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Space, Time, and Experience, 1300–1800
How did the early-modern Christian West conceive of the spaces and times of the afterlife? The answer to this question is not obvious for a period that saw profound changes in theology, when the telescope revealed the heavens to be as changeable and imperfect as the earth, and when archaeological and geological investigations made the earth and what lies beneath it another privileged site for the acquisition of new knowledge.
With its focus on the eschatological imagination at a time of transformation in cosmology, this volume opens up new ways of studying early-modern religious ideas, representations, and practices. The individual chapters explore a wealth of – at times little-known – visual and textual sources. Together they highlight how closely concepts and imaginaries of the hereafter were intertwined with the realities of the here and now.

Contributors include: Matteo Al Kalak, Monica Azzolini, Wietse de Boer, Christine Göttler, Luke Holloway, Martha McGill, Walter S. Melion, Mia M. Mochizuki, Laurent Paya, Raphaèle Preisinger, Aviva Rothman, Minou Schraven, Anna-Claire Stinebring, Jane Tylus, and Antoinina Bevan Zlatar
Marx & Engels on Capitalism, Class Struggle and Crisis
Whether loving or hating it, many visualize capitalism as an unstoppable juggernaut. For those of us who would defeat it, we must identify its weaknesses. Fortunately, Marx and Engels’ writings on “crisis” reveal them. They show how its endless imposition of exploitative and alienating work creates such antagonistic conflicts everywhere as to make it, ultimately, a far more fragile monster than it first appears. Each of its efforts to shape social relationships, subordinating them to the work of commodity production and its control over society, has been and can be thrown into crisis by those of us resisting its way of life and seeking to create more appealing alternatives.
Pagan Antiquity and the Biblical Text in the Scholarly World of Guillaume Bonjour (1670-1714)
The present work offers the first major study of the Augustinian historian and missionary Guillaume Bonjour (1670-1714) and places Bonjour’s hitherto unstudied contributions to pagan mythography, biblical chronology, and ancient religion in their historical, intellectual context. It argues that Bonjour was part of a prominent scholarly tradition which advanced a new understanding of and approach to studying pagan antiquity, an approach which, if developed with the intention of elucidating and further confirming traditional assumptions about the authority of biblical history, nevertheless proved influential by postulating a new relationship between “sacred” and “profane” ancient history.
What was published in Naples during the Spanish Vicerealm? How did books, pamphlets, broadsheets and newspapers contribute to the political awareness of the Neapolitan people? To what extent did the authorities engage with this politically-charged literary world? This book aims to answer these questions by discussing an untapped body of sources, in manuscript and printed form. What emerges is a vivid picture of a vibrant printing industry and a rich cultural landscape. Three moments of crisis of the seventeenth century – the eruption of Vesuvius, Masaniello’s revolt and a major plague epidemic – are used as a test of the capability of the Spanish authorities in regards to political and propagandistic communication.
This book is first to address the curatorial career of Diego Velázquez, painter to King Philip IV of Spain and chamberlain of his royal palace. It investigates the role that Velázquez played in overseeing the display of the Habsburg art collection, then the richest in the western world, and the role, in turn, that this practice played in his creative trajectory between his arrival at the Spanish court in the 1623 and his death in 1660. This book thus recasts Velázquez’s career as an episode with
The work provides a commented critical edition of Erasmus’s Apophthegmata (books V-VIII), the most successful early modern collection of memorable sayings and anecdotes. The substantial introduction analyses the genre of apophthegmata in antiquity, and the genesis, composition, sources and particularities of Erasmus’s work.