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وقد خلص باعتماد هذا المنهج إلى نتائج مجدّدة تستند إلى براهين علميّة تؤكّد – على خلاف ما كان شائعا – أنّ المرور من تريبوليتانيا اللاتينية-المسيحيّة إلى أطرابلس العربية-الإسلامية لم يكن بصفة فجائية عبر إحداث قطيعة فوريّة وهوّة فاصلة بين الفترتين القديمة والوسيطة، بل كان كما الحال في بقيّة مجالات بلاد المغرب تدريجيّا وبطيئا في كل المستويات الحضارية. وقد كانت المسائل المتعلّقة بتفسير كيفية حدوث هذا الانتقال والآليات التي حكمته وانعكاس ذلك على تشكّل المشهد التعميري خلال العصر الوسيط المتقدّم، من أهمّ الهواجس المعرفية التي حاول الكتاب الإجابة عنها.
In From Tripolitania to Tripoli, Hafed Abdouli deals with the transition of Tripolitania from late Antiquity to the early Islamic period. He compares a detailed analysis of all the literary sources with the evaluation of the archaeological, onomastic and toponymic findings. For this purpose, he makes use of various research methodologies.
This approach brings about new results. It confirms that — contrary to what has been so far commonly assumed — the transition from the Latin-Christian Tripolitania to the Arabic-Islamic Tripoli was not sudden. There was no rigorous break that seperated the ancient from the medieval period. On the contrary, as was also the case in the rest of the Maghreb, the transition was progressive and slow at all levels of civilization. The interpretation of how this transition occurred, the mechanisms that determined it, and its reflection on the urban landscape during the early medieval period, are among the most important epistemological concerns that this book tries to answer.
وقد خلص باعتماد هذا المنهج إلى نتائج مجدّدة تستند إلى براهين علميّة تؤكّد – على خلاف ما كان شائعا – أنّ المرور من تريبوليتانيا اللاتينية-المسيحيّة إلى أطرابلس العربية-الإسلامية لم يكن بصفة فجائية عبر إحداث قطيعة فوريّة وهوّة فاصلة بين الفترتين القديمة والوسيطة، بل كان كما الحال في بقيّة مجالات بلاد المغرب تدريجيّا وبطيئا في كل المستويات الحضارية. وقد كانت المسائل المتعلّقة بتفسير كيفية حدوث هذا الانتقال والآليات التي حكمته وانعكاس ذلك على تشكّل المشهد التعميري خلال العصر الوسيط المتقدّم، من أهمّ الهواجس المعرفية التي حاول الكتاب الإجابة عنها.
In From Tripolitania to Tripoli, Hafed Abdouli deals with the transition of Tripolitania from late Antiquity to the early Islamic period. He compares a detailed analysis of all the literary sources with the evaluation of the archaeological, onomastic and toponymic findings. For this purpose, he makes use of various research methodologies.
This approach brings about new results. It confirms that — contrary to what has been so far commonly assumed — the transition from the Latin-Christian Tripolitania to the Arabic-Islamic Tripoli was not sudden. There was no rigorous break that seperated the ancient from the medieval period. On the contrary, as was also the case in the rest of the Maghreb, the transition was progressive and slow at all levels of civilization. The interpretation of how this transition occurred, the mechanisms that determined it, and its reflection on the urban landscape during the early medieval period, are among the most important epistemological concerns that this book tries to answer.
Abstract
This creative nonfiction reflects upon the political utility of the terms “indigeneity” and “autochthony” to describe human (and non-human) groups as genealogically bound to or originally springing from singular geographies. What do these terms reinscribe, and what might attachments to them foreclose to the Armenian, and more broadly, to the collective human experience? This mix of text and image is a plea to move beyond an “autochthonous” logic that naturalizes the coupling of bodies to lands to account, instead, for a more just and capacious understanding of existence as by, through, and for the in/animate “other” across multiple geographies and timescapes.
Abstract
Photographer and installation artist Ara Oshagan examines diaspora and displacement, in his solo exhibit, How the World Might Be (2022). Oshagan’s visual vernacular explores Armenian identity, especially as it relates to the subject of indigeneity. Taking his cue from contemporary art – a mix of disparate styles, genres, and media – Oshagan constructs a hybridized model of native Armenian identity, one that is an eclectic mix of peoples, places, and cultures. Consequently, he formulates a new genus of Armenian through his art, much the same way contemporary art mixes dissimilar elements to create a novel art form.
Abstract
This article argues that Armenian Studies can learn from and contribute to the fields of critical Indigenous studies and settler colonial studies in generative ways, especially as those fields increasingly become global in scope. After surveying recent scholarly discourses in Armenian Studies, I illuminate pathways forward for interdisciplinary approaches to the study of indigeneity, colonization, genocide, removal, dispossession, biocultural assimilation, cultural heritage preservation, and memory work. I situate these potential possibilities and needed nuances within a larger discussion on the origins, aims, and current state of critical Indigenous studies and settler colonial studies, two interrelated but distinct modes of inquiry.
Abstract
The sudden death of Rev. George P. Knapp (1863–1915), head of the American Mission in Bitlis and pioneer investigator of the Armenian genocide, has remained unresolved for over a century. A hitherto ignored deposition from 1919 describes his tragic last days and murder by Turkish gendarmes escorting him to Diarbekir.
Abstract
This short note discusses some new archival information regarding the family of antiquities dealers of Armenian origin, father and son Nasri and Levon Ohan, who owned three shops in Jerusalem. They conducted business with archaeologists, took a part in the Dead Sea scrolls affair, were forced to escape, and were even robbed. In this story, the dramatic events of the twentieth-century past of the Holy City are closely intertwined with the archaeological research history and the destiny of one family.