city to the metropolis in this swiftly urbanising world. This book uses new paradigms to explain why urban movements rise from the development of cities and are gradually increasing. It urges new Urban Studies to recognise that the rate of urbanisation occurring in developing regions is higher than that of developed regions and that the change is profound. A multidisciplinary approach is a prerequisite for Urban Studies to understand urban movements and the struggle for urban space in the nearby future of cities worldwide.
The series Documenta Coranica is dedicated to the study of history of the Qurʾānic text as manifested in manuscripts and other sources. Documenta Coranica publishes witnesses of the Qurʾān from the early period in the shape of facsimile, accompanied by transcription and a commentary. The series makes codices on parchment, papyri, inscriptions, variant readings and other relevant sources for the history of the Qurʾān, accessible to the academic public. The first volumes contain manuscript fragments from Sanaa (DAM 01-25.1, DAM 01-27.1, DAM 01-29.1), the manuscript Ma VI 165 (Tübingen), and the codex Or. 2165 of the British Library.
The series comprises two sections: Manuscripta contains facsimile editions of Qurʾānic manuscripts with a line-by-line transcript in Modern Arabic script on the opposite page and a commentary about codicology, paleography, variant readings and verse numbering explaining content and characteristics of each manuscript. Testimonia et Studia contains studies about material evidence for the history of the Qurʾān, as manifested on papyrus, stone and rock inscriptions etc., as well in exegetical, narrative and philological sources.
Documenta Coranica inscribes itself into a German-French cooperation: in the framework of the research project Coranica, 2011-2014, and Paleocoran 2015-2018, both funded by the Deutsche Forschungsgemeinschaft and the Agence Nationale de la Recherche.
The series comprises two sections: Manuscripta contains facsimile editions of Qurʾānic manuscripts with a line-by-line transcript in Modern Arabic script on the opposite page and a commentary about codicology, paleography, variant readings and verse numbering explaining content and characteristics of each manuscript. Testimonia et Studia contains studies about material evidence for the history of the Qurʾān, as manifested on papyrus, stone and rock inscriptions etc., as well in exegetical, narrative and philological sources.
Documenta Coranica inscribes itself into a German-French cooperation: in the framework of the research project Coranica, 2011-2014, and Paleocoran 2015-2018, both funded by the Deutsche Forschungsgemeinschaft and the Agence Nationale de la Recherche.
The studies in this volume go beyond the question of the authenticity of Prophetic narrations, which has occupied the field of Hadith Studies for over a century. By approaching hadith narrations and literature from various perspectives, the authors seek to uncover the potential that hadith material has to better understand the intellectual and social history of Muslim societies. Applying concepts and methods from other disciplines, the authors study the materiality of hadith collections, the places they were read, and the ways they were incorporated in architecture. Additionally, they explore understudied genres such as the forty-hadith, the faḍāʾil, aḥādīth al-aḥkām, and ʿawālī collections. As such, they set a new course to push the field of Hadith Studies in a new direction.
The studies in this volume go beyond the question of the authenticity of Prophetic narrations, which has occupied the field of Hadith Studies for over a century. By approaching hadith narrations and literature from various perspectives, the authors seek to uncover the potential that hadith material has to better understand the intellectual and social history of Muslim societies. Applying concepts and methods from other disciplines, the authors study the materiality of hadith collections, the places they were read, and the ways they were incorporated in architecture. Additionally, they explore understudied genres such as the forty-hadith, the faḍāʾil, aḥādīth al-aḥkām, and ʿawālī collections. As such, they set a new course to push the field of Hadith Studies in a new direction.