USD $298.00
Browse results
Three Generations of Chinese Trotskyists in Defeat, Jail, Exile, and Diaspora
With an introduction by Gregor Benton.
The Longest Night tells the story of Chinese Trotskyism in its later years, including after Mao Zedong's capture of Beijing in 1949. It treats the three ages of Chinese Trotskyism: the founding generation around Chen Duxiu, Zheng Chaolin, Wang Fanxi, and Peng Shuzhi, who joined the Opposition after their expulsion from the Chinese Communist Party (CCP); the first generation of those who (after 1931) did not first pass through the ranks of the CCP before becoming Trotskyists; and those who became Trotskyists after 1949, mainly in Hong Kong and the diaspora.
The Longest Night tells the story of Chinese Trotskyism in its later years, including after Mao Zedong's capture of Beijing in 1949. It treats the three ages of Chinese Trotskyism: the founding generation around Chen Duxiu, Zheng Chaolin, Wang Fanxi, and Peng Shuzhi, who joined the Opposition after their expulsion from the Chinese Communist Party (CCP); the first generation of those who (after 1931) did not first pass through the ranks of the CCP before becoming Trotskyists; and those who became Trotskyists after 1949, mainly in Hong Kong and the diaspora.
Three Generations of Chinese Trotskyists in Defeat, Jail, Exile, and Diaspora
With an introduction by Gregor Benton.
The Longest Night tells the story of Chinese Trotskyism in its later years, including after Mao Zedong's capture of Beijing in 1949. It treats the three ages of Chinese Trotskyism: the founding generation around Chen Duxiu, Zheng Chaolin, Wang Fanxi, and Peng Shuzhi, who joined the Opposition after their expulsion from the Chinese Communist Party (CCP); the first generation of those who (after 1931) did not first pass through the ranks of the CCP before becoming Trotskyists; and those who became Trotskyists after 1949, mainly in Hong Kong and the diaspora.
The Longest Night tells the story of Chinese Trotskyism in its later years, including after Mao Zedong's capture of Beijing in 1949. It treats the three ages of Chinese Trotskyism: the founding generation around Chen Duxiu, Zheng Chaolin, Wang Fanxi, and Peng Shuzhi, who joined the Opposition after their expulsion from the Chinese Communist Party (CCP); the first generation of those who (after 1931) did not first pass through the ranks of the CCP before becoming Trotskyists; and those who became Trotskyists after 1949, mainly in Hong Kong and the diaspora.
Local Councils and People’s Assemblies in Korea, 1567–1894
Author:
Translator:
Eugene Y. Park’s annotated translation of a long-awaited book by Kim Ingeol introduces Anglophone readers to a path-breaking scholarship on the widening social base of political actors who shaped “public opinion” (kongnon) in early modern Korea. Initially limited to high officials, the articulators of public opinion as the state and elites recognized grew in number to include mid-level civil officials, State Confucian College students, all Confucian literati (yurim), influential commoners who took over local councils (hyanghoe), and the general population. Marshaling evidence from a wealth of documents, Kim presents a compelling case for the indigenous origins of Korean democracy.
Local Councils and People’s Assemblies in Korea, 1567–1894
Author:
Eugene Y. Park’s annotated translation of a long-awaited book by Kim Ingeol introduces Anglophone readers to a path-breaking scholarship on the widening social base of political actors who shaped “public opinion” (kongnon) in early modern Korea. Initially limited to high officials, the articulators of public opinion as the state and elites recognized grew in number to include mid-level civil officials, State Confucian College students, all Confucian literati (yurim), influential commoners who took over local councils (hyanghoe), and the general population. Marshaling evidence from a wealth of documents, Kim presents a compelling case for the indigenous origins of Korean democracy.
Series:
China Studies, Volume: 49
Author:
Through an innovative interdisciplinary reading and field research, Igor Chabrowski analyses the history of the development of opera in Sichuan, arguing that opera serves as a microcosm of the profound transformation of modern Chinese culture between the 18th century and 1950s. He investigates the complex path of opera over this course of history: exiting the temple festivals, becoming a public obsession on commercial stages, and finally being harnessed to partisan propaganda work. The book analyzes the process of cross-regional integration of Chinese culture and the emergence of the national opera genre. Moreover, opera is shown as an example of the culture wars that raged inside China’s popular culture.
Series:
China Studies, Volume: 49
Author:
Through an innovative interdisciplinary reading and field research, Igor Chabrowski analyses the history of the development of opera in Sichuan, arguing that opera serves as a microcosm of the profound transformation of modern Chinese culture between the 18th century and 1950s. He investigates the complex path of opera over this course of history: exiting the temple festivals, becoming a public obsession on commercial stages, and finally being harnessed to partisan propaganda work. The book analyzes the process of cross-regional integration of Chinese culture and the emergence of the national opera genre. Moreover, opera is shown as an example of the culture wars that raged inside China’s popular culture.