Browse results

You are looking at 1 - 10 of 44 items for :

  • Cultural Studies x
  • Literature and Cultural Studies x
  • Social Sciences x
  • Literature, Arts & Science x
  • Hispanic Studies x
Clear All Modify Search
Court Ladies and Courtly Verse in Fifteenth-Century Spain
In Secrets of Pinar’s Game, Roger Boase is the first to decipher a card game completed in 1496 for Queen Isabel, Prince Juan, her daughters and her 40 court ladies. This game offers readers access to the cultural memory of a group of educated women, revealing their knowledge of proverbs, poetry and sentimental romance, their understanding of the symbolism of birds and trees, and many facts ignored in official sources. Boase translates all verse into English, reassesses the jousting invenciones in the Cancionero general (1511), reinterprets the poetry of Pinar’s sister Florencia, and identifies Acevedo, author of some poems about festivities in Murcia c. 1507. He demonstrates that many of Pinar’s ladies reappear as prostitutes in the anonymous Carajicomedia two decades later.
The filmic commemoration of the republican guerrilla movement and its diverse phenomenology as an armed resistance against the Francoist dictatorship is one of the most privileged topics of the so called Spanish Cinema of Memory. The collection of essays in La memoria cinematográfica de la guerrilla antifranquista analyze the most emblematic films of this thematic cycle, touching on the vast scope of different filmic discourses as well as on the films’ intentions to take up a position in the still current and controversial debate about the historical memory of Francoism. The articles emphasize how this Cinema of Memory dismisses concrete historic reference, thus allowing an intense reflection not only on the ethics of resistance and dignity, but also on the power of counterfactual imagination.

La finalmente derrotada guerrilla antifranquista y su tan diversa fenomenología como resistencia armada contra la dictadura constituyen uno de los temas privilegiados del cine de memoria español. Los trabajos compilados en La memoria cinematográfica de la guerrilla antifranquista analizan las obras más emblemáticas de este ciclo de películas, incidiendo tanto en su muy variada textura cinematográfica como en su voluntad de posicionarse dentro del todavía hoy controvertido debate sobre la memoria histórica del franquismo. A la vez, tomados en su conjunto, los artículos enfatizan como este cine de memoria, partiendo de un concreto referente histórico, ha sido capaz de desarrollar una intensa reflexión no sólo sobre la ética de la resistencia y de la dignidad, sino también sobre el poder de la imaginación contrafáctica.
This book offers a critical reinterpretation of the Spanish avant-garde, focusing on narrative, transculturality, and intermediality. Narrative, because it prioritizes the analysis of prose over poetry, against the traditional use of critical literature on the subject up to this point. Transculturality, because the Spanish avant-garde simply cannot be understood without the acknowledgement of its multi-linguistic reality and the transnational scope of the experience of Modernism in Europe – of which Spain was an integral yet underexposed component. And intermediality, because the interrelations of painting, photography, film, and literature articulate a correlation and mutual affect among different media, creating a rich cultural tapestry that needs to be addressed.

Contributors: Rosa Berland, Jennifer Duprey, Marcos Eymar, Regina Galasso, Eduardo Gregori, Juan Herrero-Senés, John McCulloch, Andrés Pérez-Simón, Lynn Purkey, Domingo Ródenas de Moya, Evelyn Scaramella and Antonio Sáez Delgado.
In: Avant-Garde Cultural Practices in Spain (1914-1936)
In: Avant-Garde Cultural Practices in Spain (1914-1936)
In: Avant-Garde Cultural Practices in Spain (1914-1936)
In: Avant-Garde Cultural Practices in Spain (1914-1936)
In: Avant-Garde Cultural Practices in Spain (1914-1936)
In: Avant-Garde Cultural Practices in Spain (1914-1936)
In: Avant-Garde Cultural Practices in Spain (1914-1936)