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Exploring and Reconstructing an Early Modern Private Library as a Book Collection and as a Physical Space
Author:
On 9 July 1709 over 2,300 books were sold at a public auction at the house of the publisher Boom in Amsterdam. They comprised the ‘beautiful library’ (treffelyke bibliotheek) of the patrician Pieter de Graeff (1638–1707), member of a prominent republican family. This monograph draws on unpublished archival sources and De Graeff’s book auction catalogue to explore his library and its significance. While tracing the microhistories of De Graeff’s relatives against the backdrop of the Dutch Republic’s unfolding history, this research reveals his book collection as a microcosmos of knowledge accumulated through generations. De Graeff’s boeken kamer ̶ the library room in his Amsterdam residence – is also investigated and visualized through computer graphics, resulting in an online, interactive and annotated 3D model.
Exploring and Reconstructing an Early Modern Private Library as a Book Collection and as a Physical Space
Author:
On 9 July 1709 over 2,300 books were sold at a public auction at the house of the publisher Boom in Amsterdam. They comprised the ‘beautiful library’ (treffelyke bibliotheek) of the patrician Pieter de Graeff (1638–1707), member of a prominent republican family. This monograph draws on unpublished archival sources and De Graeff’s book auction catalogue to explore his library and its significance. While tracing the microhistories of De Graeff’s relatives against the backdrop of the Dutch Republic’s unfolding history, this research reveals his book collection as a microcosmos of knowledge accumulated through generations. De Graeff’s boeken kamer ̶ the library room in his Amsterdam residence – is also investigated and visualized through computer graphics, resulting in an online, interactive and annotated 3D model.
The Fall of Man in the Early Modern Art and Literature of Germany and the Low-Countries
Author:
This book looks at early modern representations, both pictorial and literary, of the animals surrounding Adam and Eve in the Garden of Eden at the dramatic moment of the Fall. Beginning with Albrecht Dürer's engraving Adam and Eve (1504) and ending with Rembrandt's etching Adam and Eve (1637), it explores the many manifestations of this theme at the intersection of painting, literature, and natural history. Artists such as Lucas Cranach and Jan Brueghel, and poets such as Guillaume Du Bartas and Joost van den Vondel, as well as many others, mainly from Germany and the Netherlands, are discussed.
The Fall of Man in the Early Modern Art and Literature of Germany and the Low-Countries
Author:
This book looks at early modern representations, both pictorial and literary, of the animals surrounding Adam and Eve in the Garden of Eden at the dramatic moment of the Fall. Beginning with Albrecht Dürer's engraving Adam and Eve (1504) and ending with Rembrandt's etching Adam and Eve (1637), it explores the many manifestations of this theme at the intersection of painting, literature, and natural history. Artists such as Lucas Cranach and Jan Brueghel, and poets such as Guillaume Du Bartas and Joost van den Vondel, as well as many others, mainly from Germany and the Netherlands, are discussed.
Practices of Reading, Use, and Interaction in Early Modern Dutch Bibles (1522-1546)
Author:
This volume explores how and by whom early modern Dutch Bibles were used. Through a detailed analysis of paratextual features and readers’ traces in over 180 surviving Bible copies, Renske Hoff displays how individuals manifested their faith in owning, reading, and personalising the Bible, in a period characterised by religious turmoil.
From nuns and countesses to tailors and merchants: Bibles were read by a diverse public. Printer-publishers shaped the contents and paratextual features of their Bible editions to suit the varied wishes of the reading public. Readers themselves added marginalia, corrected the text, or pasted texts and images in their books, displaying their creativity as users as well as stressing the malleability of the material Bible.
From nuns and countesses to tailors and merchants: Bibles were read by a diverse public. Printer-publishers shaped the contents and paratextual features of their Bible editions to suit the varied wishes of the reading public. Readers themselves added marginalia, corrected the text, or pasted texts and images in their books, displaying their creativity as users as well as stressing the malleability of the material Bible.
Practices of Reading, Use, and Interaction in Early Modern Dutch Bibles (1522-1546)
Author:
This volume explores how and by whom early modern Dutch Bibles were used. Through a detailed analysis of paratextual features and readers’ traces in over 180 surviving Bible copies, Renske Hoff displays how individuals manifested their faith in owning, reading, and personalising the Bible, in a period characterised by religious turmoil.
From nuns and countesses to tailors and merchants: Bibles were read by a diverse public. Printer-publishers shaped the contents and paratextual features of their Bible editions to suit the varied wishes of the reading public. Readers themselves added marginalia, corrected the text, or pasted texts and images in their books, displaying their creativity as users as well as stressing the malleability of the material Bible.
From nuns and countesses to tailors and merchants: Bibles were read by a diverse public. Printer-publishers shaped the contents and paratextual features of their Bible editions to suit the varied wishes of the reading public. Readers themselves added marginalia, corrected the text, or pasted texts and images in their books, displaying their creativity as users as well as stressing the malleability of the material Bible.
This book presents an examination of the publishing process of Karl Marx's Le Capital. The book touches on several understudied aspects that are crucial to contextualize the publication of Le Capital from its inception until its completion, revealing its previously understated connections with other intellectual output from Marx, as well as its enduring significance for future editions of Capital, volume I.
This book presents an examination of the publishing process of Karl Marx's Le Capital. The book touches on several understudied aspects that are crucial to contextualize the publication of Le Capital from its inception until its completion, revealing its previously understated connections with other intellectual output from Marx, as well as its enduring significance for future editions of Capital, volume I.
Marxism, Concept Formation, and Embodied Social Relations
Author:
Grounding Critique: Marxism, Concept Formation, and Embodied Social Relations argues that marxism must have a robust understanding of embodied social relations, such as race, gender, and sexuality, in order to produce the knowledge necessary for transformative social change. Tanyildiz subjects two important strands of marxist social theory —marxist-feminism and social reproduction theory— to a methodological examination and demonstrates their shortcomings. Focusing on these strands’ critiques of intersectionality as a moment of crystallization in concept formation, Grounding Critique explores alternative ways of using Marx’s method to understand contemporary human praxis.
Marxism, Concept Formation, and Embodied Social Relations
Author:
Grounding Critique: Marxism, Concept Formation, and Embodied Social Relations argues that marxism must have a robust understanding of embodied social relations, such as race, gender, and sexuality, in order to produce the knowledge necessary for transformative social change. Tanyildiz subjects two important strands of marxist social theory —marxist-feminism and social reproduction theory— to a methodological examination and demonstrates their shortcomings. Focusing on these strands’ critiques of intersectionality as a moment of crystallization in concept formation, Grounding Critique explores alternative ways of using Marx’s method to understand contemporary human praxis.