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While the last four years has seen a renewed interest in dress in biblical studies, much of this work focuses on dress as object—what it is, looks like, and who wears it. In consequence, the symbolic and rhetorical function of dress in metaphors is often reduced to its function in “real life.” In response, this study bridges the conversation from what dress is to what dress is doing. By focusing on dress as subject and a concept, this study identifies constellations that hold prophetic metaphors of the investiture/divestiture of dress together with respect to identity formation/deformation, suffering, and destruction.
While the last four years has seen a renewed interest in dress in biblical studies, much of this work focuses on dress as object—what it is, looks like, and who wears it. In consequence, the symbolic and rhetorical function of dress in metaphors is often reduced to its function in “real life.” In response, this study bridges the conversation from what dress is to what dress is doing. By focusing on dress as subject and a concept, this study identifies constellations that hold prophetic metaphors of the investiture/divestiture of dress together with respect to identity formation/deformation, suffering, and destruction.
An Examination of Its Cultural Relation and Heteroglossia
This book attempts to investigate two strands in a single work: ‘apocalyptic Paul’ and ‘intertextuality’. First, what does ‘apocalyptic Paul’ mean? Is it synonymous to eschatology as a theological notion, or the end-time mystery? Many seminal works have delved into the intriguing yet unorganized notion of the ‘apocalyptic’. Instead of attempting to provide a universal definition of the ‘apocalyptic’, the author presents his understanding of the phenomenon, particularly in the cultural realm. The author contends that ‘apocalyptic’ is neither all about the end-time event nor merely a literary genre, but an interpretive lens to understand the world and social phenomena—one that is shaped and developed through culture and society. Accordingly, the term ‘apocalyptic Paul’ implies how Paul views and understands the world, history, and supernatural phenomena through interaction with his cultural texts and context. Second, the author also suggests that ‘intertextuality’ is not only about comparative literature study. Rather, intertextuality refers to cultural semiotics: a sign system to deliver the meaning of text. Based on this notion of intertextuality, the author interprets how Paul envisages multiple phenomena (heavenly ascent, resurrection, afterlife, the origins of sin, and two ages) within his cultural context.
An Examination of Its Cultural Relation and Heteroglossia
This book attempts to investigate two strands in a single work: ‘apocalyptic Paul’ and ‘intertextuality’. First, what does ‘apocalyptic Paul’ mean? Is it synonymous to eschatology as a theological notion, or the end-time mystery? Many seminal works have delved into the intriguing yet unorganized notion of the ‘apocalyptic’. Instead of attempting to provide a universal definition of the ‘apocalyptic’, the author presents his understanding of the phenomenon, particularly in the cultural realm. The author contends that ‘apocalyptic’ is neither all about the end-time event nor merely a literary genre, but an interpretive lens to understand the world and social phenomena—one that is shaped and developed through culture and society. Accordingly, the term ‘apocalyptic Paul’ implies how Paul views and understands the world, history, and supernatural phenomena through interaction with his cultural texts and context. Second, the author also suggests that ‘intertextuality’ is not only about comparative literature study. Rather, intertextuality refers to cultural semiotics: a sign system to deliver the meaning of text. Based on this notion of intertextuality, the author interprets how Paul envisages multiple phenomena (heavenly ascent, resurrection, afterlife, the origins of sin, and two ages) within his cultural context.
Women, Sex, and Public Discourse
The Song of Songs is the only book of the Bible to privilege the voice of a woman, and its poetry of love and eroticism also bears witness to violence. How do the contemporary #MeToo movement and other movements of protest and accountability renew questions about women, gender, sex, and the problematic of the public at the heart of this ancient poetry? This edited volume prominently features women scholars and seeks to reinvigorate feminist scholarship on the Song by exploring diverse contexts of reading, from Akkadian love lyrics, to Hildegard of Bingen, to Marc Chagall.
Women, Sex, and Public Discourse
The Song of Songs is the only book of the Bible to privilege the voice of a woman, and its poetry of love and eroticism also bears witness to violence. How do the contemporary #MeToo movement and other movements of protest and accountability renew questions about women, gender, sex, and the problematic of the public at the heart of this ancient poetry? This edited volume prominently features women scholars and seeks to reinvigorate feminist scholarship on the Song by exploring diverse contexts of reading, from Akkadian love lyrics, to Hildegard of Bingen, to Marc Chagall.
