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Author: Tsung-i Jao
Editor / Translator: Colin Huehns
From prehistoric bone flutes to Confucian bell-sets, from ancient divination to his beloved qin, this book presents translations of thirteen seminal essays on musical subjects by Jao Tsung-i. In language as elegant and refined as the ancient texts he so admired, his journey takes readers through Buddhist incantation, the philosophy of musical instruments, acoustical numerology, lyric poetry, historical and sociological contexts, manuscript studies, dance choreography, repertoire formulation, and opera texts. His voice is authoritative and intimate, the expert crafting his arguments, both accessible and sophisticated, succinct and richly tapestried; and concealed within a deft modesty is a thinker privileging us with his most profound observation. The musician’s musician, the scholar’s scholar, bold yet cautious, flamboyant yet restrained, a man for all seasons, a harmoniousness of time and place.
How is it possible to write down the Japanese language exclusively in Chinese characters? And how are we then able to determine the language behind the veil of the Chinese script as Japanese? The history of writing in Japan presents us with a fascinating variety of writing styles ranging from phonography to morphography and all shades in between.
In Japanese Morphography: Deconstructing hentai kanbun, Gordian Schreiber shows that texts traditionally labelled as “hentai kanbun” or “variant Chinese” are, in fact, morphographically written Japanese texts instead and not just the result of an underdeveloped skill in Chinese. The study fosters our understanding of writing system typology beyond phonographic writing.
Shī 詩 of the Ānhuī University Manuscripts
The songs of the Royal Zhōu (“Zhōu Nán” 周南) and of the Royal Shào (“Shào Nán” 召南) have formed a conceptual unit since at least the late Spring and Autumn period (771–453 BC). With this book Meyer and Schwartz provide a first complete reading of their earliest, Warring States (453–221 BC), iteration as witnessed by the Ānhuī University manuscripts. As a thought experiment, the authors seek to establish an emic reading of these songs, which they contextualise in the larger framework of studies of the Shī (Songs) and of meaning production during the Warring States period more broadly. The analysis casts light on how the Songs were used by different groups during the Warring States period.
In: Songs of the Royal Zhōu and the Royal Shào
In: Songs of the Royal Zhōu and the Royal Shào
In: Songs of the Royal Zhōu and the Royal Shào
Author: Michael Farmer
The Atlas shows for the first time the contemporary geography of the entire Tibetan Plateau, an area where major powers (China, India and Pakistan) meet in the highest landscape on earth, originally inhabited by the unique, ancient Buddhist civilization of Tibet.
Using extensive satellite imagery, the author has accurately positioned over two thousand religious locations, more than a third of which appear not to have not been previously recorded. Nearly two thousand settlements have also been accurately located and all locations are named in both Tibetan and Chinese where possible. This ancient landscape is shown in contrast to the massive physical infrastructure which has been recently imposed on it as an attempt to “Open up the West” and carry forward the Chinese “Belt and Road Initiative”. With 120 maps in full colour.


Through an examination of documents from the Qin county of Qianling excavated from Well no. 1, Liye, Hunan Province, and looted documents held by the Yuelu Academy, Hunan University, that were rescued from the Hong Kong antiques market, this paper discusses the ways in which the victorious Qin state treated the enemy that they had defeated in the wars of unification leading to the establishment of the Qin Empire. It also considers how the Qin treated those who resisted the imposition of their rule. It is determined that the Qin categorized these people into three types or groups and applied Qin law to them. It also discusses the establishment of a bureaucratic system through which the Qin tracked down fugitive enemies.

In: Bamboo and Silk
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In: Bamboo and Silk


Liye J1 is an archaeological site where the official documents belonging to the county court of Qianling County (遷陵縣) were discarded during the Qin dynasty. Among those unearthed slip manuscripts, some are called “Other Post Slips” 異處簡 These were meant to be delivered to other offices rather than the county court. This article discusses the possible significance revealed by their variety in quantity, and to point out that the frequency of the appearance of “Other Post Slips” reflects the relative distance between the county court and affiliated offices. At the same time, this work provides support to restore the spatial layout of these offices within the county.

In: Bamboo and Silk