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The essays collected in this volume for the first time foreground the fundamental role Asian actors played in the formation of scholarly knowledge on Buddhism and the emergence of Buddhist studies as an academic discipline in Europe and Asia during the second half of the nineteenth century.
The contributions focus on different aspects of the interchange between Japanese Buddhists and their European interlocutors ranging from the halls of Oxford to the temples of Nara. They break the mould of previous scholarship and redress the imbalances inherent in Eurocentric accounts of the construction of Buddhism as an object of professorial interest.
Contributors are: Micah Auerback, Mick Deneckere, Stephan Kigensan Licha, Hans Martin Krämer, Ōmi Toshihiro, Jakub Zamorski, Suzanne Marchand, Martin Baumann, Catherine Fhima, and Roland Lardinois.
Volume 3: Fozu tongji, juan 43-48: The Song Dynasty
Author:
The Fozu tongji by Zhipan (ca. 1220–1275) is a key text of Chinese Buddhist historiography. The core of the work is formed by the “Fayun tongsai zhi,” an annalistic history of Buddhism in China, which extends through Fozu tongji, juan 34–48.
Thomas Jülch now presents a translation of the “Fayun tongsai zhi” in three volumes. This third volume covers the annalistic display concerning the Song dynasty.
Offering elaborate annotations, Jülch succeeds in clarifying the backgrounds to the historiographic contents, which Zhipan presents in highly essentialized style. Regarding the historical matters addressed in the material translated for the present volume, the Fozu tongji is often the earliest source. In several cases, inaccuracies in Zhipan’s account can however still be discerned, and Jülch succeeds in employing other sources to reveal and correct those errors.
Spirit-Writing in Chinese History and Society
Few religious innovations have shaped Chinese history like the emergence of spirit-writing during the Song dynasty.
From a divinatory technique it evolved into a complex ritual practice used to transmit messages and revelations from the Gods. This resulted in the production of countless religious scriptures that now form an essential corpus, widely venerated and recited to this day, that is still largely untapped by research.
Using historical and ethnographic approaches, this volume for the first time offers a comprehensive overview of the history of spirit-writing, examining its evolution over a millennium, the practices and technologies used, and the communities involved.
Author:
Who are you? Where do you come from?
These two simple questions have so many answers and are sometimes even difficult to answer.
This book tells the story of a Buddhist-Muslim community from Padum, in the Zangskar Valley - Indian Greater Himalayas. The author has gained a unique insight into this community during twenty years of research while the people shared doubts and joys with her.
These experiences showed her that the meaning of “belonging” to a homeland or a confessional group, and therefore the transformation of the process of identity building in our modern world, is bridging the gap between tradition and modernity.
Theological Encounters from Hong Kong to Beijing
Volume Editors: and
In this volume, Lam and Thurston present a series of important theological debates between Jürgen Moltmann, the contemporary German Reformed theologian, and humanities scholars based in Chinese metropolises from Hong Kong to Beijing between 2014 and 2018. Featured, along with original essays and newly edited contributions by Moltmann, are the voices of such renowned Chinese scholars of religion as He Guanghu, Lai Pan-chiu, Zhuo Xinping and the contemporary comparativist Yang Huilin. These debates matter because they shed light on themes rarely explored in cross-cultural theological dialogue as it unfolds, showcasing the ongoing relevance of theological critique in and with the contemporary humanities. Contributors to the volume are: Hong Liang, Kwok Wai-luen, Lai Pan-chiu, Jason Lam, Jürgen Moltmann, Naomi Thurston, Yang Huaming, Yang Huilin.
The Buddhist Thought and Practice of Sheng’an Shixian (1686–1734) and Other Patriarchs
This vigorously-researched publication for advanced graduate students and fellow scholars of the Chinese Pure Land tradition (Jingtu famen) in the wider context of Chinese Buddhism extends the horizon opened up by recent leading scholars to reconstruct a more insightful understanding of the Jingtu famen and the notion of zong. Focusing on previously unstudied writings of Shixian and other patriarchs, the findings support the argument that the Jingtu famen is an advanced form of Mahāyānist meditation rooted in the Mādhyamika and Yogācāra traditions. The original English translation of Master Shixian’s writings provided also paves the way for other researchers to conduct new and extended studies.