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Empire and Environment, Soldiers and Civilians on the Eastern Front
This volume places the Eastern, especially the Austro-Russian, fronts of the Great War centre stage, examining the little-known environmental and spatial dimensions in the history of the war. The focus is particularly on the Austrian crown land of Galicia, which was transformed from a neglected periphery into a battleground of three imperial armies, and where for the first time, nature was a key protagonist.
The book balances contributions by emerging and established scholars, and benefits from a multi-language approach, expertise in the field, and extensive archival research in national archives.
Contributors are Hanna Bazhenova, Gustavo Corni, Iaroslav Golubinov, Kerstin Susanne Jobst, Tomasz Kargol, Alexandra Likhacheva, Oksana Nagornaia, David Novotny, Christoph Nübel, Gwendal Piégais, Andrea Rendl, Kamil Ruszała, Nicolas Saunders, Kerstin von Lingen, Yulia Zherdeva, and Liubov Zhvanko.
Proceedings and Resolutions of the First Congress, 1921
Editor:
The 1921 founding congress in Moscow of the Red International of Labour Unions was a historic event. That gathering set out to create an international revolutionary trade-union organisation embracing millions of workers, and it brought together a wide variety of forces within the world labour movement. Lively and at times acrimonious debates occurred at the congress with syndicalist and other currents over the purpose and tasks of trade unions, the nature of class-struggle unionism, and union strategy and tactics.

The congress proceedings, published here in a richly annotated edition, are part of a multi-volume series on the Communist International in Lenin’s time.
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Abstract

This article explains the role played by contemporary art evocations of the communist past in the establishment of a more comprehensive memory of the communist regime in Romania. The analysis delineates the three memory frameworks of the communist regime in Romania (official memory, activist memory, and a nostalgic outlook) and contraposes them to the five artistic memory frameworks (Ceaușescu’s portraits, the 1989 revolution, the victims of communism, the portraits of the members of the Securitate, and the communist nostalgia) that have crystallized in the period 2000–2020. Theoretically, the article uses the art and politics of memory focus, which is found at the intersection of the studies of cultural/artistic memory and the role of art in Transitional Justice studies, to propose a critical perspective on contemporary artistic discourses of the communist past in Romania.

In: Southeastern Europe
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In: Southeastern Europe
In: Southeastern Europe
In: Southeastern Europe