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How was bestiality perceived in the Middle Ages? The answer is far from simple. Depending on the context, it might be a kingmaking ritual, a boys’ game, a pact with the devil, a peccadillo or a capital offense. As dangerous as it could be to be suspected by one’s own neighbors of committing bestiality, medieval literature and art are full of often exhilarating erotic interspecies encounters. In the end, this book suggests that there is a zoophilic streak in all humans – the medievals as well as ourselves.
Contributors are Crystal Beamer, Bailey Flannery, Katherine Leach, Marian E. Polhill, Anna Russakoff, Joyce E. Salisbury, Andrea Schutz, Jacqueline A. Stuhmiller, Larissa Tracy, and Tess Wingard.
Contributors are Crystal Beamer, Bailey Flannery, Katherine Leach, Marian E. Polhill, Anna Russakoff, Joyce E. Salisbury, Andrea Schutz, Jacqueline A. Stuhmiller, Larissa Tracy, and Tess Wingard.
Volume Editor:
How was bestiality perceived in the Middle Ages? The answer is far from simple. Depending on the context, it might be a kingmaking ritual, a boys’ game, a pact with the devil, a peccadillo or a capital offense. As dangerous as it could be to be suspected by one’s own neighbors of committing bestiality, medieval literature and art are full of often exhilarating erotic interspecies encounters. In the end, this book suggests that there is a zoophilic streak in all humans – the medievals as well as ourselves.
Contributors are Crystal Beamer, Bailey Flannery, Katherine Leach, Marian E. Polhill, Anna Russakoff, Joyce E. Salisbury, Andrea Schutz, Jacqueline A. Stuhmiller, Larissa Tracy, and Tess Wingard.
Contributors are Crystal Beamer, Bailey Flannery, Katherine Leach, Marian E. Polhill, Anna Russakoff, Joyce E. Salisbury, Andrea Schutz, Jacqueline A. Stuhmiller, Larissa Tracy, and Tess Wingard.
The African American Novel in the Early Twenty-First Century comprises fourteen essays, each focussing on recent, widely known fiction by acclaimed African American authors. This volume showcases the originality, diversity, and vitality of contemporary African American literature, which has reached a bewildering yet exhilarating stage of disruption and continuity between today and yesterday, homegrown and diasporic identities, and local and global interrelatedness. Additionally, it delves into the complexity of the Black literary imagination and its interaction with broader cultural contexts. Lastly, it reflects on the evolution of the African American community, its tribulations, triumphs, challenges, and prospects.
The African American Novel in the Early Twenty-First Century comprises fourteen essays, each focussing on recent, widely known fiction by acclaimed African American authors. This volume showcases the originality, diversity, and vitality of contemporary African American literature, which has reached a bewildering yet exhilarating stage of disruption and continuity between today and yesterday, homegrown and diasporic identities, and local and global interrelatedness. Additionally, it delves into the complexity of the Black literary imagination and its interaction with broader cultural contexts. Lastly, it reflects on the evolution of the African American community, its tribulations, triumphs, challenges, and prospects.
Curating Histories, Envisioning Futures
Expanding on a major public program of April 2021, this volume presents wide-ranging perspectives on the legacies of the Dutch Atlantic slave trade within and beyond museum walls. Contributions by curators, academics, activists, artists, and poets consider this history as reflected in the arts of Europe, the Americas, Africa, and the Black diaspora more broadly, together illuminating how art museums may function as liberatory spaces working against systemic injustice.
Curating Histories, Envisioning Futures
Expanding on a major public program of April 2021, this volume presents wide-ranging perspectives on the legacies of the Dutch Atlantic slave trade within and beyond museum walls. Contributions by curators, academics, activists, artists, and poets consider this history as reflected in the arts of Europe, the Americas, Africa, and the Black diaspora more broadly, together illuminating how art museums may function as liberatory spaces working against systemic injustice.