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Abstract
Migration from Portuguese and Spanish-speaking countries has produced over two hundred Evangelical/Pentecostal congregations in the Nordic region during the early twenty-first century. These churches attract people of diverse backgrounds, demanding ongoing negotiations to keep their distinctive existence. I argue that their existence is owed to shared interpretative practices of the Bible and migration experiences, shaping each other, and forming interpretive communities. Based on an ethnographic investigation, five significant themes characterize Latin congregations in the Nordics as interpretive communities, 1) family worship, 2) incubating churches, 3) intercultural families, 4) transnational connection, and 5) hermeneutics of prophecy. These close-knit, connected, and family-like congregations represent a form of migrant self-theologizing for a Christian witness in a pluralistic Nordic region.
Abstract
This paper narrates the conversion story of the Chinese statesman and scholar John C. H. Wu at the beginning of the Second World War in Asia. Wu’s conversion to Catholicism was the culmination of a public intellectual’s struggle for peace and harmony in the violent and disturbing decades of the new Republic. Wu represented a Chinese humanist school of thought that desired some form of meaningful synthesis and integration between Chinese culture and western modernity for the salvation and reconstruction of their country. Though his political hopes were shattered by the war, he found inspiration through an encounter with Thérèse of Lisieux, who showed him the possibility of peace and reconciliation between East and West, between tradition and modernity, and between Chinese and Christian religions.
Each volume contains substantial original essays by many of the world’s foremost scholars, essays which not only cover basic information and well-known issues but which also venture into areas as yet untouched by modern scholarship. An essential tool for anyone interested in Buddhism.
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By promoting research that assembles material from across East Asia (the area in which, historically, written Chinese was a major language of religion and culture), this book series will make possible a broader view of regional interactions that does not privilege one locale or one vector of exchange. To do so, it will be essential to publish work in English by scholars from and of all parts of East Asia alongside that of researchers working in Europe and North America.
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The nine studies and further materials presented in this volume provide a detailed look on the various aspects of Kim Sisŭp’s life and work as well as a reflection of both traditional and modern narratives surrounding his legacy. Contributors are: Vladimír Glomb, Gregory N. Evon, Dennis Wuerthner, Barbara Wall, Kim Daeyeol, Miriam Löwensteinová, Anastasia A. Guryeva, Sixiang Wang, and Diana Yüksel.
The nine studies and further materials presented in this volume provide a detailed look on the various aspects of Kim Sisŭp’s life and work as well as a reflection of both traditional and modern narratives surrounding his legacy. Contributors are: Vladimír Glomb, Gregory N. Evon, Dennis Wuerthner, Barbara Wall, Kim Daeyeol, Miriam Löwensteinová, Anastasia A. Guryeva, Sixiang Wang, and Diana Yüksel.
Abstract
The study offers a close look at the sections in Kim Sisŭp’s collected works entitled “Writing” and “Books and Drawings”, which contain poems on artistic creativity and aesthetic thought. In these, Kim Sisŭp tries to voice his ideas concerning the process of creating a work, the relation between painting, calligraphy, writing and a song and describes his views on how to address a person’s senses through the appropriate means. The study deals also with other issues regarding features of the poet’s views on artistic works/texts being created and perceived, all considered within the context of Korean and more general East Asian literature. Kim Sisŭp’s view on literature is discussed together with a wealth of material on the same topic by other Korean authors of the Koryŏ and Chosŏn eras.
Abstract
As one of the Six Surviving Subjects (saengyuksin), Kim Sisŭp has long been identified with loyalism, but such a multifaceted figure resists reduction to a single label. This chapter examines the construction of Kim Sisŭp’s memory as a loyalist figure during the Chosŏn period, one which coalesced only gradually over the centuries after his death. By dissecting the process of Kim’s elevation, it teases out critical aspects of early Chosŏn political culture, in particular the shifting ground between Confucian moral ideals and the authority of Korean kingship, as well as the domination of the sarim-centered narratives in the historiography of early Chosŏn history. They point to how the Chosŏn past has been filtered by the agendas of historical actors that framed political conflict in moral terms. The result was in a historical record that is less documentary than recursive—that is to say, how historical memory became site of repeated revisionism is what explains Kim Sisŭp’s eventual apotheosis as an exemplary loyalist.