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In order to have a constructive discussion about feelings in the late Middle Ages, it is beneficial to first evaluate how the feelings of individual men and women were defined. As such, the purpose of this book is to explore the words used by late -medieval men and women to refer to their feelings and to examine their meanings. By doing so, it becomes possible to better understand the efforts by late -medieval society to express, use, and transmit certain feelings, especially as they related to manoeuvres of power or the articulation of social values.

Contributors are: Mechthild Albert, Jacqueline Cerquiglioni-Toulet, Frank Collard, Paola Corti Badia, Francesca Español, Isabel Grifoll, Juan Francisco Jiménez Alcázar, José Martínez Gázquez, Alicia Minguélez, Matilde Juan, Liza N. Pina-Rubio, Gerardo Rodríguez, Flocel Sabaté, Benedicte Sère, and Marta Serrano.
Nature, Order and the Divine
Volume Editors: and
This volume explores important aspects of the life and writings of Anselm of Canterbury. His is a world in which the created order with its hierarchies of natures and roles manifests a divine order that proceeds from the divine nature.
Individual chapters examine Anselm’s understanding of rectitude, truth, justice and redemption, the relationship of free will and grace and of faith and reason, whether and how we can speak of or reject the divine, Anselm’s approach to death, his understanding of the superiority of monasticism in the social and spiritual order, and the role that angels play in his metaphysical and theological arguments.
This volume tells the story of the Arabic translations of the Church Fathers. By tracing the history of major translation centres, such as Palestine, Sinai, and Antioch, it describes how Middle Eastern Christians translated into Arabic, preserved, and engaged with their Patristic heritage. In addition to well known authors, such as Gregory of Nazianzus, Ephrem the Syrian, and Dionysius the Areopagite, the volume presents a Patristic treatise written in Greek but preserved only in Arabic: the Noetic Paradise. Finally, by reconstructing a lost Arabic Dionysian paraphrase used by the Muslim theologian al-Ghazali, the volume explores Patristic influences on Islamic thought.
A Theological Anthropological Lens to the Sixteenth-Century Astronomical Revolution
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Focusing on the works of a select group of Lutheran astronomers in the Wittenberg sphere of influence, Earthly Adams and Pious Philosophers establishes a theological anthropological blueprint that echoed in their contributions to the sixteenth-century astronomical revolution. In challenging canonical cosmology and its Scholastic advocates, Georg Joachim Rheticus, Tycho Brahe, and Caspar Peucer invoked intellectual piety and a pessimist epistemology tailored to Luther’s understanding of man after the Fall. The fruitful ignorance to which they submitted can be seen as part of a larger view of the self and the world, the astronomer, the academic scholar and the university, that was essentially theologically informed.
This book examines Gregory Palamas’ perspective on light, applying the “metaphysics of light” framework introduced by Clemens Baeumker, and reconceptualizing it to present a new theoretical approach to Palamas’ thought. It delves into how Palamas interprets light, covering its ontological, epistemological, and transformative aspects, which he articulates through the integration of scriptural exegesis and the direct experiences of monastic prayer.

Palamas’ concepts are thoroughly analyzed, from the essence-energy distinction to the possibilities of experiencing the divine through the body in present life. This book situates Palamas’ thought within both its historical context and the broader spectrum of metaphysics, thereby promoting a philosophical understanding.

Inviting readers interested in the intersections of Byzantine theology, philosophy, and metaphysics, this work offers a meticulous study of a system that challenges the conventional limits of corporeality and finitude.
An Alchemist in the Amphitheatre of Eternal Wisdom
The German physician, alchemist, kabbalist, and theosopher Heinrich Khunrath (ca. 1560–1605) is one of the most remarkable figures in the intellectual history of the Renaissance. His work, combining text and images in a new way, is a fusion of the contemporary currents of thought in which alchemy went hand-in-hand with philosophy and Lutheran heterodox theology. As a follower of Paracelsus, Khunrath was in search of both the secrets of nature and and the knowledge of God -- the “theosophy”. This
Perspectives from Critical Theory and Beyond
Today, more than ever, it is easy to understand how populism has become such a contested word in contemporary politics. Despite its relatively short history, the term follows a rather volatile trajectory in terms of its historical development and presence as a political practice. When we look at its political and moral impact, one can see that despite its often strict national commitments and narratives, populism is rather a global political phenomenon. As embodiment of anti-establishment narratives, polarizing attitudes, and emancipatory appeal, we can follow its occurrence from Central and Eastern Europe, Latin America, the USA and UK, the Middle East, all the way to China and India. This edited volume helps fill a gap in the existing literature on Critical Theory (broadly construed) and populism, focusing on the multiple dimensions of historical and contemporary contexts for today’s rising populist movements and their often – but not necessarily – hostile relations towards cosmopolitanism, globalization, environmentalism, and general notions of inclusion and justice.

Contributors are: Emília Barna, Ronald Beiner, Dustin J. Byrd, Samir Gandesha, Carlos Antonio Giovinazzo Júnior, Mlado Ivanovic, Yonathan Listik, Grigoris Markou, Jeremiah Morelock, Felipe Ziotti Narita, Ágnes Patakfalvi- Czirják, Maria Cristina Dancham Simões and Hassan Zaheer.
Series:  Aries Book Series
This is a 4-volume work entitled The Mage’s Images. The work provides the first in-depth examination of the life and works of Heinrich Khunrath (1560-1605), ‘one of the great Hermetic philosophers’, whose Amphitheatre of Eternal Wisdom (1595/1609) has been described as ‘one of the most important books in the whole literature of theosophical alchemy and the occult sciences’. Khunrath is best known for his novel combination of ‘scripture and picture’ in the complex engravings in his Amphitheatre. In this richly illustrated monograph, Forshaw analyses occult symbolism, with previously unpublished material, offering insight into Khunrath’s insistence on the necessary combination of alchemy, magic, and cabala in ‘Oratory and Laboratory’.
Prologue: Bio-Bibliography & Introduction to Khunrath’s Images
This is the 1st volume in a 4-volume work entitled The Mage’s Images. The work provides the first in-depth examination of the life and works of Heinrich Khunrath (1560-1605), ‘one of the great Hermetic philosophers’, whose Amphitheatre of Eternal Wisdom (1595/1609) has been described as ‘one of the most important books in the whole literature of theosophical alchemy and the occult sciences’. Khunrath is best known for his novel combination of ‘scripture and picture’ in the complex engravings in his Amphitheatre. In this richly illustrated monograph, Forshaw analyses occult symbolism, with previously unpublished material, offering insight into Khunrath’s insistence on the necessary combination of alchemy, magic, and cabala in ‘Oratory and Laboratory’.