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Selected Works of Li Bingde, Lu Jie, Wang Fengxian and Huang Ji
Editors: Ruth Hayhoe, Jun Li, and Julia Pan
This book introduces four influential Chinese educators of the later 20th century whose writings had enormous influence on many dimensions of the educational reforms which underly China’s remarkable transformation into a global superpower. None of them published in English and only Li Bingde, a leader in educational experimentation, had studied abroad. Huang Ji at Beijing Normal University was an educational philosopher who interpreted Chinese classical texts as well as arts such as calligraphy and painting in ways that brought new life to Chinese pedagogy. Lu Jie at Nanjing Normal University and Wang Fengxian at Northeast Normal University were leaders in developing a whole new approach to moral education that highlighted subjectivity and self awakening as China became a socialist market economy.
Dolgan is a severely endangered Turkic language spoken in the extreme north of the Russian Federation which has undergone noticeable substrate influence and thus exhibits grammatical structures differing from other Turkic languages. The grammar at hand is the first fully-fledged grammar of Dolgan in English language: It describes the Dolgan language system from an internal perspective basing on corpus data of natural Dolgan speech. It takes historical, comparative and typological perspectives, if applicable, but refrains from pertaining to a particular linguistic theory. Consequently, both Turcologists and general linguists can make use of it independently from their individual research question.
Grammatical Sketches of Japanese Dialects and Ryukyuan Languages
Volume Editor: Michinori Shimoji
Japanese is definitely one of the best-known languages in typological literature. For example, typologists often assume that Japanese is a nominative-accusative language. However, it is often overlooked that Japanese, or more precisely, Tokyo Japanese, is just one of various local varieties of the Japonic language family (Japanese and Ryukyuan). In fact, the Japonic languages exhibit a surprising typological diversity. For example, some varieties display a split-intransitive as opposed to nominative-accusative system. The present volume is thus a unique attempt to explore the typological diversity of Japonic by providing a collection of grammatical sketches of various local varieties, four from Japanese dialects and five from Ryukyuan. Each grammatical sketch follows the same descriptive format, addressing a wide range of typological topics.
In the past decades, the world has watched the rise of China as an economic and military power and the emergence of Chinese transnational elites. What may seem like an entirely new phenomenon marks the revival of a trend initiated at the end of the Qing. The redistribution of power, wealth and knowledge among the newly formed elites matured during the Republican period.
This volume demonstrates both the difficulty and the value of re-thinking the elites in modern China. It establishes that the study of the dynamic tensions within the elite and among elite groups in this epochal era is within reach if we are prepared to embrace forms of historical inquiry that integrate the abundant and even limitless historical resources, and to engage with the rich repertoire of digital techniques/instruments available and question our previous research paradigms.
This renewed approach brings historical research closer to an integrative data-rich history of modern China.
The Zhou Changes, better known in the West as I Ching, is one of the masterpieces of world literature.
This book, the climax of more than forty years of research in Chinese archaeology, explores the text’s origins in the oracle-bone and milfoil divinations of Bronze Age China and how it transformed over the course of the Zhou dynasty into the first of the Chinese classics.
The book provides an in-depth survey of the theory and practice of divination to demonstrate how the hexagram and line statements of the text were produced and how they were understood at the time.
Author: Stefan Talmon
Author: Tsung-i Jao
Editor / Translator: Joern Peter Grundmann
Author: Tsung-i Jao
Editor / Translator: David J. Lebovitz
Hailed in Hong Kong and internationally as one of the most influential Sinologists of modern times, Professor Jao Tsung-i had a broad range of academic interests, ranging from Chinese philosophy, history, paleography, epigraphy, archaeology, Buddhism, Dunhuang studies, to literature, calligraphy, music, and art. With his encyclopedic erudition regarding traditional China, his cosmopolitan outlook, and his inexhaustible creativity, Professor Jao transformed each field he touched.

Collected Works of Jao Tsung-I: XuanTang Anthology is one of the key initiatives of the Jao Tsung-I Academy of Sinology at Hong Kong Baptist University to promote the international dissemination of Jao's scholarship. The editors have selected some of the most important articles from Jao's career spanning eight decades. The articles have then been translated into English by experts in the respective fields so as to represent Jao's insights as faithfully as possible.

This is an Open Access book series supported by the Jao Studies Foundation and Simon Suen Foundation.
Author: Tsung-i Jao
Editor / Translator: Colin Huehns
From prehistoric bone flutes to Confucian bell-sets, from ancient divination to his beloved qin, this book presents translations of thirteen seminal essays on musical subjects by Jao Tsung-i. In language as elegant and refined as the ancient texts he so admired, his journey takes readers through Buddhist incantation, the philosophy of musical instruments, acoustical numerology, lyric poetry, historical and sociological contexts, manuscript studies, dance choreography, repertoire formulation, and opera texts. His voice is authoritative and intimate, the expert crafting his arguments, both accessible and sophisticated, succinct and richly tapestried; and concealed within a deft modesty is a thinker privileging us with his most profound observation. The musician’s musician, the scholar’s scholar, bold yet cautious, flamboyant yet restrained, a man for all seasons, a harmoniousness of time and place.