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Dada Techniques in East-Central Europe
This rich, in-depth exploration of Dada’s roots in East-Central Europe is a vital addition to existing research on Dada and the avant-garde. Through deeply researched case studies and employing novel theoretical approaches, the volume rewrites the history of Dada as a story of cultural and political hybridity, border-crossings, transitions, and transgressions, across political, class and gender lines. Dismantling prevailing notions of Dada as a “Western” movement, the contributors to this volume present East-Central Europe as the locus of Dada activity and techniques. The articles explore how artists from the region pre-figured Dada as well as actively “cannibalized”, that is, reabsorbed and further hybridized, a range of avant-garde techniques, thus challenging “Western” cultural hegemony.
Dada Techniques in East-Central Europe
This rich, in-depth exploration of Dada’s roots in East-Central Europe is a vital addition to existing research on Dada and the avant-garde. Through deeply researched case studies and employing novel theoretical approaches, the volume rewrites the history of Dada as a story of cultural and political hybridity, border-crossings, transitions, and transgressions, across political, class and gender lines. Dismantling prevailing notions of Dada as a “Western” movement, the contributors to this volume present East-Central Europe as the locus of Dada activity and techniques. The articles explore how artists from the region pre-figured Dada as well as actively “cannibalized”, that is, reabsorbed and further hybridized, a range of avant-garde techniques, thus challenging “Western” cultural hegemony.
Volume Editor:
How did German composers brand their music as Venetian? How did the Other fare in other languages, when Cabeza’s Relación of colonial Americas appeared in translations? How did Altdorf emblems travel to colonial America and Sweden? What does Virtue look like in a library collection? And what was Boccaccio’s Decameron doing in the Ethica section? From representations of Sophie Charlotte, the first queen in Prussia, to the Ottoman Turks, from German wedding music to Till Eulenspiegel, from the translation of Horatian Odes and encyclopedias of heraldry, these essays by leading scholars explore the transmission, translation, and organization of knowledge in early modern Germany, contributing sophisticated insights to the history of the early modern book and its contents.
Volume Editor:
How did German composers brand their music as Venetian? How did the Other fare in other languages, when Cabeza’s Relación of colonial Americas appeared in translations? How did Altdorf emblems travel to colonial America and Sweden? What does Virtue look like in a library collection? And what was Boccaccio’s Decameron doing in the Ethica section? From representations of Sophie Charlotte, the first queen in Prussia, to the Ottoman Turks, from German wedding music to Till Eulenspiegel, from the translation of Horatian Odes and encyclopedias of heraldry, these essays by leading scholars explore the transmission, translation, and organization of knowledge in early modern Germany, contributing sophisticated insights to the history of the early modern book and its contents.
Artistic and Aesthetic Legacies
The works and biography of Heinrich von Kleist have fascinated authors, artists, and philosophers for centuries, and his enduring relevance is evident in the emblematic role he has played for generations. Kleist’s prose works remain “utterly unique” seventy years after Thomas Mann described their singular appeal, his dramas remain “disturbingly current” four decades after E.L. Doctorow characterized their modernity, and twenty-first century readers need not read far before finding the unresolved questions of the current century in Kleist. Heinrich von Kleist: Artistic and Aesthetic Legacies explores examples of Kleist’s impact on artistic creations and aesthetic theory spanning over two centuries of seismic metaphysical crises and nightmare scenarios from Europe to Mexico to Japan to manifestations of the American Dream.
Artistic and Aesthetic Legacies
The works and biography of Heinrich von Kleist have fascinated authors, artists, and philosophers for centuries, and his enduring relevance is evident in the emblematic role he has played for generations. Kleist’s prose works remain “utterly unique” seventy years after Thomas Mann described their singular appeal, his dramas remain “disturbingly current” four decades after E.L. Doctorow characterized their modernity, and twenty-first century readers need not read far before finding the unresolved questions of the current century in Kleist. Heinrich von Kleist: Artistic and Aesthetic Legacies explores examples of Kleist’s impact on artistic creations and aesthetic theory spanning over two centuries of seismic metaphysical crises and nightmare scenarios from Europe to Mexico to Japan to manifestations of the American Dream.
A Sociocybernetic Perspective
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Exploring the conditions of news reporting in today’s information-flooded society, Observing News and Media in a Complex Society looks into the strands of systems theoretical studies of the mass media, journalism and the empirical studies of inter-media agenda setting. Journalism is increasingly exposed to diverse perception and facing its selectivity observed by the public. Considering this context, this book focuses on the movement of solution-oriented journalism, which seeks a new way to answer the question “what is journalism for?” and invites us to expand our understanding of media’s societal role in the societal process of problem-solving and meaning construction.
A Sociocybernetic Perspective
Author:
Exploring the conditions of news reporting in today’s information-flooded society, Observing News and Media in a Complex Society looks into the strands of systems theoretical studies of the mass media, journalism and the empirical studies of inter-media agenda setting. Journalism is increasingly exposed to diverse perception and facing its selectivity observed by the public. Considering this context, this book focuses on the movement of solution-oriented journalism, which seeks a new way to answer the question “what is journalism for?” and invites us to expand our understanding of media’s societal role in the societal process of problem-solving and meaning construction.
One of the defining features of modernism lies in its far-reaching rethinking of the relation between the human and the non-human. In the present volume, this crucial aspect of modernism’s legacy is investigated from an authentically transnational perspective, taking an innovative stance on a diverse range of authors – from posthumanist classics such as Beckett and Woolf to Valentine de Saint-Point, Radoje Domanovic and Aldo Palazzeschi among others.
