The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 is a thorough exploration of the meanings and values Hispanic poets and artists assigned to four iconic locations of modernity: the city, the cafés, means of transportation, and the sea, during the first decades of the 20th century. Joining important studies on Spatiality, Palomares-Salas convincingly argues that an unsolvable tension between place and space is at the core of the Hispanic avant-garde cultural production. A refreshing, transatlantic perspective on Ultraism and Stridentism, the book moves the Hispanic vanguards forward into broader, international discussions on space and modernism, and offers innovative readings of well-known, as well as rarely studied works.
In: The Spatiality of the Hispanic Avant-Garde
In: The Spatiality of the Hispanic Avant-Garde
In: The Spatiality of the Hispanic Avant-Garde
In: The Spatiality of the Hispanic Avant-Garde
In: The Spatiality of the Hispanic Avant-Garde
In: The Spatiality of the Hispanic Avant-Garde
Identidad y Exilio desde la Edad Moderna hasta nuestros días
Españoles en Europa: Identidad y Exilio desde la Edad Moderna a nuestros días focuses on exile as a great identifier of modern times. It constitutes a highly comprehensive view of Hispanic exile through a systematic, transnational and trans-historical perspective.

Exile has played an essential role within Europe, which is presented as a complex conglomerate of cultures and literary traditions in constant transformation and dialogue. In the particular case of Hispanic exile, an undeniable complexity arises throughout its history due to various political, economic, cultural and aesthetic factors and to the essential significance of absent figures in the formation of Hispanic culture and identity.

Españoles en Europea: Identidad y Exilio desde la Edad Moderna a nuestros días se concentra en el fenómeno del exilio como gran identificador de tiempos modernos, abordándolo sistemáticamente desde una innovadora perspectiva transnacional y transhistórica.

Europa se presenta como un complejo conglomerado de culturas y de tradiciones literarias en constante transformación y diálogo, donde el fenómeno del exilio ha desempeñado un papel esencial. En el caso particular del exilio hispánico, una clara complejidad se acentúa y agudiza a lo largo de su historia debido a diversos factores políticos, económicos, culturales y estéticos, siendo además innegable la influencia esencial que han tenido los ausentes en la formación de la cultura y la identidad del país.

Contributors: Beatriz Calvo Martín, Carlos Yebra López, Cristian Crusat, Dagmar Vandebosch, Isabel-Clara Lorda Vidal, Fernando Díaz Ruiz, Jorge L. Catalá-Carrasco, Kirsten Bakker, Konstantin Mierau, Manuel Aznar Soler, Manuel de la Fuente, María José González Dávila, Marije Hirstova.
Puentes culturales críticos entre África, Latinoamérica y España
Trans-afrohispanismos: puentes culturales críticos entre África, Latinoamérica y España is an innovative approach to Afro-Hispanic Studies. It focuses on the connections between peoples, territories, and media of expression at the confluence of Africa and the Hispanic world. The volume’s contributors apply perspectives from their respective areas of specialization to their examination of transcultural interactions in a diverse range of contexts. These include Equatorial Guinea, Western Sahara, Spain, Morocco, Afro-descendant communities in Latin America and transnational spaces generated by digital technologies and contemporary migration. The volume offers an expanded understanding of Afro-Hispanic Studies and serves as a model of inquiry in a field whose hallmark is the mobility of people and knowledge.

Trans-afrohispanismos: puentes culturales críticos entre África, Latinoamérica y España es una aproximación innovadora a los Estudios Afrohispánicos. Destaca las conexiones entre gentes, territorios y medios de expresión en la confluencia de África y el mundo hispánico. Estos incluyen Guinea Ecuatorial, el Sáhara Occidental, España, Marruecos, comunidades de afrodescendientes en América Latina y los espacios transnacionales originados por las tecnologías digitales y la migración. Este libro ofrece una visión más amplia de los Estudios Afrohispánicos. Adicionalmente, sirve de modelo de investigación en un campo cuya seña de identidad es la movilidad de gentes y conocimientos.

Contributors are: Joanna Allan, Eduard Arriaga, Antonio Becerra Bolaños, Justo Bolekia Boleká, Julia Borst, Milagros Carazas, Dosinda García-Alvite, Maya García de Vinuesa, Gloria Lara Millán, Alain Lawo-Sukam, Bahia Mahmud Awah, Dorothy Odartey-Wellington, Elisa Rizo, Nayra Pérez Hernández, Juliane Tauchnitz and Kofi Yakpo.
Guilliam Forchondt’s Dealership in Antwerp (c.1632–78) and the Overseas Paintings Trade
Based on Guilliam Forchondt’s surviving business documentation in Antwerp and applying an aggregate and data-driven approach, Connecting Art Markets focuses on the role of art dealers in mediating the supply and demand for art, behaving in particular ways as to influence the markets for artworks in which they were strategically invested. Van Ginhoven presents her findings on Guilliam Forchondt’s workshop production volumes and transatlantic art trade flows, and evaluates the relationship between the production of paintings in the Southern Netherlands, their local, regional and overseas distribution channels, and the markets for these works in Europe and the Americas during the seventeenth century.