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This is the first book in English on Chinese-language digital media in Australia. The book comes at a time when the relationship between China and the West is at its most troubling since the end of the Cold War. Combining rich ethnographic insights with dispassionate analysis, this investigation into Australia’s Chinese-language digital and social media sheds new light on how migrants from the People’s Republic of China negotiate two media, cultural and political systems. The book is a timely antidote to the polarized and often simplistic positions that dominate ongoing debates about the Chinese diaspora and diasporic media, and injects much-needed nuance into analyses of the changing face of Chinese transnationalism.
Chinese-Language Media in Australia
Series:
Chinese Overseas, Volume: 21
This is the first book in English on Chinese-language digital media in Australia. The book comes at a time when the relationship between China and the West is at its most troubling since the end of the Cold War. Combining rich ethnographic insights with dispassionate analysis, this investigation into Australia’s Chinese-language digital and social media sheds new light on how migrants from the People’s Republic of China negotiate two media, cultural and political systems. The book is a timely antidote to the polarized and often simplistic positions that dominate ongoing debates about the Chinese diaspora and diasporic media, and injects much-needed nuance into analyses of the changing face of Chinese transnationalism.
How did people solve their disputes over debt, compensation, inheritance and other civil matters in early China? Did they go to court? How did the authorities view those problems? Using recently excavated early Chinese legal materials, Zhang Zhaoyang makes the compelling argument that civil law was not only developed, but also acquired a certain degree of sophistication during the Qin and Han dynasties. The state promulgated detailed regulations to deal with economic and personal relationships between individuals. The authorities formed an integral part of the formal justice system, and heard civil cases on a regular basis.
How did people solve their disputes over debt, compensation, inheritance and other civil matters in early China? Did they go to court? How did the authorities view those problems? Using recently excavated early Chinese legal materials, Zhang Zhaoyang makes the compelling argument that civil law was not only developed, but also acquired a certain degree of sophistication during the Qin and Han dynasties. The state promulgated detailed regulations to deal with economic and personal relationships between individuals. The authorities formed an integral part of the formal justice system, and heard civil cases on a regular basis.
Individual Nations and Cases
Series:
East and West, Volume: 13.2
Volume Editor:
Considering the important impact of Asian cultures on international relations, we conducted a multifaceted analysis and authentic summary of the Asian experiences and patterns of dealing with foreign relations from an Asian insider’s perspective, aiming to find out where the diverging or converging diplomatic ways of the West and the East came from and what the positive diplomatic values and practices originated from Asian traditions are.
Focusing on China, volume one thoroughly analyses the nature, political culture and mechanism of the tribute system from ancient time to the modern era within and beyond China. Volume two studies the culture and diplomacy of various individual Asian nations except for China, both in general and in particular cases, with an interdisciplinary approach.
考慮到亞洲文化對國際關係之影響的特殊重要性, 我們從一個亞洲局内人的角度, 對亞洲處理對外關係的經歷和模式進行了多方面的分析和真實可信的總結, 以發現在哪裏東西方的外交方式出現了分歧或聚合, 以及什麽是源於亞洲傳統的具有積極意義之外交價值觀. 卷一集中于中國, 徹底分析了朝貢體系的本質, 政治文化及其從古至近代以及在中國境外的延申和演變.
卷二以跨學科的方式, 探討了除中國以外亞洲各國不同的文化和外交, 既有綜合分析, 也有個案研究.
Focusing on China, volume one thoroughly analyses the nature, political culture and mechanism of the tribute system from ancient time to the modern era within and beyond China. Volume two studies the culture and diplomacy of various individual Asian nations except for China, both in general and in particular cases, with an interdisciplinary approach.
考慮到亞洲文化對國際關係之影響的特殊重要性, 我們從一個亞洲局内人的角度, 對亞洲處理對外關係的經歷和模式進行了多方面的分析和真實可信的總結, 以發現在哪裏東西方的外交方式出現了分歧或聚合, 以及什麽是源於亞洲傳統的具有積極意義之外交價值觀. 卷一集中于中國, 徹底分析了朝貢體系的本質, 政治文化及其從古至近代以及在中國境外的延申和演變.
