List price
EUR €159.00USD $191.00
Browse results
Unfolding Narratives
Premodern architecture and built environments were fluid spaces whose configurations and meanings were constantly adapting and changing. The production of transitory meaning transpired whenever a body or object moved through these dynamic spaces. Whether spanning the short duration of a procession or the centuries of a building’s longue durée, a body or object in motion created in-the-moment narratives that unfolded through time and space. The authors in this volume forge new approaches to architectural studies by focusing on the interaction between monuments, artworks, and their viewers at different points in space and time.
Contributors are Christopher A. Born, Elizabeth Carson Pastan, Nicole Corrigan, Gillian B. Elliott, Barbara Franzé, Anne Heath, Philip Jacks, Divya Kumar-Dumas, Brigitte Kurmann-Schwarz, Ashley J. Laverock, Susan Leibacher Ward, Elodie Leschot, Meghan Mattsson McGinnis, Michael Sizer, Kelly Thor, and Laura J. Whatley.
Contributors are Christopher A. Born, Elizabeth Carson Pastan, Nicole Corrigan, Gillian B. Elliott, Barbara Franzé, Anne Heath, Philip Jacks, Divya Kumar-Dumas, Brigitte Kurmann-Schwarz, Ashley J. Laverock, Susan Leibacher Ward, Elodie Leschot, Meghan Mattsson McGinnis, Michael Sizer, Kelly Thor, and Laura J. Whatley.
Unfolding Narratives
Premodern architecture and built environments were fluid spaces whose configurations and meanings were constantly adapting and changing. The production of transitory meaning transpired whenever a body or object moved through these dynamic spaces. Whether spanning the short duration of a procession or the centuries of a building’s longue durée, a body or object in motion created in-the-moment narratives that unfolded through time and space. The authors in this volume forge new approaches to architectural studies by focusing on the interaction between monuments, artworks, and their viewers at different points in space and time.
Contributors are Christopher A. Born, Elizabeth Carson Pastan, Nicole Corrigan, Gillian B. Elliott, Barbara Franzé, Anne Heath, Philip Jacks, Divya Kumar-Dumas, Brigitte Kurmann-Schwarz, Ashley J. Laverock, Susan Leibacher Ward, Elodie Leschot, Meghan Mattsson McGinnis, Michael Sizer, Kelly Thor, and Laura J. Whatley.
Contributors are Christopher A. Born, Elizabeth Carson Pastan, Nicole Corrigan, Gillian B. Elliott, Barbara Franzé, Anne Heath, Philip Jacks, Divya Kumar-Dumas, Brigitte Kurmann-Schwarz, Ashley J. Laverock, Susan Leibacher Ward, Elodie Leschot, Meghan Mattsson McGinnis, Michael Sizer, Kelly Thor, and Laura J. Whatley.
Familiarity and the Material Culture of North China, 1000-2000
At the intersection of art and religious history, this work suggests a fresh method for studying Chinese gods and sacred places. Susan Naquin tells the full story of the transformations of the Lady of Mount Tai, North China’s most important female deity, and her mountain home. This generously illustrated visual history presents a rich array of overlooked statues, prints, murals, and paintings of gods that were discovered in museums, auctions, and extensive travel. By focusing on ordinary images, temples, and region-based materiality Naquin demonstrates how this flexibly gendered new god flourished while her male predecessor was neglected. Both suffered greatly during the last century, but Mount Tai continues to be a culturally significant monument and China’s most popular tourist mountain.
Familiarity and the Material Culture of North China, 1000-2000
At the intersection of art and religious history, this work suggests a fresh method for studying Chinese gods and sacred places. Susan Naquin tells the full story of the transformations of the Lady of Mount Tai, North China’s most important female deity, and her mountain home. This generously illustrated visual history presents a rich array of overlooked statues, prints, murals, and paintings of gods that were discovered in museums, auctions, and extensive travel. By focusing on ordinary images, temples, and region-based materiality Naquin demonstrates how this flexibly gendered new god flourished while her male predecessor was neglected. Both suffered greatly during the last century, but Mount Tai continues to be a culturally significant monument and China’s most popular tourist mountain.
This volume unites a team of distinguished scholars from France, Germany, Italy, the UK, and the USA to celebrate Rosalind B. Brooke’s immense contribution to Franciscan studies over the last 60 years. It is divided into four sections, beginning with an appraisal of Dr Brooke’s influence upon Franciscan studies. The second section contains a series of historical studies and expressions of the Franciscan spirit. Hagiographical studies occupy the third section, reflecting the friars’ ministry and the thirst for the renewal of the Franciscan vision. The fourth part explores the art and iconographical images of St. Francis and his friars. These innovative studies reflect new insights into and interpretations of Franciscan life in the Middle Ages.
Contributors are (n order of appearance) Michael W. Blastic, O.F.M., Maria Pia Alberzoni, Bert Roest, Michael F. Cusato, O.F.M., Jens Röhrkasten, David Luscombe, Luigi Pellegrini. Peter Murray Jones, Maria Teresa Dolso, Michael J.P. Robson, André Vauchez, David Burr, William R. Cook, Nigel Morgan, and Kathleen Giles Arthur.
Contributors are (n order of appearance) Michael W. Blastic, O.F.M., Maria Pia Alberzoni, Bert Roest, Michael F. Cusato, O.F.M., Jens Röhrkasten, David Luscombe, Luigi Pellegrini. Peter Murray Jones, Maria Teresa Dolso, Michael J.P. Robson, André Vauchez, David Burr, William R. Cook, Nigel Morgan, and Kathleen Giles Arthur.
This volume unites a team of distinguished scholars from France, Germany, Italy, the UK, and the USA to celebrate Rosalind B. Brooke’s immense contribution to Franciscan studies over the last 60 years. It is divided into four sections, beginning with an appraisal of Dr Brooke’s influence upon Franciscan studies. The second section contains a series of historical studies and expressions of the Franciscan spirit. Hagiographical studies occupy the third section, reflecting the friars’ ministry and the thirst for the renewal of the Franciscan vision. The fourth part explores the art and iconographical images of St. Francis and his friars. These innovative studies reflect new insights into and interpretations of Franciscan life in the Middle Ages.
Contributors are (n order of appearance) Michael W. Blastic, O.F.M., Maria Pia Alberzoni, Bert Roest, Michael F. Cusato, O.F.M., Jens Röhrkasten, David Luscombe, Luigi Pellegrini. Peter Murray Jones, Maria Teresa Dolso, Michael J.P. Robson, André Vauchez, David Burr, William R. Cook, Nigel Morgan, and Kathleen Giles Arthur.
Contributors are (n order of appearance) Michael W. Blastic, O.F.M., Maria Pia Alberzoni, Bert Roest, Michael F. Cusato, O.F.M., Jens Röhrkasten, David Luscombe, Luigi Pellegrini. Peter Murray Jones, Maria Teresa Dolso, Michael J.P. Robson, André Vauchez, David Burr, William R. Cook, Nigel Morgan, and Kathleen Giles Arthur.