USD $81.00
Browse results
Series:
Metaforms, Volume: 26
Volume Editor:
Does the story of Lucius, a curious and lustful young man who is magically transformed into an ass, have anything to teach us today? Does it have a serious, philosophical and religious meaning, or is it just a form of literary play, full of adventures, magic, sex, violence, and religion? This volume studies the reception of the novel in the last hundred years, showing also the most promising and diverse research perspectives for the future. Apuleius claimed that a philosopher must possess a mirror; perhaps, his novel is a mirror for us to look into.
Series:
Metaforms, Volume: 26
Volume Editor:
Does the story of Lucius, a curious and lustful young man who is magically transformed into an ass, have anything to teach us today? Does it have a serious, philosophical and religious meaning, or is it just a form of literary play, full of adventures, magic, sex, violence, and religion? This volume studies the reception of the novel in the last hundred years, showing also the most promising and diverse research perspectives for the future. Apuleius claimed that a philosopher must possess a mirror; perhaps, his novel is a mirror for us to look into.
The Hero on Stage from the Enlightenment to the Early Twenty-First Century
Series:
Metaforms, Volume: 25
Volume Editor:
Hercules Performed explores the reception of the ancient Greek hero Herakles – the Roman Hercules – on the western stage from the sixteenth century to the present day, focusing on live theatre, including tragedy, comedy and musical drama. Each chapter considers a particular work or theme in detail, exploring the interplay between classical models and a wide variety of modern performance contexts. The volume is one of four to be published in the Metaforms series examining the extraordinarily persistent figuring of Herakles-Hercules in western culture, drawing together scholars from a range of disciplines to offer a unique insight into the hero’s perennial appeal.
The Hero on Stage from the Enlightenment to the Early Twenty-First Century
Series:
Metaforms, Volume: 25
Volume Editor:
Hercules Performed explores the reception of the ancient Greek hero Herakles – the Roman Hercules – on the western stage from the sixteenth century to the present day, focusing on live theatre, including tragedy, comedy and musical drama. Each chapter considers a particular work or theme in detail, exploring the interplay between classical models and a wide variety of modern performance contexts. The volume is one of four to be published in the Metaforms series examining the extraordinarily persistent figuring of Herakles-Hercules in western culture, drawing together scholars from a range of disciplines to offer a unique insight into the hero’s perennial appeal.
Studies Presented to Demetrios Yatromanolakis
The studies included in Mythogenesis, Interdiscursivity, Ritual — written in honor of Professor Demetrios Yatromanolakis, a pioneering and influential scholar — shed new light on a variety of areas: the encounters of ancient Greece with other societies and cultures in antiquity; the interplay between art (vase-painting and sculpture) and broader ideological developments/ mentalities in antiquity; ritual in ancient Greek contexts; political ideologies and religion; history of scholarship, textual criticism/critical editing, and hermeneutics; the reception of myth and of archaic and classical Greek culture and philosophy in diverse discursive, mediatic, and sociocultural contexts — from early twentieth-century painting, to modernism and the avant-garde, to Foucauldian thought.
Studies Presented to Demetrios Yatromanolakis
The studies included in Mythogenesis, Interdiscursivity, Ritual — written in honor of Professor Demetrios Yatromanolakis, a pioneering and influential scholar — shed new light on a variety of areas: the encounters of ancient Greece with other societies and cultures in antiquity; the interplay between art (vase-painting and sculpture) and broader ideological developments/ mentalities in antiquity; ritual in ancient Greek contexts; political ideologies and religion; history of scholarship, textual criticism/critical editing, and hermeneutics; the reception of myth and of archaic and classical Greek culture and philosophy in diverse discursive, mediatic, and sociocultural contexts — from early twentieth-century painting, to modernism and the avant-garde, to Foucauldian thought.
Apophthegmata (Liber VI)
Editor:
This work provides a commented critical edition of Erasmus’s Apophthegmata (books V–VIII), the most successful early modern collection of memorable sayings and anecdotes. The substantial introduction analyses the genre of apophthegmata in antiquity, and the genesis, composition, sources and particularities of Erasmus’s work.
Apophthegmata (Liber VI)
Editor:
This work provides a commented critical edition of Erasmus’s Apophthegmata (books V–VIII), the most successful early modern collection of memorable sayings and anecdotes. The substantial introduction analyses the genre of apophthegmata in antiquity, and the genesis, composition, sources and particularities of Erasmus’s work.
