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African Studies at the Crossroads
This book emerges at a time when critical race studies, postcolonial thought, and decolonial theory are under enormous pressure as part of a global conservative backlash. However, this is also an exciting moment, where new horizons of knowledge appear and new epistemic practices (e.g. symmetry, collaboration, undisciplining) gain traction. Through our critical engagements with structural, relational, and personal aspects of knowing and unknowing we work towards a greater multiplicity of knowledges and practices. Calling into question the asymmetrical global economy of knowledge and its uneven division of intellectual labour, our interdisciplinary volume explores what a decolonial horizon could entail for African Studies at the crossroads.

Contributors are Akosua Adomako Ampofo, Eric A. Anchimbe, Edwin Asa Adjei, Susan Arndt, Muyiwa Falaiye, Katharina Greven, Christine Hanke, Amanda Hlengwa, Catherine Kiprop, Elísio Macamo, Nelson Maldonado-Torres, Cassandra Mark-Thiesen, Lena Naumann, Thando Njovane, Samuel Ntewusu, Anthony Okeregbe, Zandisiwe Radebe, Elelwani Ramugondo, Eleanor Schaumann
Homo Mimeticus 2.0 in Art, Philosophy and Technics
Volume Editor:
It is tempting to affirm that on and about November 2022 (post)human character changed. The revolution in A.I. simulations certainly calls for an updated of the ancient realization that humans are imitative animals, or homo mimeticus. But the mimetic turn in posthuman studies is not limited to A.I.: from simulation to identification, affective contagion to viral mimesis, robotics to hypermimesis, the essays collected in this volume articulate the multiple facets of homo mimeticus 2.0. Challenging rationalist accounts of autonomous originality internal to the history of Homo sapiens, this volume argues from different—artistic, philosophical, technological—perspectives that the all too human tendency to imitate is, paradoxically, central to our ongoing process of becoming posthuman.
The book offers an in-depth narratological analysis of the 'Book of Orpheus' (10.1-11.84) of Ovid's Metamorphoses. Starting from fundamental aspects of narrative like time, space, and focalisation, the commentary highlights the polyphony of the various narrative levels. The complex and challenging design results from a constant oscillation between the narrator-persona of Ovid and the programmatic Orpheus-figure which has found a wealth of interpretations. In addition, the study places the 10th book in the overall narrative framework of Ovid's Metamorphoses with its density of intertextuality and metanarrativity.