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Author: Aaron Prevots
Dans Esther Tellermann: Énigme, prière, identité, première monographie consacrée à l’œuvre de l’écrivain, Aaron Prevots met en lumière un regard poétique novateur sur des réalités tant intérieures qu’extérieures. Il montre comment Tellermann (1947-) explore l’intime du monde, ses textures et ses contours, ses terres insituables semblant s’entrecroiser, et le rêve et le mythe faits tremplin pour une traversée renouvelée de l’Histoire et du deuil. Il appréhende le caractère énigmatique de longues suites de chants dont la forme peut s’apparenter à celle de la prière, ainsi que les enjeux identitaires d’un dire singulièrement ouvert à l’Autre. En examinant des textes de 1999-2019, Aaron Prevots souligne le lyrisme décentré d’un poète majeur et la présence de ses pairs comme interlocuteurs.

In Esther Tellermann: Enigma, Prayer, Identity, the first book-length study of the writer’s œuvre, Aaron Prevots highlights her innovative poetic approach to inner and outer realities. He shows how Tellermann (1947-) explores the world’s innermost structures, its textures and contours, its indeterminate places that seemingly intersect, and dreams and myth as springboards for experiencing anew historical turning points and timeless rites of mourning. He considers the enigmatic quality of long suites of poetic song whose form can resemble that of prayer, as well as the stakes regarding identity when poetic expression foregrounds openness to the Other. In examining texts from 1999-2019, Aaron Prevots emphasizes this major poet’s decentered lyricism and the presence of fellow writers as interlocutors.
Iceland and Ireland, two North-Atlantic islands on the periphery or Europe, share a long history that reaches back to the ninth century. Direct contact between the islands has ebbed and flowed like their shared Atlantic tides over the subsequent millennium, with long blanks and periods of apparently very little exchange, transit or contact. These relational and regularly ruptured histories, discontinuities and dispossessions are discussed here less to cover (again) the well-trodden ground of our national traditions. Rather, this volume productively illuminates how a variety of memory modes, expressed in trans-cultural productions and globalized genre forms, such as the stick and ball games, museums cultures, crime novels, the lyric poem, the medieval codex or historical fiction, operate in multi-directional ways as fluid transnational agents of change in and between the two islands. At the same time, there is an alertness to the ways in which physical, political and linguistic isolation and exposure have also made these islands places of forgetting.
Author: Fred Orton
Fred Orton’s teaching and writing has always combined theoretical and formal – which to say structural - analysis with historical research and reflection. This collection of essays – rewritten studies of Paul Cézanne, Jasper Johns, the American cultural critic Harold Rosenberg and a new essay on Marx and Engels’ notion of ideology – brings together some of his most decisive contributions to thinking about fine art practice and rethinking the theory and methods of the social history of art. More than an anthology, it offers a vivid demonstration of how theory can work to generate new interpretations and unsettle old ones.
Posthumanism and Ancestrality
Before Humanity takes up the question of the post- in the posthuman from the position of ancestrality. Speculating about who or what comes after the human inevitably throws us back to our very beginnings. The before in Before Humanity in this context takes on two meanings: 1) what happened before we apparently became human? – which translates into a critical reading of paleo-anthropology, as well as evolutionary narratives of hominization; 2) living through the end of a certain (humanist, anthropocentric) notion of humanity, what tasks lie before us? – which provokes a critical reading of the Anthropocene and current narratives of geologization.
In other words, Before Humanity investigates conceptualizations of humanity and asks whether we have ever been human and if not, what could, or maybe what should we have been?
Towards a New Theoretical Justification of Biography
Volume Editors: Hans Renders and David Veltman
Recent academic historiography has seen a profusion of theoretical perspectives on biography, both analytical and descriptive. Yet many biographers still fear ‘theory’ as antithetical to accessible narration of real lives.

This volume presents eighteen essays by more than a dozen scholars and practitioners from Australia, Belgium, Germany, Great Britain, Holland, Hungary, Iceland, and the United States who seek to banish such fear. Writing with candor, wide experience and familiarity with modern teaching, they examine the riches greeting the biographer willing to think more deeply about biography: its inner workings and rationale in a world still hungry for fact and truth.