A Critical Edition and Annotated Translation with an Introduction
Cyril ibn Laqlaq’s Book of Confession offers the critical edition and translation of a treatise that is published here for the first time. Cyril, the 75th Coptic Patriarch, was a controversial figure who was judged for simony by his own bishops in an official synod. Despite his failure to promote auricular confession during his lifetime, the widespread distribution of his treatise had a significant impact on the practice's adoption. The Book of Confession is well attested in the manuscript tradition. The vast inventory of manuscripts attests to its popularity among diverse Christian denominations throughout the Middle East. Undoubtedly, it has been a highly influential text in the formation of spiritual life and penitential theology in the Middle Ages.
A Critical Edition and Annotated Translation with an Introduction
Cyril ibn Laqlaq’s Book of Confession offers the critical edition and translation of a treatise that is published here for the first time. Cyril, the 75th Coptic Patriarch, was a controversial figure who was judged for simony by his own bishops in an official synod. Despite his failure to promote auricular confession during his lifetime, the widespread distribution of his treatise had a significant impact on the practice's adoption. The Book of Confession is well attested in the manuscript tradition. The vast inventory of manuscripts attests to its popularity among diverse Christian denominations throughout the Middle East. Undoubtedly, it has been a highly influential text in the formation of spiritual life and penitential theology in the Middle Ages.
A study of the plan of Ezekiel’s temple
Ezekiel’s temple is presented as a vision. It just had to be displayed as a sign of hope for the exiled people. Therefore the exiles were not instructed to build this temple. It will be built in a distant future, than the temple will never again be defiled and the Glory of the Lord will return to His house for ever. The architecture of Ezekiel’s temple resembles in many respects Solomon’s temple and the ancient Near East style of building. The plan and architecture of Solomon’s and Ezekiel’s temple had a major influence on western architecture and urban design.
A study of the plan of Ezekiel’s temple
Ezekiel’s temple is presented as a vision. It just had to be displayed as a sign of hope for the exiled people. Therefore the exiles were not instructed to build this temple. It will be built in a distant future, than the temple will never again be defiled and the Glory of the Lord will return to His house for ever. The architecture of Ezekiel’s temple resembles in many respects Solomon’s temple and the ancient Near East style of building. The plan and architecture of Solomon’s and Ezekiel’s temple had a major influence on western architecture and urban design.
Aḥob of Qatar and the Development of the East Syriac Exegetical Tradition
In The Heirs of Theodore Seth M. Stadel examines Aḥob of Qatar, a late 6th-century East Syriac biblical commentator, and his surviving Old Testament exegetical works. He further investigates what can be deduced of Aḥob’s influence on the later East Syriac exegetical tradition, and he details the originality of Aḥob’s exegesis, especially in comparison with earlier and contemporary Greek and Syriac sources. By presenting the first annotated edition, English translation, and study of Aḥob’s extant Old Testament exegetical works, Stadel is able to show that Aḥob represents a distinct voice within the East Syriac exegetical tradition.
Aḥob of Qatar and the Development of the East Syriac Exegetical Tradition
In The Heirs of Theodore Seth M. Stadel examines Aḥob of Qatar, a late 6th-century East Syriac biblical commentator, and his surviving Old Testament exegetical works. He further investigates what can be deduced of Aḥob’s influence on the later East Syriac exegetical tradition, and he details the originality of Aḥob’s exegesis, especially in comparison with earlier and contemporary Greek and Syriac sources. By presenting the first annotated edition, English translation, and study of Aḥob’s extant Old Testament exegetical works, Stadel is able to show that Aḥob represents a distinct voice within the East Syriac exegetical tradition.
The Narrative Arc of Samuel-Kings and Chronicles in Luke-Acts
This book proposes a fresh understanding of the literary composition of Luke-Acts. Picking up on the ancient practice of literary mimesis, the author argues that Luke’s two-part narrative is subtly but significantly modeled on the two-part narrative found in the books of Samuel-Kings and Chronicles. Specifically, Luke’s gospel presents Jesus as the promised, ultimate Davidide, while the Book of Acts presents the disciples of Jesus as the heirs of the kingdom of David. In addition to the proposal concerning the composition of Luke-Acts, the book offers compelling insights on the genre of Luke-Acts and the purpose of Acts.
The Narrative Arc of Samuel-Kings and Chronicles in Luke-Acts
This book proposes a fresh understanding of the literary composition of Luke-Acts. Picking up on the ancient practice of literary mimesis, the author argues that Luke’s two-part narrative is subtly but significantly modeled on the two-part narrative found in the books of Samuel-Kings and Chronicles. Specifically, Luke’s gospel presents Jesus as the promised, ultimate Davidide, while the Book of Acts presents the disciples of Jesus as the heirs of the kingdom of David. In addition to the proposal concerning the composition of Luke-Acts, the book offers compelling insights on the genre of Luke-Acts and the purpose of Acts.