卷二以跨學科的方式, 探討了除中國以外亞洲各國不同的文化和外交, 既有綜合分析, 也有個案研究.
Individual Nations and Cases
Series:
East and West, Volume: 13.2
Volume Editor:
Considering the important impact of Asian cultures on international relations, we conducted a multifaceted analysis and authentic summary of the Asian experiences and patterns of dealing with foreign relations from an Asian insider’s perspective, aiming to find out where the diverging or converging diplomatic ways of the West and the East came from and what the positive diplomatic values and practices originated from Asian traditions are.
Focusing on China, volume one thoroughly analyses the nature, political culture and mechanism of the tribute system from ancient time to the modern era within and beyond China. Volume two studies the culture and diplomacy of various individual Asian nations except for China, both in general and in particular cases, with an interdisciplinary approach.
考慮到亞洲文化對國際關係之影響的特殊重要性, 我們從一個亞洲局内人的角度, 對亞洲處理對外關係的經歷和模式進行了多方面的分析和真實可信的總結, 以發現在哪裏東西方的外交方式出現了分歧或聚合, 以及什麽是源於亞洲傳統的具有積極意義之外交價值觀. 卷一集中于中國, 徹底分析了朝貢體系的本質, 政治文化及其從古至近代以及在中國境外的延申和演變.
卷二以跨學科的方式, 探討了除中國以外亞洲各國不同的文化和外交, 既有綜合分析, 也有個案研究.
Focusing on China, volume one thoroughly analyses the nature, political culture and mechanism of the tribute system from ancient time to the modern era within and beyond China. Volume two studies the culture and diplomacy of various individual Asian nations except for China, both in general and in particular cases, with an interdisciplinary approach.
考慮到亞洲文化對國際關係之影響的特殊重要性, 我們從一個亞洲局内人的角度, 對亞洲處理對外關係的經歷和模式進行了多方面的分析和真實可信的總結, 以發現在哪裏東西方的外交方式出現了分歧或聚合, 以及什麽是源於亞洲傳統的具有積極意義之外交價值觀. 卷一集中于中國, 徹底分析了朝貢體系的本質, 政治文化及其從古至近代以及在中國境外的延申和演變.
卷二以跨學科的方式, 探討了除中國以外亞洲各國不同的文化和外交, 既有綜合分析, 也有個案研究.
Deconstructing hentai kanbun
How is it possible to write down the Japanese language exclusively in Chinese characters? And how are we then able to determine the language behind the veil of the Chinese script as Japanese? The history of writing in Japan presents us with a fascinating variety of writing styles ranging from phonography to morphography and all shades in between.
In Japanese Morphography: Deconstructing hentai kanbun, Gordian Schreiber shows that texts traditionally labelled as “hentai kanbun” or “variant Chinese” are, in fact, morphographically written Japanese texts instead and not just the result of an underdeveloped skill in Chinese. The study fosters our understanding of writing system typology beyond phonographic writing.
In Japanese Morphography: Deconstructing hentai kanbun, Gordian Schreiber shows that texts traditionally labelled as “hentai kanbun” or “variant Chinese” are, in fact, morphographically written Japanese texts instead and not just the result of an underdeveloped skill in Chinese. The study fosters our understanding of writing system typology beyond phonographic writing.
Deconstructing hentai kanbun
How is it possible to write down the Japanese language exclusively in Chinese characters? And how are we then able to determine the language behind the veil of the Chinese script as Japanese? The history of writing in Japan presents us with a fascinating variety of writing styles ranging from phonography to morphography and all shades in between.
In Japanese Morphography: Deconstructing hentai kanbun, Gordian Schreiber shows that texts traditionally labelled as “hentai kanbun” or “variant Chinese” are, in fact, morphographically written Japanese texts instead and not just the result of an underdeveloped skill in Chinese. The study fosters our understanding of writing system typology beyond phonographic writing.
In Japanese Morphography: Deconstructing hentai kanbun, Gordian Schreiber shows that texts traditionally labelled as “hentai kanbun” or “variant Chinese” are, in fact, morphographically written Japanese texts instead and not just the result of an underdeveloped skill in Chinese. The study fosters our understanding of writing system typology beyond phonographic writing.
