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Contributors are: Matthias Rõhrig Assunção, Dorothée Boulanger, Silvia Figueiredo Brandão, David Brookshaw, Paul Melo e Castro, Augusto Soares da Silva, Shihan de Silva Jayasuriya, Stefan Halikowski Smith, Annabel Jackson, Ivana Stolze Lima, Selina Patel Nascimento, Malyn Newitt, Gerhard Seibert, Andrzej Stuart-Thompson, Raan-Hann Tan, and Silvia Rodrigues Vieira.
Contributors are: Matthias Rõhrig Assunção, Dorothée Boulanger, Silvia Figueiredo Brandão, David Brookshaw, Paul Melo e Castro, Augusto Soares da Silva, Shihan de Silva Jayasuriya, Stefan Halikowski Smith, Annabel Jackson, Ivana Stolze Lima, Selina Patel Nascimento, Malyn Newitt, Gerhard Seibert, Andrzej Stuart-Thompson, Raan-Hann Tan, and Silvia Rodrigues Vieira.
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Abstract
This chapter examines the usage of the dual in the corpus of Aristophanes and aims to determine firstly that the usage of the dual is a genuine product of Aristophanes’ text, rather than a later addition from Atticist or Byzantine scribes. It then analyses the usage of the dual within the plays, quantitatively analysing possible influencing factors before determining the importance of animacy as a driving factor.