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The proposed book series will publish cutting-edge research on the Anthropocene with a dual focus on both Africa and Asia, as well as the complex relations connecting these two continents, and the oceans between them. It will showcase fresh and original studies of the Anthropocene – theories, methods and practices – across the environmental humanities and social sciences. This will include anthropology, art, cinema and theater, comparative literature, cultural studies, ecology, geology, history, law, linguistics, media studies, political science, religion and sociology under the broad heading of ‘environmental humanities’. Possible topics include, but are not limited to, the Chinese Belt and Road initiative, bio-politics, climate change, the COVID-19 pandemic, ecofeminism, eco-criticism, ecological problems and policies, energy issues, environmental transformation, oceanic and maritime studies, anthro-zoology and multi-species entanglements, neo-colonialism and post-coloniality, development issues and ‘wicked problems’ in and from the Global South. This English-language book series is directed at scholars, graduate and undergraduate students of Anthropocene studies related to Africa and Asia.

Authors are cordially invited to submit proposals to the publisher at BRILL, Stephanie Carta and Masja Horn.

Please see our Guidelines for a Book Proposal. All submissions are subject to a double-anonymous peer review process prior to publication.
A Performance of the Baja Ni Funeral Cycle in Tireli, Mali
Though the Dogon are well-described, their culture still holds surprises. One of these is the cycle of songs called baja ni, which is at the heart of their funerary rites. Surprisingly, these songs have a historic author, a blind poet/prophet who roamed the area in the 19th century and left a huge heritage of songs and prophecies. This book gives the full text of one performance of this legacy. The lyrics cover a range of topics, from comments on historical events to philosophical musings about life and death, and from remembering the departed to celebrating the joys of being alive.
This book offers a fresh perspective on the re-emergence of a classical literary genre, showcasing a fusion of tradition and innovation. It examines the cultural dynamics that shape the development of Arabic maqāma in Nigeria. The maqāma, a genre traditionally associated with the MENA region, experienced a revival and gained relevance among contemporary Nigerian writers. Through meticulous exploration and in-depth interviews, this groundbreaking research offers invaluable insights into the process of adaptation and evolution of the maqāma, witnessing its transformation into a thriving literary tradition. It thus unravels a vibrant, yet overlooked, chapter in African Arabic literary culture, redefining our understanding of its globalizing nature.
Volume Editors: and
The African American Novel in the Early Twenty-First Century comprises fourteen essays, each focussing on recent, widely known fiction by acclaimed African American authors. This volume showcases the originality, diversity, and vitality of contemporary African American literature, which has reached a bewildering yet exhilarating stage of disruption and continuity between today and yesterday, homegrown and diasporic identities, and local and global interrelatedness. Additionally, it delves into the complexity of the Black literary imagination and its interaction with broader cultural contexts. Lastly, it reflects on the evolution of the African American community, its tribulations, triumphs, challenges, and prospects.