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From Animators’ Perspectives
Volume Editor: Daisy Yan Du
This volume on Chinese animation and socialism is the first in English that introduces the insider viewpoints of socialist animators at the Shanghai Animation Film Studio in China. Although a few monographs have been published in English on Chinese animation, they are from the perspective of scholars rather than of the animators who personally worked on the films, as discussed in this volume. Featuring hidden histories and names behind the scenes, precious photos, and commentary on rarely seen animated films, this book is a timely and useful reference book for researchers, students, animators, and fans interested in Chinese and even world animation.

This book originated from the Animators’ Roundtable Forum (April 2017 at the Hong Kong University of Science and Technology), organized by the Association for Chinese Animation Studies.
Handbook of the Colour Print in China 1600-1800 is a ground-breaking volume of collected research into colour woodblock printed imagery produced in early modern China. The emergence and development of colour woodblock imagery occurred first in book illustrations and then in single-sheet prints.

Leading scholars of Chinese print culture trace the emergence of a sophisticated and fully developed colour woodblock print technology between the late Ming and mid-Qing. This volume examines the impact of colour prints on Qing visual culture through interdisciplinary studies investigating literary and artistic contexts, social and economic histories, and dating through European inventoried collections.

Richly illustrated with full-colour reproductions, this volume is an essential contribution to the future study of Chinese print and book culture.
In: Chinese Animation and Socialism
In: Chinese Animation and Socialism
In: Chinese Animation and Socialism
In: Chinese Animation and Socialism
In: Chinese Animation and Socialism
In: Chinese Animation and Socialism
In: Chinese Animation and Socialism
In: Chinese Animation and Socialism