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Volume Editors: Vivienne Lo and Penelope Barrett
A unique collection of 36 chapters on the history of Chinese medical illustrations, this volume will take the reader on a remarkable journey from the imaging of a classical medicine to instructional manuals for bone-setting, to advertising and comic books of the Yellow Emperor. In putting images, their power and their travels at the centre of the analysis, this volume reveals many new and exciting dimensions to the history of medicine and embodiment, and challenges eurocentric histories. At a broader philosophical level, it challenges historians of science to rethink the epistemologies and materialities of knowledge transmission. There are studies by senior scholars from Asia, Europe and the Americas as well as emerging scholars working at the cutting edge of their fields.

Thanks to generous support of the Wellcome Trust, this volume is available in Open Access.
Author: Laura Moretti
In Recasting the Past: An Early Modern Tales of Ise for Children Laura Moretti recreates in image and text the unresearched 1766 picture-book Ise fūryū: Utagaruta no hajimari (The Fashionable Ise: The Origins of Utagaruta). The introduction analyses Utagaruta through a discussion of the textual scholarship relating to chapbooks and kusazōshi. It also contextualizes this work to shed new light on the reception history of the canonical Tales of Ise and to position Utagaruta within the realm of children’s literature. This is followed by the full transcription and translation of Utagaruta, with annotations to each image. Learned and visually rich, Moretti’s study permits the reader to enjoy the inventiveness and beauty of early modern Japanese literature.
The Didactic Images of the Manichaeans from Sasanian Mesopotamia to Uygur Central Asia and Tang-Ming China
The founder of Manichaeism, Mani (216-274/277 CE), not only wrote down his teachings to prevent their adulteration, but also created a set of paintings—the Book of Pictures—to be used in the context of oral instruction. That pictorial handscroll and its later editions became canonical art for Mani's followers for a millennium afterwards. This richly illustrated study systematically explores the artistic culture of religious instruction of the Manichaeans based on textual and artistic evidence. It discusses the doctrinal themes (soteriology, prophetology, theology, and cosmology) depicted in Mani’s canonical pictures. Moreover, it identifies 10th-century fragments of canonical picture books, as well as select didactic images adapted to other, non-canonical art objects (murals, hanging scrolls, mortuary banners, and illuminated liturgical manuscripts) in Uygur Central Asia and Tang-Ming China.