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This volume contains the new, annotated translations of two of such polemical treatises (dating from 1686 and 1687): two Buddhist monks attacking the "arch-Confucian" Hayashi Razan (1583-1657) in the name of Buddhism and Shinto.
This volume contains the new, annotated translations of two of such polemical treatises (dating from 1686 and 1687): two Buddhist monks attacking the "arch-Confucian" Hayashi Razan (1583-1657) in the name of Buddhism and Shinto.
The conceptualization of waterscape echoes contemporary geopolitical tensions, economic interdependencies, military strategies, and historical-cultural dynamics, offering fresh viewpoints on rethinking cultural politics and engaging with Anthropocene concerns and ecological imperatives. The volume reverberates with the discourses of the Global South, complicating prevailing worldviews and ideological underpinnings, and thereby prompts a re-evaluation of the concept of “Asia.”
The conceptualization of waterscape echoes contemporary geopolitical tensions, economic interdependencies, military strategies, and historical-cultural dynamics, offering fresh viewpoints on rethinking cultural politics and engaging with Anthropocene concerns and ecological imperatives. The volume reverberates with the discourses of the Global South, complicating prevailing worldviews and ideological underpinnings, and thereby prompts a re-evaluation of the concept of “Asia.”
The author applies interdisciplinary and network approaches developed in art history, religious studies, digital humanities, and the history of the print and book culture to shed new light on Buddhist print culture from visual, textual, social, and religious perspectives.
The author applies interdisciplinary and network approaches developed in art history, religious studies, digital humanities, and the history of the print and book culture to shed new light on Buddhist print culture from visual, textual, social, and religious perspectives.
Abstract
Focused at the intersection of the history of books, sciences, and the circulation of knowledge between China and Europe, this article aims to shed light on the genesis of the Flora Sinensis (1656) written by Father Michał Piotr Boym (1612–1659), and the processes of the circulation of Chinese images and knowledge. Through the study of several Chinese painting manuals published during the seventeenth century, our aim is to demonstrate that the Tuhui zongyi is the most likely source of the animal illustrations in the Flora Sinensis. This hypothesis will be supported by an analysis of two of Boym’s cartographic projects, which also include illustrations from the Tuhui zongyi, the Vatican atlas, and a fragment of a Boym wall map discovered in a private collection in 2023. Noting that Boym’s maps contain illustrations of the Tuhui zongyi that are absent from the Flora, we suggest that Boym acquired this painting manual for the purpose of decorating his cartographic works.
This study offers an overview of the cultural, diplomatic, commercial, and religious relationships that flourished between Iran and China, building on the pioneering work of Berthold Laufer’s Sino-Iranica (1919) while utilizing a diverse array of Classical Chinese sources to tell the story of Sino-Iran in a fresh light to highlight the significance of transcultural networks across Asia in late antiquity.
This study offers an overview of the cultural, diplomatic, commercial, and religious relationships that flourished between Iran and China, building on the pioneering work of Berthold Laufer’s Sino-Iranica (1919) while utilizing a diverse array of Classical Chinese sources to tell the story of Sino-Iran in a fresh light to highlight the significance of transcultural networks across Asia in late antiquity.
Proceeding from the revised chronology and emphasizing local processes, this new account brings the growth of Asuka Buddhism into clearer vision and elaborates on heretofore unknown historical details for an enriched understanding of this critical period of East Asian history.
Proceeding from the revised chronology and emphasizing local processes, this new account brings the growth of Asuka Buddhism into clearer vision and elaborates on heretofore unknown historical details for an enriched understanding of this critical period of East Asian history.