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This series looks at the different literary traditions of the United States, including African American literature, Native American literature, Chicano and US latino literature, Asian American literature, as well as emergent literatures such as Indian or Arab American.
Although the series' focus is mostly comparative, multiethnic, and intercultural, it also welcomes feature analyses of single literary traditions.
Issues of race, ethnicity, class gender, and the interspace between the political and the aesthetic, among other possible topics, figure prominently in the series.

Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
Europe, Africa and the Americas, 1500-1830
Series Editors: and
The explosion of boundaries that took place in the early modern period—cultural and intellectual, no less than social and political—is the subject of this exciting series that explores the meeting of peoples, products, ideas, and traditions in the early modern Americas, Africa, and Europe. The Atlantic World provides a forum for scholarly work—original monographs, article collections, editions of primary sources translations—on these exciting global mixtures and their impact on culture, politics and society in the period bridging the original Columbian "encounter" and the abolition of slavery. It moves away from traditional historiographical emphases that isolate continents and nation-states and toward a broader terrain that includes non-European perspectives. It also encourages a wider disciplinary approach to early modern studies. Themes will include the commerce of ideas and products; the exchange of religions and traditions; the institution of slavery; the transfer of technologies; the development of new forms of political, social and economic policy. It welcomes studies that employ diverse forms of analysis and from all scholarly disciplines, including anthropology, archaeology, art history, history (including the history of science), linguistics, literature, music, philosophy, and religious studies.

Manuscripts (preferably in English) should be 90,000 to 180,000 words in length and may include illustrations. The editors would be interested to receive proposals for specialist monographs and syntheses but may also consider multi-authored contributions such as conference proceedings and edited volumes, as well as thematic works and source translations.
Author:
Early African Caribbean Newspapers as Archipelagic Media in the Emancipation Age shows how two Black-edited periodical publications in the early decades of the nineteenth century worked towards emancipation through medium-specific interventions across material and immaterial lines. More concretely, this book proposes an archipelagic framework for understanding the emancipatory struggles of the Antiguan Weekly Register in St. John’s and the Jamaica Watchman in Kingston. Complicating the prevalent narrative about the Register and the Watchman as organs of the free people of color, this book continues to explore the heterogeneity and evolution of Black newspaper print on the liberal spectrum. As such, Early African Caribbean Newspapers makes the case that the Register and the Watchman participated in shaping the contemporary communication market in the Caribbean. To do so, this study engages deeply with both the textuality and materiality of the newspaper and presents fresh visual material.
Author:
The presidency of Donald J. Trump, has had a considerable impacts on American politics and society. One of these was his altering of the comedic mood in America, taking comedy away from many of its traditions. His presidency turned comedy into political weaponry, as comedians on the liberal side of politics turned their efforts to ridiculing Trump’s buffoonish persona, while on the conservative side, a Trump-supportive group of comedians mocked those very comedians who opposed Trump. Trump himself emerged as a comedian, performing his dark, caustic, comical routines with consummate skill at his rallies. If comedy is a pulse for a country, then it is legitimate to ask if that pulse still beating, even after Trump lost reelection in 2020. This book will address this question, examining how Trump’s presidency interrupted the historical flow of American comedic traditions, and how it spread a dark mood throughout American society.
Volume Editors: , , and
This groundbreaking collection of essays tells the surprising story of how the American Western has shaped world literature, fueling provocative novels and reflections about national identity, settler colonialism, and violence. Containing nineteen chapters spanning Asia, Africa, the Americas, Australia, Europe, Israel, and New Zealand, as well as a guiding, critical introduction, this book opens an exciting new chapter in the study of popular culture, literature, and globalization. Through this international lens, the literary Western casts off the categories of juvenilia and formula to come into focus as a vital and creative statement about identity, power, and history.

Contributors are: Zbigniew Białas, Manuela Borzone, Flavia Brizio-Skov, Alex Calder, Neil Campbell, Christopher Conway, Samir Dayal, Joel Deshaye, Johannes Fehrle, MaryEllen Higgins, Emily Hind, Shelly Jarenski, Rachel Leket-Mor, Warren Motte, Andrew Nette, Marek Paryż, David Rio, Steffen Wöll, and Sergei Zhuk
Author:

Abstract

The 45th American president, Donald J. Trump, had a considerable impact on the comedic mood in America during his presidential tenure, drastically altering its style and historical flow. His presidency turned comedy into political weaponry, dividing it, like the country, into two camps—a Trump-supportive comedy emerged and a powerful anti-Trump comedy. Significantly, Trump himself adopted his own form of dark, caustic, comedy with consummate skill at his myriad rallies. No other president had ever come close to performing a clownish act in the same way. This book looks at Trump’s effect on American comedy, juxtaposing comedic traditions in America to the antics of Trump himself. Examining how comedy had evolved during his presidency might be able to shed some light on how and why American society has split into political tribes, and perhaps why there is no longer any common frame of reference for enjoying comedy. Trump himself was a consummate entertainer, who used his own style of destructive dark humor to lambast opponents, giving a comedic voice to hatred. He was a blend of commedia dell’arte personage, Archie Bunker redux, and P. T. Barnum hustler, who understood the power of humor to sway minds. This made him largely impervious to the comedic weapons being used against him. He fought comedy with comedy, leaving America in shambles. This book aims to deconstruct how Trump affected the American psyche by altering how comedy came to perceived and practiced.

In: Comedic Nightmare
In: Early African Caribbean Newspapers as Archipelagic Media in the Emancipation Age
In: Early African Caribbean Newspapers as Archipelagic Media in the Emancipation Age
In: Early African Caribbean Newspapers as Archipelagic Media in the Emancipation Age