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The Song Dynasty Making of China’s Greatest Poet
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Irreducible to conventional labels usually applied to him, the Tang poet Du Fu (712–770) both defined and was defined by the literary, intellectual, and socio-political cultures of the Song dynasty (960–1279).
Jue Chen not only argues in his work that Du Fu was constructed according to particular literary and intellectual agendas of Song literati but also that conventional labels applied to Du Fu do not accurately represent this construction campaign. He also discusses how Du Fu’s image as the greatest poet sheds unique light on issues that can deepen our understanding of the subtleties in the poetic culture of Song China.
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The introduction of writing enables new forms of literature, but these can be invisible in works that survive as manuscripts. Through looking at inscriptions of poetry on garbage and as graffiti, we can glimpse how literature spread along with writing.
This study uses these lesser-studied sources, including inscriptions on pottery, architecture, and especially wooden tablets known as mokkan, to uncover how poetry, and literature more broadly, was used, shared and thrown away in early Japan. Through looking at these disposable and informal sources, we explore the development of early Japanese literature, and even propose parallels to similar developments in other societies across space and time.
The Lives and Legacy of Kim Sisŭp (1435–1493) offers an account of the most extraordinary figure of Korean literature and intellectual history. The present work narrates the fascinating story of a prodigious child, acclaimed poet, author of the first Korean novel, Buddhist monk, model subject, Confucian recluse and Daoist master. No other Chosŏn scholar or writer has been venerated in both Confucian shrines and Buddhist temples, had his works widely read in Tokugawa Japan and became an integral part of the North Korean literary canon.
The nine studies and further materials presented in this volume provide a detailed look on the various aspects of Kim Sisŭp’s life and work as well as a reflection of both traditional and modern narratives surrounding his legacy. Contributors are: Vladimír Glomb, Gregory N. Evon, Dennis Wuerthner, Barbara Wall, Kim Daeyeol, Miriam Löwensteinová, Anastasia A. Guryeva, Sixiang Wang, and Diana Yüksel.
Was plurilingualism the exception or the norm in traditional Eurasian scholarship? This volume presents a selection of primary sources—in many cases translated into English for the first time—with introductions that provide fascinating historical materials for challenging notions of the ways in which traditional Eurasian scholars dealt with plurilingualism and monolingualism. Comparative in approach, global in scope, and historical in orientation, it engages with the growing discussion of plurilingualism and focuses on fundamental scholarly practices in various premodern and early modern societies—Chinese, Indian, Mesopotamian, Jewish, Islamic, Ancient Greek, and Roman—asking how these were conceived by the agents themselves. The volume will be an indispensable resource for courses on these subjects and on the history of scholarship and reflection on language throughout the world.
Alternative Models of Ethics and Axiology in Times of Global Crises
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Environmental disasters, unequal distribution of resources, viral pandemics, and other types of trans-national disasters, are global crises that cannot be solved within the narrow framework of individual nation-states. They must be addressed through global cooperation and solidarity. Such strategies require intercultural dialog that goes beyond fashionable slogans and can lead to a truly equal exchange of knowledge and ideas.

Towards this endeavour, this book by Jana S. Rošker focuses on the traditional Confucian ethic of relationism, which historically spread throughout many regions of East Asia. She examines the specific features of relational ethics and explores its possible contribution to the new global ethics.
The Rivers and Lakes Poets of the Southern Song
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Zhang explores the sociohistorical environment that produced those poets, an era of political intrigues, geopolitical threats, the rise of commodity economy, flourishing popular culture, and glamorous urban life. Poetry was their means of livelihood as they drifted between low positions or as commoners, living by procuring favors from the powerful elite. The sadness and joys of a life in precarity shaped their thematic and stylistic choices, response to contemporary literary trends, and choice of poetic models. They formed a broad social network that straddled the scholar-officials and ordinary townsmen. While their poetry reflects the characteristics and concerns of both classes, there emerged a shared voice distinctly their own that turned the tide of poetry in the 13th century.