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Emblematics and the Brazilian Avant-Garde (1920-30s)
Author:
In Antropofagia, Aarnoud Rommens shows how this Brazilian avant-garde movement (1920-30s) deconstructed early tendencies in the European vanguard. Through imaginative re-readings, the author reinterprets Antropofagia’s central texts and images as elements within an ever-changing, neo-baroque memory palace. Not only does the movement subvert established conceptions of the pre- and postcolonial; it is also a counter-colonial critique of verbal and visual literacy. To do justice to the dynamic between visibility and legibility, Rommens develops the inventive methodology of ‘emblematics’. The book’s implications are wide-ranging, prompting a revaluation of the avant-garde as a transmedial tactic for disrupting our reading and viewing habits.
Author:
Wolfgang Welsch demonstrates for the first time that transculturality – the mixed constitution of cultures – is by no means only a characteristic of the present, but has de facto determined the composition of cultures since time immemorial. The historical transculturality is demonstrated using examples from the arts. While transculturality was often viewed with reservation where political, social, or psychological levels were at stake, it was rather welcomed and appreciated in the field of art. The book therefore demonstrates the historical prevalence of transculturality via all areas of art and does so with respect to all cultures and continents of our world.
In: We Have Always Been Transcultural: The Arts as an Example
In: We Have Always Been Transcultural: The Arts as an Example
In: We Have Always Been Transcultural: The Arts as an Example
In: We Have Always Been Transcultural: The Arts as an Example
In: We Have Always Been Transcultural: The Arts as an Example
In: We Have Always Been Transcultural: The Arts as an Example
In: We Have Always Been Transcultural: The Arts as an Example
In: We Have Always Been Transcultural: The Arts as an Example