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Often considered as the first phenomenon of mass media in history, the use of books and prints by Protestants has been widely studied and has generated a rich and plentiful bibliography. In contrast, the production and use of these supports by the partisans of the Counter-Reformation have not received the attention they deserve, especially in the context of the Low Countries.

The twelve contributors provide new perspectives on the efficacy of the handpress book industry to support the Catholic strategy of the Spanish Low Countries and underlines the mutually beneficial relationship between proponents of the Counter-Reformation and the typographic world. It is therefore also an important contribution to our understanding of sociocultural and socioeconomic background of the Catholic Netherlands.
The influence of censorship on the intellectual and political life in the Habsburg Monarchy during the period under scrutiny can hardly be overstated. This study examines the institutional foundations, operating principles, and results of the censorial activity through analysis of the prohibition lists and examination of the censors themselves. The effects of censorship on the authors, publishers, and booksellers of the time are illustrated with the help of contemporary documents. Numerous case studies focus on individual works forbidden by the censors: Romanticists like Ludwig Tieck and E. T. A. Hoffmann and even authors of classic German literature like Wieland, Goethe, and Schiller saw their works slashed, as did writers of popular French and English novels and plays. An annex documents the most important regulations along with a selection of censorial reports.     
This Liber Amicorum was presented to Dr. Peter van der Krogt on 24 June 2022 on the occasion of his retirement as Jansonius curator of the collection of maps & atlases at Allard Pierson at the University of Amsterdam. A large number of colleagues from home and abroad have written a personal and/or scientific contribution, in which they express their appreciation for Peter, or reminisce or discuss a topic from the core area of Peter's own research field: atlases and globes. In this way the rich, forty-year-long career of Peter is highlighted in various ways.

This book also contains a biography and a complete list of publications of Peter.
In: Quaerendo

Abstract

The Spiegel Historiael (1284–1317) is a Middle Dutch translation of Vincent de Beauvais’ Speculum Historiale which was initiated by Jacob van Maerlant and completed by Philip Utenbroeke and Lodewijk van Velthem. The text survives in various manuscripts and fragments, except the Fourth part, started by Maerlant and finished by Velthem, which has only been fragmentarily preserved. Two newly discovered pieces of parchment (Tilburg A and B) at the Regionaal Archief Tilburg were part of an unknown, early fourteenth-century Spiegel Historiael manuscript. Only Tilburg A contains text, i.e. part of the table of rubrics for three books, including the transition between Maerlant’s and Velthem’s work. Its use as binding material has rendered the recto of Tilburg A largely illegible. At the Centre for the Study of Manuscript Cultures in Hamburg, Multispectral Imaging and X-Ray fluorescence spectroscopy were applied to Tilburg A, greatly increasing our understanding of the fragment. Palaeographical and codicological analyses showed that the original codex to which the fragments belonged was made between 1315–c.1330. The text is written in a Brabantine dialect. These properties situate the fragments in temporal and geographical proximity to Lodewijk van Velthem. Furthermore, we claim the same decorator was responsible for the penwork in both Tilburg A and the Velthem-owned Lancelot Compilation. This could place the fragments in a wider network of scribes and decorators around Velthem. This article provides the first study of the fragments and an edition of Tilburg A.

Comparisons with both the Spiegel Historiael manuscript at the Koninklijke Bibliotheek in The Hague as well as a fifteenth-century German prose translation reveal distinctive variants between the latter two texts and Tilburg A.

In: Quaerendo
In: Quaerendo

Abstract

In this article, we analyse a sammelband of incunabula held at the Diocesan Library of Córdoba, which we believe belonged to William Hewster († 1492), a clergyman and professor at Oxford. It contains six incunabula from Antwerp, Leuven, Paris and Oxford, printed in the workshops of Gerard Leeu (3), John of Westphalia, Antoine Caillaut, and Theodoric Rood & Thomas Hunte. Among the works is the only known copy of Elegantiae terminorum ex Laurentio Valla et aliis collectae, Antwerp: Gerard Leeu, 7.XI.1487 (GW M35200) and the only complete copy of Ars memorativa by Jacobus Publicius [Paris: Antoine Caillaut, 1483–90] (GW M36439).

In: Quaerendo
Series Editors: Jutta Ernst and Oliver Scheiding
Studies in Periodical Cultures (SPC) contributes to the bourgeoning field of periodical studies, exploring magazines, newspapers, and other forms of serialized media in (trans)national contexts. Research into periodicals is of high interest to many because of the medium’s pervasiveness and its enmeshment with the formation of cultural identities. This book series considers periodicals as important artifacts, seeking to assess their role for processes of cultural transfer and translation. SPC looks at how periodicals evolve in and through networks of people, material infrastructures, media markets, and changing technologies. Likewise, the community-building potential of periodicals will be considered. SPC wants to determine what function periodicals have as sites of affection, but also as aesthetic and material sources for the arts and literature. The book series produces a much-needed bridge between historical/archival approaches and present work in the field of media studies by highlighting the legacies and trajectories of the periodical business from 18th-century print to the digital age.

SPC invites contributions from a range of disciplines including approaches developed in the humanities and social sciences. Transnational approaches to periodical studies, which provide, among others, fresh insights into foreign language publications, the role of international editions, the ethnic press, and related issues like race, gender, and sexuality are all welcome. SPC also promotes the ‘business turn’ in periodical studies and highlights material and legal frameworks, design, translation, marketing and consumption. It solicits studies about editorial procedures, the distribution, and the reception of periodicals. This book series encourages work about regional, national, and transnational communication networks, investigating, for instance, how rival publications and their interrelated dynamics shape the periodicals’ formal, material, and visual attributes. In practice, SPC proposes to study periodicals less as autonomous objects, but rather as agents embedded in changing historical contexts. SPC thus offers theoretical and methodological approaches to an interdisciplinary, transnational conception of periodical studies, and publishes peer-reviewed volumes in different languages.

Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Christa Stevens.
Please advise our Guidelines for a Book Proposal.
We strongly recommend the use of the Chicago Manual of Style in this series.

Subject areas for exploration:
Periodicals and Transculturality
Literary Magazines as Transnational Periodicals
Transnational Periodicals and the Ethnic Press
Transnational Periodicals, Typography, and Graphic Communication
Transnational Periodicals and the Production of Knowledge
Periodical Studies and the Impact of the Archive
Regionalism and Transnational Periodicals
In: Censorship of Literature in Austria, 1751-1848
In: Censorship of Literature in Austria, 1751-1848