By examining the life and thought of self-exiled Chinese intellectuals after 1949 by placing them in the context of the global Cold War, Kenneth Kai-chung Yung argues that Chinese intellectuals living in Hong Kong, Taiwan and overseas Chinese communities in the 1950s could not escape from the global anti-utopian Cold War currents. Each of them responded to such currents quite differently. Yung also examines different models of nation-building advocated by the émigré intellectuals and argues in his book that these émigré intellectuals inherited directly the multifaceted Chinese liberal tradition that was well developed in the Republican era (1911–1949). Contrary to existing literature that focus mostly on the New Confucians or the liberals, this study highlights that moderate socialists cannot be ignored as an important group of Chinese émigré intellectuals in the first two decades of the Cold War era. This book will inspire readers who are concerned about the prospects for democracy in contemporary China by painting a picture of the Chinese self-exiles’ experiences in the 1950s and 1960s.
By examining the life and thought of self-exiled Chinese intellectuals after 1949 by placing them in the context of the global Cold War, Kenneth Kai-chung Yung argues that Chinese intellectuals living in Hong Kong, Taiwan and overseas Chinese communities in the 1950s could not escape from the global anti-utopian Cold War currents. Each of them responded to such currents quite differently. Yung also examines different models of nation-building advocated by the émigré intellectuals and argues in his book that these émigré intellectuals inherited directly the multifaceted Chinese liberal tradition that was well developed in the Republican era (1911–1949). Contrary to existing literature that focus mostly on the New Confucians or the liberals, this study highlights that moderate socialists cannot be ignored as an important group of Chinese émigré intellectuals in the first two decades of the Cold War era. This book will inspire readers who are concerned about the prospects for democracy in contemporary China by painting a picture of the Chinese self-exiles’ experiences in the 1950s and 1960s.
Series:
China Studies, Volume: 42
Volume Editor:
Chinese Families Upside Down offers the first systematic account of how intergenerational dependence is redefining the Chinese family. The authors make a collective effort to go beyond the conventional model of filial piety to explore the rich, nuanced, and often unexpected new intergenerational dynamics. Supported by ethnographic findings from the latest field research, novel interpretations of neo-familism address critical issues from fresh perspectives, such as the ambivalence in grandparenting, the conflicts between individual and family interests, the remaking of the moral self in the face of family crises, and the decisive influence of the Chinese state on family change. The book is an essential read for scholars and students of China studies in particular and for those who are interested in the present-day family and kinship in general.
Series:
China Studies, Volume: 42
Volume Editor:
Chinese Families Upside Down offers the first systematic account of how intergenerational dependence is redefining the Chinese family. The authors make a collective effort to go beyond the conventional model of filial piety to explore the rich, nuanced, and often unexpected new intergenerational dynamics. Supported by ethnographic findings from the latest field research, novel interpretations of neo-familism address critical issues from fresh perspectives, such as the ambivalence in grandparenting, the conflicts between individual and family interests, the remaking of the moral self in the face of family crises, and the decisive influence of the Chinese state on family change. The book is an essential read for scholars and students of China studies in particular and for those who are interested in the present-day family and kinship in general.
A Study of Manuscripts, Texts, and Contexts in Memory of John R. McRae
Series:
Numen Book Series, Volume: 165
Chán Buddhism in Dūnhuáng and Beyond: A Study of Manuscripts, Texts, and Contexts in Memory of John R. McRae is dedicated to the memory of the eminent Chán scholar John McRae and investigates the spread of early Chán in a historical, multi-lingual, and interreligious context. Combining the expertise of scholars of Chinese, Tibetan, Uighur, and Tangut Buddhism, the edited volume is based on a thorough study of manuscripts from Dūnhuáng, Turfan, and Karakhoto, tracing the particular features of Chán in the Northwestern and Northern regions of late medieval China.
