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With English Translation and a Collation with the Hebrew and French Source Texts. Abraham Ibn Ezra’s Astrological Writings, Volume 8.
The present volume focuses on Henry Bate of Mechelen (1246–after 1310), the first scholar to bring Ibn Ezra’s astrological work to the knowledge of Latin readers. The volume has two main objectives. The first is to offer as complete and panoramic an account as possible of Bate’s translational project. Therefore, this volume offers critical editions of all six of Bate’s complete translations of Ibn Ezra’s astrological writings. The second objective is to accompany Bate’s Latin translations with literal English translations and to offer a thorough collation of the Latin translation (with their English translations) against the Hebrew and French source texts.
This is volume 2 of a two-volume set.
This is volume 2 of a two-volume set.
With English Translation and a Collation with the Hebrew and French Source Texts. Abraham Ibn Ezra’s Astrological Writings, Volume 8.
The present volume focuses on Henry Bate of Mechelen (1246–after 1310), the first scholar to bring Ibn Ezra’s astrological work to the knowledge of Latin readers. The volume has two main objectives. The first is to offer as complete and panoramic an account as possible of Bate’s translational project. Therefore, this volume offers critical editions of all six of Bate’s complete translations of Ibn Ezra’s astrological writings. The second objective is to accompany Bate’s Latin translations with literal English translations and to offer a thorough collation of the Latin translation (with their English translations) against the Hebrew and French source texts.
This is volume 2 of a two-volume set.
This is volume 2 of a two-volume set.
With English Translation and a Collation with the Hebrew and French Source Texts. Abraham Ibn Ezra’s Astrological Writings, Volume 8.
The present volume focuses on Henry Bate of Mechelen (1246–after 1310), the first scholar to bring Ibn Ezra’s astrological work to the knowledge of Latin readers. The volume has two main objectives. The first is to offer as complete and panoramic an account as possible of Bate’s translational project. Therefore, this volume offers critical editions of all six of Bate’s complete translations of Ibn Ezra’s astrological writings. The second objective is to accompany Bate’s Latin translations with literal English translations and to offer a thorough collation of the Latin translation (with their English translations) against the Hebrew and French source texts.
This is volume 1 of a two-volume set.
This is volume 1 of a two-volume set.
With English Translation and a Collation with the Hebrew and French Source Texts. Abraham Ibn Ezra’s Astrological Writings, Volume 8.
The present volume focuses on Henry Bate of Mechelen (1246–after 1310), the first scholar to bring Ibn Ezra’s astrological work to the knowledge of Latin readers. The volume has two main objectives. The first is to offer as complete and panoramic an account as possible of Bate’s translational project. Therefore, this volume offers critical editions of all six of Bate’s complete translations of Ibn Ezra’s astrological writings. The second objective is to accompany Bate’s Latin translations with literal English translations and to offer a thorough collation of the Latin translation (with their English translations) against the Hebrew and French source texts.
This is volume 1 of a two-volume set.
This is volume 1 of a two-volume set.
Historical and Art Historical Perspectives
This book offers the first comprehensive study of Byzantine influence on the art and iconography of East Central Europe. Petr Balcárek focuses on the Byzantine cultural and religious legacy in the Czech lands, thereby bringing to light rarely seen images and presenting fresh hypotheses based on newly-explored theological interpretations and historical evidence.
Including a discussion of the Czech and Slovak historiography on Byzantine studies, the work analyses significant artistic and iconographical artefacts in light of the intricate historical and political relationships that shaped Byzantine presence in these territories, comparing them with similar objects from other areas of Byzantine influence in order to draw wide-reaching conclusions.
Including a discussion of the Czech and Slovak historiography on Byzantine studies, the work analyses significant artistic and iconographical artefacts in light of the intricate historical and political relationships that shaped Byzantine presence in these territories, comparing them with similar objects from other areas of Byzantine influence in order to draw wide-reaching conclusions.
Historical and Art Historical Perspectives
This book offers the first comprehensive study of Byzantine influence on the art and iconography of East Central Europe. Petr Balcárek focuses on the Byzantine cultural and religious legacy in the Czech lands, thereby bringing to light rarely seen images and presenting fresh hypotheses based on newly-explored theological interpretations and historical evidence.
Including a discussion of the Czech and Slovak historiography on Byzantine studies, the work analyses significant artistic and iconographical artefacts in light of the intricate historical and political relationships that shaped Byzantine presence in these territories, comparing them with similar objects from other areas of Byzantine influence in order to draw wide-reaching conclusions.
Including a discussion of the Czech and Slovak historiography on Byzantine studies, the work analyses significant artistic and iconographical artefacts in light of the intricate historical and political relationships that shaped Byzantine presence in these territories, comparing them with similar objects from other areas of Byzantine influence in order to draw wide-reaching conclusions.
Volume Editor:
Karen Blough
The imperial convent of St. Servatius at Quedlinburg (founded in 936) was one of the wealthiest, most prestigious, and most politically powerful religious houses of medieval Germany, subject only to the authority of the emperor and the pope. This is the first English-language volume to provide an introduction to this important female religious community.
The twelve essays by a team of international scholars address an array of topics in Quedlinburg’s medieval history, with a particular focus on how the Quedlinburg community of learned aristocratic women used architecture and the visual arts to assert the abbey's illustrious history, ongoing political importance, and cultural significance.
Contributors are: Clemens Bley, Karen Blough, Shirin Fozi, Tobias Gärtner, Eliza Garrison, Evan A. Gatti, G. Ulrich Großmann, Annie Krieg, Manfred Mehl, Katharina Ulrike Mersch, Christian Popp, Helene Scheck, and Adam R. Stead.
The twelve essays by a team of international scholars address an array of topics in Quedlinburg’s medieval history, with a particular focus on how the Quedlinburg community of learned aristocratic women used architecture and the visual arts to assert the abbey's illustrious history, ongoing political importance, and cultural significance.
Contributors are: Clemens Bley, Karen Blough, Shirin Fozi, Tobias Gärtner, Eliza Garrison, Evan A. Gatti, G. Ulrich Großmann, Annie Krieg, Manfred Mehl, Katharina Ulrike Mersch, Christian Popp, Helene Scheck, and Adam R. Stead.