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This book re-tells the story of how the Council of Constance ended the greatest Schism in Western Christendom. Using a nuanced and critical analysis of the primary sources, it reframes this drama with the Council itself as the principal actor. The Council performed its own legitimacy and its unity through a process of consensual decision-making and by conducting its own, previously little noticed, diplomacy. It succeeded where previous attempts to end the Schism had failed through its collective.
IIn premodern Europe, the gender identity of those waiting for Doomsday in their tombs could be reaffirmed, readjusted, or even neutralized. Testimonies of this renegotiation of gender at the encounter with death is detectable in wills, letters envisioning oneself as dead, literary narratives, provisions for burial and memorialization, the laws for the disposal of those executed for heinous crimes and the treatment of human remains as relics.
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Although Jesuit contributions to the European expansion in the early modern period have attracted considerable scholarly interest, the legacy of José de Acosta (1540-1600) is still defined by his contributions to natural history. The Theologian and the Empire presents a new biography of Acosta, focused on his participation in colonial and imperial politics. The most important Jesuit active in the Americas in the sixteenth century, Acosta was fundamentally a political operator. His actions on both sides of the Atlantic were instrumental in the configuration that Peruvian colonial life and the Jesuit order acquired entering the seventeenth century.
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The nucleus of Weyerman’s (1677-1747) literary oeuvre is the weekly periodical he published under varying titles from 1720 to the end of his life. He was its only contributor and editor. Its content mainly consists of witty and satirical comments on the customs and manners of his co-citizens. It forms a mirror of the Dutch society in the second quarter of the eighteenth century. These are the decades just before romanticism and enlightenment begin to be the leading paradigms.
A biography of the American painter Ralph W. Curtis (1854-1922), of the Boston family who bought the Palazzo Barbaro on the Grand Canal in Venice in 1885. After graduating at Harvard, Curtis moved to Paris to study art with Carolus Duran, where he met his distant cousin John S. Sargent, with whom he travelled to Holland to see Franz Hals’s paintings. He exhibited at the Paris salons, at the Royal Academy of Arts in London, at the Venice Biennale in the 1880s. At Palazzo Barbaro he met Robert Browning, Henry James, but also Venetian painters such as Ettore Tito and Antonio Mancini. He travelled widely, even to Japan and India. His works are in American Museums and private collections.
Customised Books in Early Modern Europe and the Americas, 1400‒1700 examines the form, function, and meaning of alterations made by users to the physical structure of their book, through insertion or interpolation, subtraction or deletion, adjustments in the ordering of folios or quires, amendments of image or text. Although our primary interest is in printed books and print series bound like books, we also consider selected manuscripts since meaningful alterations made to incunabula and early printed books often followed the patterns such changes took in late fourteenth- and fifteenth-century codices. Throughout Customised Books the emphasis falls on the hermeneutic functions of the modifications made by makers and users to their manuscripts and books.

Contributors: B. Boler Hunter, T. Cummins, A. Dlabačova, K.A.E. Enenkel, C.D. Fletcher, P.F. Gehl, P. Germano Leal, J. Kiliańczyk-Zięba, J. Koguciuk, A. van Leerdam, S. Leitch, S. McKeown, W.S. Melion, K. Michael, S. Midanik, B. Purkaple, J. Rosenholtz-Witt, B.L. Rothstein, M.R. Wade, and G. Warnar.