On the one hand, this collection sheds new light on the modernist contribution to posthumanism, providing a valuable reference point for future studies on the topic. On the other, it offers a new take on the transnational dimension of modernism, highlighting unexplored convergences between modernist authors from several different national contexts.
On the one hand, this collection sheds new light on the modernist contribution to posthumanism, providing a valuable reference point for future studies on the topic. On the other, it offers a new take on the transnational dimension of modernism, highlighting unexplored convergences between modernist authors from several different national contexts.
Transnational Perspectives
One of the defining features of modernism lies in its far-reaching rethinking of the relation between the human and the non-human. In the present volume, this crucial aspect of modernism’s legacy is investigated from an authentically transnational perspective, taking an innovative stance on a diverse range of authors – from posthumanist classics such as Beckett and Woolf to Valentine de Saint-Point, Radoje Domanovic and Aldo Palazzeschi among others.
On the one hand, this collection sheds new light on the modernist contribution to posthumanism, providing a valuable reference point for future studies on the topic. On the other, it offers a new take on the transnational dimension of modernism, highlighting unexplored convergences between modernist authors from several different national contexts.
On the one hand, this collection sheds new light on the modernist contribution to posthumanism, providing a valuable reference point for future studies on the topic. On the other, it offers a new take on the transnational dimension of modernism, highlighting unexplored convergences between modernist authors from several different national contexts.
Materialities of the Mental in the Works of James Joyce
Author:
James Joyce’s evocations of his characters’ thoughts are often inserted within a commonplace that regards the mind as an interior space, referred to as the ‘inward turn’ in literary scholarship since the mid-twentieth century. Emma-Louise Silva reassesses this vantage point by exploring Joyce’s modernist fiction through the prism of 4E – or embodied, embedded, extended, and enactive – cognition. By merging the 4E framework with cognitive-genetic narratology, an innovative form of inquiry that brings together the study of the dynamics of writing processes and the study of cognition in relation to narratives, Modernist Minds: Materialities of the Mental in the Works of James Joyce delves into the material stylistic choices through which Joyce’s approaches to mind depiction evolved.
Materialities of the Mental in the Works of James Joyce
Author:
James Joyce’s evocations of his characters’ thoughts are often inserted within a commonplace that regards the mind as an interior space, referred to as the ‘inward turn’ in literary scholarship since the mid-twentieth century. Emma-Louise Silva reassesses this vantage point by exploring Joyce’s modernist fiction through the prism of 4E – or embodied, embedded, extended, and enactive – cognition. By merging the 4E framework with cognitive-genetic narratology, an innovative form of inquiry that brings together the study of the dynamics of writing processes and the study of cognition in relation to narratives, Modernist Minds: Materialities of the Mental in the Works of James Joyce delves into the material stylistic choices through which Joyce’s approaches to mind depiction evolved.
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Abstract
The early modern reception of Cabeza de Vaca’s Relación (1542) is extensive and has been studied in detail. There are, however, four texts that reproduce part of Cabeza de Vaca’s narrative that have been overlooked: the first Italian and Spanish editions of Boemus’s Omnium gentium mores (1520) and two works by Belleforest. An examination of these volumes provides a fuller geography of reception of the Relación and reveals a chronology of intellectual transformation that precedes that examined by other scholars.
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Abstract
This paper explores the meaning of heraldry for sixteen- and seventeenth-century German publishers and artists, and how they represented their own positions within frameworks bound by tradition and heritage. By examining the introductions, prefaces, and other textual evidence in printed heraldic guides by Johann Siebmacher and other notable printer/creators who produced encyclopedic catalogues of familial, municipal, and ecclesiastical armorial bearings, we can investigate how the expansion of Germanic heraldry and printing innovations made these works accessible to a larger audience.
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Abstract
Some of the genres in which the notion of virtues comprising the human character was propagated most profoundly were (1) the German Fürstenspiegel whose mostly burgher authors portrayed their vision of a ruler’s desirable virtues and (2) the funeral orations, in which the preacher took stock of how far a ruler had come in this noble and necessary endeavor of lifelong self-improvement. Sometimes the authors used illustrations, including emblems, to enhance the figures of speech they had used in their oratory to illustrate their points. The funeral orations delivered during the funerals of Archduke Ferdinand Karl of Austria-Tirol (1628–1662) and his brother Archduke Sigismund Franz (1630–1665) by Ernst Bidermann SJ (†1688) show the use of emblems both in the text and in illustrations for depicting the ideal figure of a ruler based on the personal characteristics of Ferdinand Karl and Sigismund Franz.
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Abstract
This study traces the mobility of a narrowly focused emblematic topos across remote geographies for approximately 150 years. The emblem pictura of the open book with a sword (or a helmet) has been consistently employed in various configurations to communicate the importance of strength and learning for good governance. This emblem motif and its variations are followed first northward, from Altdorf and Nürnberg to the Baltic regions, and then in an entirely new trajectory westward, across the Atlantic to the colony of Pennsylvania. Beginning with the Altdorf prize medallions in the late 1570s, this chronology of emblematic mobility concludes with the first known emblems in the American colonies. The “afterlives” of these emblems are remarkable, and their mobility attests to their successful translation across various media, social and political contexts, and vast distances. In stark contrast to this geographic diversity, the semantic stability of these emblems is striking.