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From a divinatory technique it evolved into a complex ritual practice used to transmit messages and revelations from the Gods. This resulted in the production of countless religious scriptures that now form an essential corpus, widely venerated and recited to this day, that is still largely untapped by research.
Using historical and ethnographic approaches, this volume for the first time offers a comprehensive overview of the history of spirit-writing, examining its evolution over a millennium, the practices and technologies used, and the communities involved.
From a divinatory technique it evolved into a complex ritual practice used to transmit messages and revelations from the Gods. This resulted in the production of countless religious scriptures that now form an essential corpus, widely venerated and recited to this day, that is still largely untapped by research.
Using historical and ethnographic approaches, this volume for the first time offers a comprehensive overview of the history of spirit-writing, examining its evolution over a millennium, the practices and technologies used, and the communities involved.
It elucidates not only the reception of Chinese fiction in Chosŏn Korea (1392–1910), but also the fascinating ways in which this particular story lives on in modern Korea. The author specifically explores the dissemination, adaptations, and translations of the work to elucidate how Three Kingdoms has spoken to Korean readers. In short, this book shows how a quintessentially Chinese work equally developed into a Korean work.
It elucidates not only the reception of Chinese fiction in Chosŏn Korea (1392–1910), but also the fascinating ways in which this particular story lives on in modern Korea. The author specifically explores the dissemination, adaptations, and translations of the work to elucidate how Three Kingdoms has spoken to Korean readers. In short, this book shows how a quintessentially Chinese work equally developed into a Korean work.
Contributors to this edited volume demonstrate the diverse ways in which rural people build futures in this unique policy landscape and how their aspirations and desires are articulated as projects involving both citizens and the state. This produces a politics of development that happens through and around the state as people navigate discourses of betterment to imagine and make new futures at individual and collective levels.
Contributors to this edited volume demonstrate the diverse ways in which rural people build futures in this unique policy landscape and how their aspirations and desires are articulated as projects involving both citizens and the state. This produces a politics of development that happens through and around the state as people navigate discourses of betterment to imagine and make new futures at individual and collective levels.
Although Wu was one of the famous Three Kingdoms, its administrative history was poorly known until these documents were found, so we have written this book to explain the context and content of these document to help researchers use these valuable texts to rewrite the history of South China.
Although Wu was one of the famous Three Kingdoms, its administrative history was poorly known until these documents were found, so we have written this book to explain the context and content of these document to help researchers use these valuable texts to rewrite the history of South China.
Jue Chen not only argues in his work that Du Fu was constructed according to particular literary and intellectual agendas of Song literati but also that conventional labels applied to Du Fu do not accurately represent this construction campaign. He also discusses how Du Fu’s image as the greatest poet sheds unique light on issues that can deepen our understanding of the subtleties in the poetic culture of Song China.
Jue Chen not only argues in his work that Du Fu was constructed according to particular literary and intellectual agendas of Song literati but also that conventional labels applied to Du Fu do not accurately represent this construction campaign. He also discusses how Du Fu’s image as the greatest poet sheds unique light on issues that can deepen our understanding of the subtleties in the poetic culture of Song China.