Browse results
This is the first study which brings together the references to ancient Greek myths (154 episodes) in medieval Armenian literature by including the original Armenian and Greek (if extant) text and translation. With appendices listing the occurrences of Greek gods, their Armenian equivalents, images, altars, temples, and rites, the Aesopian fables and the Trojan war.
This is the first study which brings together the references to ancient Greek myths (154 episodes) in medieval Armenian literature by including the original Armenian and Greek (if extant) text and translation. With appendices listing the occurrences of Greek gods, their Armenian equivalents, images, altars, temples, and rites, the Aesopian fables and the Trojan war.
By concentrating on the chaotic character of Leonardo’s manuscripts, the book gradually discloses the artist’s creative thinking that uses the page as a space for experimentation. Ultimately, Leonardo’s employment of fables allows him to tie together his technical and artistic skills, empirical observation, and experience, to show the mechanical interaction of forces at the basis of every physical phenomenon.
By concentrating on the chaotic character of Leonardo’s manuscripts, the book gradually discloses the artist’s creative thinking that uses the page as a space for experimentation. Ultimately, Leonardo’s employment of fables allows him to tie together his technical and artistic skills, empirical observation, and experience, to show the mechanical interaction of forces at the basis of every physical phenomenon.
Contributors include: Veronica Brandis, Philippe Canguilhem, Giacomo Comiati, Karl A.E. Enenkel, Carolin A. Giere, Inga Mai Groote, Luke B.T. Houghton, Chris Joby, Marc Laureys, Grantley McDonald, Lukas Reddemann, Bernd Roling, Robert Seidel, Marcela Slavíková, Paul J. Smith, and Tijana Žakula.
Contributors include: Veronica Brandis, Philippe Canguilhem, Giacomo Comiati, Karl A.E. Enenkel, Carolin A. Giere, Inga Mai Groote, Luke B.T. Houghton, Chris Joby, Marc Laureys, Grantley McDonald, Lukas Reddemann, Bernd Roling, Robert Seidel, Marcela Slavíková, Paul J. Smith, and Tijana Žakula.
The work was a speculum principis, an education for the future king in the virtues suitable to a statesman; Cartagena’s choice of Aristotle was thus a significant index of the advent of new Renaissance ideas. This edition shows how the “memorial” throws light on the ideological transformation of society those ideas would bring, setting new ethical guidelines for the ruling class at the crossroads between medieval feudalism and Renaissance absolutism.