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The Zhou Changes, better known in the West as I Ching, is one of the masterpieces of world literature.
This book, the climax of more than forty years of research in Chinese archaeology, explores the text’s origins in the oracle-bone and milfoil divinations of Bronze Age China and how it transformed over the course of the Zhou dynasty into the first of the Chinese classics.
The book provides an in-depth survey of the theory and practice of divination to demonstrate how the hexagram and line statements of the text were produced and how they were understood at the time.
Author: Tsung-i Jao
Editor / Translator: Colin Huehns
From prehistoric bone flutes to Confucian bell-sets, from ancient divination to his beloved qin, this book presents translations of thirteen seminal essays on musical subjects by Jao Tsung-i. In language as elegant and refined as the ancient texts he so admired, his journey takes readers through Buddhist incantation, the philosophy of musical instruments, acoustical numerology, lyric poetry, historical and sociological contexts, manuscript studies, dance choreography, repertoire formulation, and opera texts. His voice is authoritative and intimate, the expert crafting his arguments, both accessible and sophisticated, succinct and richly tapestried; and concealed within a deft modesty is a thinker privileging us with his most profound observation. The musician’s musician, the scholar’s scholar, bold yet cautious, flamboyant yet restrained, a man for all seasons, a harmoniousness of time and place.
Editors: Michael Lackner and Zhao Lu
This is the first comprehensive book that presents the manifold aspects of divination and prognostication in traditional and modern China, from the early period of oracle bones to present-day fortune-tellers. It introduces what is out there in the field of Chinese divination and prognostication, and how we can further explore it especially through different disciplines. Eminent specialists outline the classifications of divination, recently excavated texts, the relationship between practitioners and clients, the place of the “occult” arts in cosmology, literature and religion, and the bureaucratic system.
Contributors are: Constance Cook, Richard J. Smith, Marc Kalinowski, Stephen R. Bokenkamp, Lü Lingfeng, Liao Hsien-huei, Philip Clart, Fabrizio Pregadio, Esther-Maria Guggenmos, Andrew Schonebaum, and Stéphanie Homola.
In: Handbook of Divination and Prognostication in China
In: Handbook of Divination and Prognostication in China
In: Handbook of Divination and Prognostication in China
In: Handbook of Divination and Prognostication in China
In: Handbook of Divination and Prognostication in China
In: Handbook of Divination and Prognostication in China
In: Handbook of Divination and Prognostication in China