Apophthegmata I (Libri VII-VIII)
Editor:
This work provides a commented critical edition of Erasmus’s Apophthegmata (books V–VIII), the most successful early modern collection of memorable sayings and anecdotes. The substantial introduction analyses the genre of apophthegmata in antiquity, and the genesis, composition, sources and particularities of Erasmus’s work.
Apophthegmata I (Libri VII-VIII)
Editor:
This work provides a commented critical edition of Erasmus’s Apophthegmata (books V–VIII), the most successful early modern collection of memorable sayings and anecdotes. The substantial introduction analyses the genre of apophthegmata in antiquity, and the genesis, composition, sources and particularities of Erasmus’s work.
Volume Editor:
The late Byzantine period (thirteenth to fifteenth centuries) was marked by both cultural fecundity and political fragmentation, resulting in an astonishingly multifaceted literary output. This book addresses the poetry of the empire’s final quarter-millennium from a broad perspective, bringing together studies on texts originating in places from Crete to Constantinople and from court to school, treating topics from humanist antiquarianism to pious self-help, and written in styles from the vernacular to Homeric language. It thus offers a reference work to a much-neglected but rich textual material that is as varied as it was potent in the sociocultural contexts of its times.
Contributors are Theodora Antonopoulou, Marina Bazzani, Julián Bértola, Martin Hinterberger, Krystina Kubina, Marc D. Lauxtermann, Florin Leonte, Ugo Mondini, Brendan Osswald, Giulia M. Paoletti, Cosimo Paravano, Daniil Pleshak, Alberto Ravani, and Federica Scognamiglio.
Contributors are Theodora Antonopoulou, Marina Bazzani, Julián Bértola, Martin Hinterberger, Krystina Kubina, Marc D. Lauxtermann, Florin Leonte, Ugo Mondini, Brendan Osswald, Giulia M. Paoletti, Cosimo Paravano, Daniil Pleshak, Alberto Ravani, and Federica Scognamiglio.
Volume Editor:
The late Byzantine period (thirteenth to fifteenth centuries) was marked by both cultural fecundity and political fragmentation, resulting in an astonishingly multifaceted literary output. This book addresses the poetry of the empire’s final quarter-millennium from a broad perspective, bringing together studies on texts originating in places from Crete to Constantinople and from court to school, treating topics from humanist antiquarianism to pious self-help, and written in styles from the vernacular to Homeric language. It thus offers a reference work to a much-neglected but rich textual material that is as varied as it was potent in the sociocultural contexts of its times.
Contributors are Theodora Antonopoulou, Marina Bazzani, Julián Bértola, Martin Hinterberger, Krystina Kubina, Marc D. Lauxtermann, Florin Leonte, Ugo Mondini, Brendan Osswald, Giulia M. Paoletti, Cosimo Paravano, Daniil Pleshak, Alberto Ravani, and Federica Scognamiglio.
Contributors are Theodora Antonopoulou, Marina Bazzani, Julián Bértola, Martin Hinterberger, Krystina Kubina, Marc D. Lauxtermann, Florin Leonte, Ugo Mondini, Brendan Osswald, Giulia M. Paoletti, Cosimo Paravano, Daniil Pleshak, Alberto Ravani, and Federica Scognamiglio.
Editor / Translator:
"Dass die Mistforke leichter sei als die Schreibfeder und der Schweinestall besser rieche als die Stube der Studenten" – gegen diesen Irrtum kämpft 1525 Jacobus Montanus mit einhundert Musterbriefen an. Seine Schüler sollen sie aus ihrer Muttersprache ins Lateinische übersetzen. Ergänzende Formulierungshilfen aus antiken Autoren bahnen ihnen den Weg zu gelehrter Eloquenz. Obwohl unter Zeitgenossen hoch angesehen, liegt keines der Werke des westfälischen Humanisten in moderner Ausgabe vor. Die ‚Centuria epistolarium formularum‘ / ‚Hundertschaft Briefmuster‘ führt ins Zentrum seines Schaffens. Sie wird hier erstmals in kritischer Ausgabe vorgelegt. Ihre Briefe bieten alltagsnahe Einblicke in die Lebens- und Bildungswelt Westfalens, und ihre Lektüre bereitet oft Vergnügen. Eine moderne Übersetzung erleichtert den Zugang. Ein ausgiebiger Kommentar erschließt sie dem an vormoderner Alltags-, Bildungs- und Regionalgeschichte Interessierten.