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Daily Life in a Village in the Yasin Valley, Pakistan
Author:
In A Mountain Oasis, Susan York presents a richly illustrated socio-economic study of village life in Pakistan’s Yasin Valley, undertaken during one year spent living with a local family. It documents this dynamic agro-pastoral society at a time when few researchers were recording developments in these far-flung and difficult to reach mountain oases of the Hindukush. It is a record of a time when development interventions were in their beginnings, and before this area in Gilgit-Baltistan entered a crucial period of transformation. It provides solid comparative reference material for future research on this region, which is continuing to undergo challenging and complex changes.
Daily Life in a Village in the Yasin Valley, Pakistan
Author:
In A Mountain Oasis, Susan York presents a richly illustrated socio-economic study of village life in Pakistan’s Yasin Valley, undertaken during one year spent living with a local family. It documents this dynamic agro-pastoral society at a time when few researchers were recording developments in these far-flung and difficult to reach mountain oases of the Hindukush. It is a record of a time when development interventions were in their beginnings, and before this area in Gilgit-Baltistan entered a crucial period of transformation. It provides solid comparative reference material for future research on this region, which is continuing to undergo challenging and complex changes.
Black Material Culture and the Development of a Consumer Society in South Africa, 1800-2020
Author:
Since the early nineteenth century, the things which Black South Africans have had in their homes have changed completely. They have adopted things like tables, chairs, knives, forks, spoons, plates, cups and saucers, iron pots, beds, blankets, European clothing, and later electronic apparatus. Thus they claimed modernity, respectability and political inclusion. This book is the first systematic analysis of this development. It argues that the desire to possess such goods formed a major part of the drive behind the anti-apartheid struggle, and that the demand to consume has significantly influenced both the economy and the politics of the country.
Black Material Culture and the Development of a Consumer Society in South Africa, 1800-2020
Author:
Since the early nineteenth century, the things which Black South Africans have had in their homes have changed completely. They have adopted things like tables, chairs, knives, forks, spoons, plates, cups and saucers, iron pots, beds, blankets, European clothing, and later electronic apparatus. Thus they claimed modernity, respectability and political inclusion. This book is the first systematic analysis of this development. It argues that the desire to possess such goods formed a major part of the drive behind the anti-apartheid struggle, and that the demand to consume has significantly influenced both the economy and the politics of the country.
Author:
In:
Things Change
The Agency of Chance Collaborations
Author:
At the same time whimsical and thought-provoking, Fluxus explored everyday life as an object of art. Behind mundane materials and activities, we find a large network of Fluxus artists who worked together for decades to create and share their art. This publication builds on archival materials that expose the nature of the artists’ working relationships, and methods for collaboration and circulation of artworks. It traces both people and things, exploring how the network expanded and was made solid, from Fluxus’s conception in the 1960s, to the 1990s, when it had eventually left its stealth flight under art history’s radar.
The Agency of Chance Collaborations
Author:
At the same time whimsical and thought-provoking, Fluxus explored everyday life as an object of art. Behind mundane materials and activities, we find a large network of Fluxus artists who worked together for decades to create and share their art. This publication builds on archival materials that expose the nature of the artists’ working relationships, and methods for collaboration and circulation of artworks. It traces both people and things, exploring how the network expanded and was made solid, from Fluxus’s conception in the 1960s, to the 1990s, when it had eventually left its stealth flight under art history’s radar.