Contributors are: Nigel Hamilton, Sigurður Gylfi Magnússon, Emma McEwin, Melanie Nolan, Kerstin Maria Pahl, Eric Palmen, Hans Renders, Carl Rollyson, David T. Roth, István M. Szijártó, Jeffrey Tyssens, and David Veltman.
A Complete English Translation
Author: Sohrab Sepehri
Editors / Translators: Pouneh Shabani-Jadidi and Prashant Keshavmurthy
The Eight Books: A Complete English Translation is the first complete translation of the collected poems of Sohrab Sepehri (1928-1980), a major Iranian modernist poet and painter and yet under-translated into English. The introduction takes up Sepehri's famously difficult if languidly beautiful style to explain it as a series of appropriations of global modernisms in poetry and painting. It offers close readings of how Sepehri's modernism follows and breaks with the jagged rhythms of Nima Yushij (d.1960), Iran's inaugural modernist poet. In keeping with this modernist framing, the translations replicate Sepehri's rhymes where possible, his fluctuations between formal and colloquial registers, his syntactic distortions, and his embeddings of governmental and other jargons. It also includes Sepehri's autobiography.
Author: Guido Liguori
Translator: Richard Braude
Antonio Gramsci is one of the most globally celebrated figures of twentieth-century Italy, renowned in the world for his contributions to philosophy, political theory, sociology, cultural studies and historiography. Yet his work has been equally discussed, debated and contested within Italy itself, a constant reference point – whether in fervent agreement or angry polemics – for parties and tendencies across the Italian left from the late 1910s down to our present day.
In this fundamental overview of Gramsci’s reception in Italy and his contested legacy within a range of traditions, Guido Liguori provides a balanced view of the many uses to which Gramsci’s thought has been put, with a particular focus on the important relationship with the Italian Communist Party leader, Palmiro Togliatti.

This book was first published in Italian as Gramsci conteso: Storia di un dibattito 1922-1996 by Editori Riuniti, 1996 (2nd Ed. 2012).
Volume Editor: Lee Templeton
This edited collection examines the ways in which medieval grief is both troubled and troubling––troubled in its representation, troubling to categories such as gender, identity, hierarchy, theology, and history, among others. Investigating various instantiations of grief—sorrow, sadness, and mourning; weeping and lamentation; spiritual and theological disorientation and confusion; keening and the drinking of blood; and grief-madness—through a number of theoretical lenses, including feminist, gender, and queer theories, as well as philosophical, sociological, and historical approaches to emotion, the collected essays move beyond simply describing how men and women grieve in the Middle Ages and begin interrogating the ways grief intersects with and shapes gender identity.
Contributors are Kim Bergqvist, Jim Casey, Danielle Marie Cudmore, Marjorie Housley, Erin. I. Mann, Inna Matyushina, Drew Maxwell, Kristen Mills, Jeffery G. Stoyanoff, Lee Templeton, and Kisha G. Tracy.
Literature and Cultural Studies E-Books Online, Collection 2022 is the electronic version of the book publication program of Brill in the field of Literature and Cultural Studies in 2022.

Coverage:
English, German, French, Slavic, and Hispanic literatures, Modernist Studies, Literature & the Arts, Theatre Studies, Ecocriticism, Postcolonial Studies, Comparative Studies and World Literature, and Translation Studies.

This E-Book Collection is part of Brill's Literature and Cultural Studies E-Books Online Collection.

The title list and free MARC records are available for download here.

For other pricing options, consortium arrangements and free 30-day trials contact us at sales-us@brill.com (the Americas) or sales-nl@brill.com (Europe, Middle East, Africa & Asia-Pacific).
Anthropology, Epistemology, Ethics, Space
Volume Editors: Asis De and Alessandro Vescovi
An Indian Bengali by birth, Amitav Ghosh has established himself as a major voice in what is often called world literature, addressing issues such as the post-colonial and neo-colonial predicaments, the plight of the subalterns, the origin of globalisation and capitalism, and lately ecology and migration. The volume is therefore divided according to the four domains that lie at the heart of Ghosh’s writing practice: anthropology, epistemology, ethics and space. In this volume, a number of scholars from all over the world have come together to shed new light on the works and poetics of Amitav Ghosh according to the epistemic frameworks that form the bedrock of his fiction.

Contributors: Safoora Arbab, Carlotta Beretta, Lucio De Capitani, Asis De, Lenka Filipova, Letizia Garofalo, Swapna Gopinath, Evelyne Hanquart-Turner, Sabine Lauret-Taft, Carol Leon, Kuldeep Mathur, Fiona Moolla, Sambit Panigrahi, Madhsumita Pati, Murari Prasad, Luca Raimondi, Pabitra Kumar Rana, Ilaria Rigoli, Sneharika Roy, John Thieme, Alessandro Vescovi.