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Selected Essays
Volume Editor:
The establishment of the People’s Republic of China in 1949 heralded dramatic changes in Chinese cultural practices. This volume, the latest entry in the Historical Studies of Contemporary China series, includes 11 articles translated from Historical Studies of Contemporary China (Dangdai Zhongguo shi yanjiu), one of China’s leading academic journals.
The broad range of cultural forms covered include the book trade and publishing industry, comic strips, literacy and education, popular visual art, Peking Opera, and rural temple fairs. This volume introduces readers to cutting edge Chinese language scholarship and a vibrant cultural scene as it transitioned to the era of the People’s Republic, tracing the continuities as well as the changes in cultural life in China throughout the 20th century.
The broad range of cultural forms covered include the book trade and publishing industry, comic strips, literacy and education, popular visual art, Peking Opera, and rural temple fairs. This volume introduces readers to cutting edge Chinese language scholarship and a vibrant cultural scene as it transitioned to the era of the People’s Republic, tracing the continuities as well as the changes in cultural life in China throughout the 20th century.
Selected Essays
Volume Editor:
The establishment of the People’s Republic of China in 1949 heralded dramatic changes in Chinese cultural practices. This volume, the latest entry in the Historical Studies of Contemporary China series, includes 11 articles translated from Historical Studies of Contemporary China (Dangdai Zhongguo shi yanjiu), one of China’s leading academic journals.
The broad range of cultural forms covered include the book trade and publishing industry, comic strips, literacy and education, popular visual art, Peking Opera, and rural temple fairs. This volume introduces readers to cutting edge Chinese language scholarship and a vibrant cultural scene as it transitioned to the era of the People’s Republic, tracing the continuities as well as the changes in cultural life in China throughout the 20th century.
The broad range of cultural forms covered include the book trade and publishing industry, comic strips, literacy and education, popular visual art, Peking Opera, and rural temple fairs. This volume introduces readers to cutting edge Chinese language scholarship and a vibrant cultural scene as it transitioned to the era of the People’s Republic, tracing the continuities as well as the changes in cultural life in China throughout the 20th century.
The Ideas and Identities of Two Cantonese Socialists, 1917–1928
Series:
China Studies, Volume: 51
In this book, Xuduo Zhao revisits the early twentieth-century Chinese revolution by focusing on two forgotten Cantonese socialists: Chen Gongbo and Tan Pingshan. By analyzing a host of previously untapped primary sources, Zhao discovers a social democratic approach within the newly founded Chinese Communist Party and argues that its decline marked a key moment in the Chinese communist movement.
The study of these two figures, and the ebbs and flows of their lives, reflects and reveals the fundamental tensions in the Chinese revolution which have shaped China’s political trajectory to contemporary times and the broader political, social, and cultural landscapes of Republican China.
The study of these two figures, and the ebbs and flows of their lives, reflects and reveals the fundamental tensions in the Chinese revolution which have shaped China’s political trajectory to contemporary times and the broader political, social, and cultural landscapes of Republican China.
The Ideas and Identities of Two Cantonese Socialists, 1917–1928
Series:
China Studies, Volume: 51
In this book, Xuduo Zhao revisits the early twentieth-century Chinese revolution by focusing on two forgotten Cantonese socialists: Chen Gongbo and Tan Pingshan. By analyzing a host of previously untapped primary sources, Zhao discovers a social democratic approach within the newly founded Chinese Communist Party and argues that its decline marked a key moment in the Chinese communist movement.
The study of these two figures, and the ebbs and flows of their lives, reflects and reveals the fundamental tensions in the Chinese revolution which have shaped China’s political trajectory to contemporary times and the broader political, social, and cultural landscapes of Republican China.
The study of these two figures, and the ebbs and flows of their lives, reflects and reveals the fundamental tensions in the Chinese revolution which have shaped China’s political trajectory to contemporary times and the broader political, social, and cultural landscapes of Republican China.
The Song Dynasty Making of China’s Greatest Poet
Irreducible to conventional labels usually applied to him, the Tang poet Du Fu (712–770) both defined and was defined by the literary, intellectual, and socio-political cultures of the Song dynasty (960–1279).
Jue Chen not only argues in his work that Du Fu was constructed according to particular literary and intellectual agendas of Song literati but also that conventional labels applied to Du Fu do not accurately represent this construction campaign. He also discusses how Du Fu’s image as the greatest poet sheds unique light on issues that can deepen our understanding of the subtleties in the poetic culture of Song China.
Jue Chen not only argues in his work that Du Fu was constructed according to particular literary and intellectual agendas of Song literati but also that conventional labels applied to Du Fu do not accurately represent this construction campaign. He also discusses how Du Fu’s image as the greatest poet sheds unique light on issues that can deepen our understanding of the subtleties in the poetic culture of Song China.
The Song Dynasty Making of China’s Greatest Poet
Irreducible to conventional labels usually applied to him, the Tang poet Du Fu (712–770) both defined and was defined by the literary, intellectual, and socio-political cultures of the Song dynasty (960–1279).
Jue Chen not only argues in his work that Du Fu was constructed according to particular literary and intellectual agendas of Song literati but also that conventional labels applied to Du Fu do not accurately represent this construction campaign. He also discusses how Du Fu’s image as the greatest poet sheds unique light on issues that can deepen our understanding of the subtleties in the poetic culture of Song China.
Jue Chen not only argues in his work that Du Fu was constructed according to particular literary and intellectual agendas of Song literati but also that conventional labels applied to Du Fu do not accurately represent this construction campaign. He also discusses how Du Fu’s image as the greatest poet sheds unique light on issues that can deepen our understanding of the subtleties in the poetic culture of Song China.