A Study of Manuscripts, Texts, and Contexts in Memory of John R. McRae
Series:
Numen Book Series, Volume: 165
Chán Buddhism in Dūnhuáng and Beyond: A Study of Manuscripts, Texts, and Contexts in Memory of John R. McRae is dedicated to the memory of the eminent Chán scholar John McRae and investigates the spread of early Chán in a historical, multi-lingual, and interreligious context. Combining the expertise of scholars of Chinese, Tibetan, Uighur, and Tangut Buddhism, the edited volume is based on a thorough study of manuscripts from Dūnhuáng, Turfan, and Karakhoto, tracing the particular features of Chán in the Northwestern and Northern regions of late medieval China.
As China is being increasingly integrated into the global economy, more and more Chinese people live transnational lives and practice religion globally. So far scholarship of the relationship between religion and globalization in the Chinese religious field has primarily been set in the historical context of the encounter between Western Christian missionaries and local Chinese agents, and little is known about a global Chinese religious field that is in the making. The Annual Review of the Sociology of Religion volume 11: Chinese Religions Going Global seeks to challenge the dichotomous ordering of the western global and the Chinese local, and to add a new perspective for understanding religious modernity globally. Contributors from four continents who represent a range of specialisms apply social scientific methods in order to systematically research the globalization of Chinese religions.
As China is being increasingly integrated into the global economy, more and more Chinese people live transnational lives and practice religion globally. So far scholarship of the relationship between religion and globalization in the Chinese religious field has primarily been set in the historical context of the encounter between Western Christian missionaries and local Chinese agents, and little is known about a global Chinese religious field that is in the making. The Annual Review of the Sociology of Religion volume 11: Chinese Religions Going Global seeks to challenge the dichotomous ordering of the western global and the Chinese local, and to add a new perspective for understanding religious modernity globally. Contributors from four continents who represent a range of specialisms apply social scientific methods in order to systematically research the globalization of Chinese religions.
Chinese Visions of Progress, 1895 to 1949 offers a panoramic view of reflections on progress in modern China. Since the turn of the twentieth century, the discourses on progress shape Chinese understandings of modernity and its pitfalls. As this in-depth study shows, these discourses play a pivotal role in the fields of politics, society, culture, as well as philosophy, history, and literature. It is therefore no exaggeration to say that the Chinese ideas of progress, their often highly optimistic implications, but also the criticism of modernity they offered, opened the gateway for reflections on China’s past, its position in the present world, and its future course.
Chinese Visions of Progress, 1895 to 1949 offers a panoramic view of reflections on progress in modern China. Since the turn of the twentieth century, the discourses on progress shape Chinese understandings of modernity and its pitfalls. As this in-depth study shows, these discourses play a pivotal role in the fields of politics, society, culture, as well as philosophy, history, and literature. It is therefore no exaggeration to say that the Chinese ideas of progress, their often highly optimistic implications, but also the criticism of modernity they offered, opened the gateway for reflections on China’s past, its position in the present world, and its future course.
This volume of fourteen essays explores Chinese poetic modernism in all its facets, from its origins in the 1920s through 21st century manifestations. Modernisms in the plural reflects the complexity of the ideas and forms which can be associated with this literary-historical term. The volume’s contributors take a variety of focus points, from literary groups such as “9 Leaves” or “Bamboo Hat,” to individuals such as modernist sonneteer Feng Zhi 冯至, or Taiwan experimentalist Xia Yu 夏宇 (Hsia Yü), and Hong Kong modernist Leung Ping-kwan 梁秉钧, to non-biographically oriented chapters concerning modernist language, poetry and visual art, among other issues. Collectively, the volume endeavors to present as complete a picture of modernist practice in Chinese poetry as possible.
Series:
Sinica Leidensia, Volume: 143
This volume of fourteen essays explores Chinese poetic modernism in all its facets, from its origins in the 1920s through 21st century manifestations. Modernisms in the plural reflects the complexity of the ideas and forms which can be associated with this literary-historical term. The volume’s contributors take a variety of focus points, from literary groups such as “9 Leaves” or “Bamboo Hat,” to individuals such as modernist sonneteer Feng Zhi 冯至, or Taiwan experimentalist Xia Yu 夏宇 (Hsia Yü), and Hong Kong modernist Leung Ping-kwan 梁秉钧, to non-biographically oriented chapters concerning modernist language, poetry and visual art, among other issues. Collectively, the volume endeavors to present as complete a picture of modernist practice in Chinese poetry as possible.