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SPC invites contributions from a range of disciplines including approaches developed in the humanities and social sciences. Transnational approaches to periodical studies, which provide, among others, fresh insights into foreign language publications, the role of international editions, the ethnic press, and related issues like race, gender, and sexuality are all welcome. SPC also promotes the ‘business turn’ in periodical studies and highlights material and legal frameworks, design, translation, marketing and consumption. It solicits studies about editorial procedures, the distribution, and the reception of periodicals. This book series encourages work about regional, national, and transnational communication networks, investigating, for instance, how rival publications and their interrelated dynamics shape the periodicals’ formal, material, and visual attributes. In practice, SPC proposes to study periodicals less as autonomous objects, but rather as agents embedded in changing historical contexts. SPC thus offers theoretical and methodological approaches to an interdisciplinary, transnational conception of periodical studies, and publishes peer-reviewed volumes in different languages.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Christa Stevens.
Please advise our Guidelines for a Book Proposal.
We strongly recommend the use of the Chicago Manual of Style in this series.
Subject areas for exploration:
Periodicals and Transculturality
Literary Magazines as Transnational Periodicals
Transnational Periodicals and the Ethnic Press
Transnational Periodicals, Typography, and Graphic Communication
Transnational Periodicals and the Production of Knowledge
Periodical Studies and the Impact of the Archive
Regionalism and Transnational Periodicals
Johan Peter Gumbert (1936–2016), who studied palaeography and codicology with Gerard Isaac Lieftinck (1902–1994) at Leiden University, is an international renowned scholar with an excellent track record. Some of Gumbert’s publications have become classics in the fields of palaeography and codicology, such as his dissertation
Abstract
The Spiegel Historiael (1284–1317) is a Middle Dutch translation of Vincent de Beauvais’ Speculum Historiale which was initiated by Jacob van Maerlant and completed by Philip Utenbroeke and Lodewijk van Velthem. The text survives in various manuscripts and fragments, except the Fourth part, started by Maerlant and finished by Velthem, which has only been fragmentarily preserved. Two newly discovered pieces of parchment (Tilburg A and B) at the Regionaal Archief Tilburg were part of an unknown, early fourteenth-century Spiegel Historiael manuscript. Only Tilburg A contains text, i.e. part of the table of rubrics for three books, including the transition between Maerlant’s and Velthem’s work. Its use as binding material has rendered the recto of Tilburg A largely illegible. At the Centre for the Study of Manuscript Cultures in Hamburg, Multispectral Imaging and X-Ray fluorescence spectroscopy were applied to Tilburg A, greatly increasing our understanding of the fragment. Palaeographical and codicological analyses showed that the original codex to which the fragments belonged was made between 1315–c.1330. The text is written in a Brabantine dialect. These properties situate the fragments in temporal and geographical proximity to Lodewijk van Velthem. Furthermore, we claim the same decorator was responsible for the penwork in both Tilburg A and the Velthem-owned Lancelot Compilation. This could place the fragments in a wider network of scribes and decorators around Velthem. This article provides the first study of the fragments and an edition of Tilburg A.
Comparisons with both the Spiegel Historiael manuscript at the Koninklijke Bibliotheek in The Hague as well as a fifteenth-century German prose translation reveal distinctive variants between the latter two texts and Tilburg A.
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Abstract
In this article, we analyse a sammelband of incunabula held at the Diocesan Library of Córdoba, which we believe belonged to William Hewster († 1492), a clergyman and professor at Oxford. It contains six incunabula from Antwerp, Leuven, Paris and Oxford, printed in the workshops of Gerard Leeu (3), John of Westphalia, Antoine Caillaut, and Theodoric Rood & Thomas Hunte. Among the works is the only known copy of Elegantiae terminorum ex Laurentio Valla et aliis collectae, Antwerp: Gerard Leeu, 7.XI.1487 (GW M35200) and the only complete copy of Ars memorativa by Jacobus Publicius [Paris: Antoine Caillaut, 1483–90] (GW M36439).
Philological Encounters Monographs is a supplement to the journal Philological Encounters
This book also contains a biography and a complete list of publications of Peter.
This book also contains a biography and a complete list of publications of Peter.
Van de Ven’s descriptive bibliography studies, contextualizes, and records all aspects of the publication history of Spinoza’s writings from manuscript to print and assesses their immediate reception. It discusses the printed books’ codicology, philology, typographical and textual relationships, illustration programmes, as well as their dissemination in early Enlightenment Europe, in view of the physical aspects of 1,246 extant copies and their provenance.
Van de Ven’s descriptive bibliography studies, contextualizes, and records all aspects of the publication history of Spinoza’s writings from manuscript to print and assesses their immediate reception. It discusses the printed books’ codicology, philology, typographical and textual relationships, illustration programmes, as well as their dissemination in early Enlightenment Europe, in view of the physical aspects of 1,246 extant copies and their provenance.
The volume includes chapters on the history of the library to the Restoration (Jane Stevenson) and from Restoration to Enlightenment (Kelsey Jackson Williams) as well as a detailed discussion of the library's reconstruction (William Zachs and Jackson Williams), a full catalogue, and appendices.
The volume includes chapters on the history of the library to the Restoration (Jane Stevenson) and from Restoration to Enlightenment (Kelsey Jackson Williams) as well as a detailed discussion of the library's reconstruction (William Zachs and Jackson Williams), a full catalogue, and appendices.