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With this analysis of Sol images, Steven E. Hijmans paints a new picture of the solar cult in ancient Rome. The paucity of literary evidence led Hijmans to prioritize visual sources, and he opens this study with a thorough discussion of the theoretical and methodological issues involved. Emphasizing the danger of facile equivalencies between visual and verbal meanings, his primary focus is Roman praxis, manifest in, for instance, the strict patterning of Sol imagery. These patterns encode core concepts that Sol imagery evoked when deployed, and in those concepts we recognize the bedrock of Rome’s understandings of the sun and his cult. Case studies illustrate these concepts in action and the final chapter analyzes the historical context in which previous, now discredited views on Sol could arise.
With this analysis of Sol images, Steven E. Hijmans paints a new picture of the solar cult in ancient Rome. The paucity of literary evidence led Hijmans to prioritize visual sources, and he opens this study with a thorough discussion of the theoretical and methodological issues involved. Emphasizing the danger of facile equivalencies between visual and verbal meanings, his primary focus is Roman praxis, manifest in, for instance, the strict patterning of Sol imagery. These patterns encode core concepts that Sol imagery evoked when deployed, and in those concepts we recognize the bedrock of Rome’s understandings of the sun and his cult. Case studies illustrate these concepts in action and the final chapter analyzes the historical context in which previous, now discredited views on Sol could arise.
This is part I of a two-part set.
This is part I of a two-part set.
With this analysis of Sol images, Steven E. Hijmans paints a new picture of the solar cult in ancient Rome. The paucity of literary evidence led Hijmans to prioritize visual sources, and he opens this study with a thorough discussion of the theoretical and methodological issues involved. Emphasizing the danger of facile equivalencies between visual and verbal meanings, his primary focus is Roman praxis, manifest in, for instance, the strict patterning of Sol imagery. These patterns encode core concepts that Sol imagery evoked when deployed, and in those concepts we recognize the bedrock of Rome’s understandings of the sun and his cult. Case studies illustrate these concepts in action and the final chapter analyzes the historical context in which previous, now discredited views on Sol could arise.
This is part I of a two-part set.
This is part I of a two-part set.
With this analysis of Sol images, Steven E. Hijmans paints a new picture of the solar cult in ancient Rome. The paucity of literary evidence led Hijmans to prioritize visual sources, and he opens this study with a thorough discussion of the theoretical and methodological issues involved. Emphasizing the danger of facile equivalencies between visual and verbal meanings, his primary focus is Roman praxis, manifest in, for instance, the strict patterning of Sol imagery. These patterns encode core concepts that Sol imagery evoked when deployed, and in those concepts we recognize the bedrock of Rome’s understandings of the sun and his cult. Case studies illustrate these concepts in action and the final chapter analyzes the historical context in which previous, now discredited views on Sol could arise.
This is volume II of a two-volume set.
This is volume II of a two-volume set.
With this analysis of Sol images, Steven E. Hijmans paints a new picture of the solar cult in ancient Rome. The paucity of literary evidence led Hijmans to prioritize visual sources, and he opens this study with a thorough discussion of the theoretical and methodological issues involved. Emphasizing the danger of facile equivalencies between visual and verbal meanings, his primary focus is Roman praxis, manifest in, for instance, the strict patterning of Sol imagery. These patterns encode core concepts that Sol imagery evoked when deployed, and in those concepts we recognize the bedrock of Rome’s understandings of the sun and his cult. Case studies illustrate these concepts in action and the final chapter analyzes the historical context in which previous, now discredited views on Sol could arise.
This is volume II of a two-volume set.
This is volume II of a two-volume set.
Abstract
This article is an appreciative and critical engagement with Tucker Ferda’s book, Jesus, the Gospels, and the Galilean Crisis.
Josephus wrote his most impactful history, The Judean War, in seven volumes. The volume translated here and furnished with a full historical commentary, is pivotal. Filled with high drama and penetrating assessments of human behavior under extreme duress, it brings readers from Galilee and mass suicide at Gamala in the Golan to Vespasian’s rise to imperial power. In between, Josephus explains how first John of Gischala and then Simon bar Giora came to be the two dominant figures in Jerusalem, setting up the siege of Titus. This volume also introduces the war’s most famous antagonists: the Zealots (or Disciples).
Josephus wrote his most impactful history, The Judean War, in seven volumes. The volume translated here and furnished with a full historical commentary, is pivotal. Filled with high drama and penetrating assessments of human behavior under extreme duress, it brings readers from Galilee and mass suicide at Gamala in the Golan to Vespasian’s rise to imperial power. In between, Josephus explains how first John of Gischala and then Simon bar Giora came to be the two dominant figures in Jerusalem, setting up the siege of Titus. This volume also introduces the war’s most famous antagonists: the Zealots (or Disciples).
Suppression and Selection in the Lives and Moralia
The act of recording anything is at the same time an act of silencing. Choices are made at every step about what to keep and what to discard. Examining what Plutarch has left out enriches our understanding of what he has chosen to say, and both deepens our knowledge of the literary practices of this influential writer and opens new and fruitful lines of enquiry about Plutarch, his work, and his world.
Suppression and Selection in the Lives and Moralia
The act of recording anything is at the same time an act of silencing. Choices are made at every step about what to keep and what to discard. Examining what Plutarch has left out enriches our understanding of what he has chosen to say, and both deepens our knowledge of the literary practices of this influential writer and opens new and fruitful lines of enquiry about Plutarch, his work, and his world.
Abstract
Plutarch’s portraits of leaders in the Lives reflect a careful blending of incidents from a hero’s personal life and his political and military career, which together provide exempla to guide readers in cultivating moral character and effectiveness in managing public affairs. Designing these portraits required being selective about the details of a person’s life. As Plutarch indicated at Cimon 2.4–5, a representation had to retain the undesirable elements of a man’s character without giving them undue prominence. On this basis, it seems reasonable that Plutarch might have omitted key incidents which, if included, would have over-emphasized one virtue or vice. Similarly, a balanced portrait of a man’s successes and failures in managing political or military matters might also necessitate selective exclusion of episodes described by historians. Against this backdrop, the question arises: to what extent can Plutarch’s omission of key incidents from a Life be viewed as purposeful fine-tuning of his narrative to clarify certain lessons in leadership? This issue is here investigated in the context of the Alcibiades, Agesilaus and Fabius Maximus. It will be shown that Plutarch’s silences and omission of well-known episodes impact the ethical and pragmatic lessons in these Lives, and serve to sharpen the focus on the specific lessons in leadership that each Life was designed to convey.