Formerly the Nag Hammadi Studies Series, which includes the complete Coptic Gnostic Library, this series - a world leader in its field - publishes research monographs and tools on a broad range of topics in the fields of Gnostic and Manichaean studies. Titles include The Spiritual Seed (E. Thomassen), The Gospel of Judas in Context (M. Scopello), Nag Hammadi Bibliography 1995-2006 (D.M. Scholer), New Light on Manichaeism (J. D. BeDuhn), and Mani's Pictures (Z. Gulácsi).
The series published an average of three volumes per year over the last 5 years.
Published under the Auspices of the Department of Antiquities of the Arab Republic of Egypt in Conjunction with the United Nations Educational, Scientific, and Cultural Organization.
The collection of thirteen codices found in upper Egypt near Nag Hammadi in 1946 is one of the major archaeological discoveries of our time. Apparently the library of a Gnostic community in late antiquity, the codices are a repository of important spiritual materials from throughout the ancient world. Hence a thorough analysis of this new material is indispensable for any proper understanding of the history of religions in this period. The rich documentation which the codices add to early Coptic text material promises to raise to a new precision the historical analysis of that language.
This edition presents collotype reproductions in natural size of all folios of the thirteen codices as well as reproductions of the covers and photographs previously taken of fragments that are now lost.
This paper presents the novel argument that John Milton’s Paradise Lost shows clear evidence of Gnostic influence. While the potential influence of gnostic concepts on Milton has been noted before, previous work has been partial, suggestive, and/or limited to other of Milton’s works. Here, we build on the case made by Michael Bryson regarding Milton’s Paradise Regained by providing our own reading of four core themes in the prior Paradise Lost through a gnostic lens: (1) the manner of creation through the Son, (2) Milton’s understanding of materialism, (3) the Son’s attitude orientation toward outward displays of power, and (4) the parallels between Milton’s Eve and the gnostic Sophia. We ground this argument around Milton’s Gnosticism by presenting the historical case that Milton had access to, and was likely persuaded by, key aspects of ancient Gnosticism found within both Christian heresiologists (e.g., Irenaeus, Tertullian) and Neoplatonism (Plotinus). We then survey our core themes of Paradise Lost, presenting evidence around where ancient Gnosticism – in concert with other, often overlapping influences such as Neoplatonism and parabiblical literature – seems to provide the best framework for understanding certain, distinct elements of Milton’s conceptual and poetic frameworks.