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The Art of the Creative Commons is a book about peer-to-peer production, providing a unique model of commons from the creative industries. The book expands the knowledge about the role in which an alternative framework of copyright protection (Creative Commons) regulates and establishes norms and conventions within the commons. The book gives insight into a vibrant community that fosters creative projects and a variety of works, from elementary school plays to exhibitions in the Smithsonian or multimillion-dollar Hollywood films.

Taking up the perspective of the creative workforce involved in production and collaboration, permits understanding the rules of production that follow an alternative model of production. Analyzing issues of media production, this book engages with current scholarship on critical management, political economy and cultural studies.
Translator: Ian Barnett
In Co-operative Struggles, Denise Kasparian expands the theoretical horizons regarding labour unrest by proposing new categories to make visible and conceptualize conflicts in the new worker co-operativism of the twenty-first century.
br/> After the depletion of neoliberal reforms at the dawn of the twenty-first century in Argentina, co-operativism gained momentum, mainly due to the recuperation of enterprises by their workers and state promotion of co-operatives through social policies. These new co-operatives became actors not just in production but in social struggle. Their peculiarity lies in the fact that they shape a socio-productive form not structured on wage relations: workers are at the same time members of the organisations. Why, how and by what cleavages and groupings do these co-operative workers without bosses come into conflict?
In: Logos
Author: Jordi Nadal

Abstract

Irene Vallejo1 has perfectly demonstrated the accuracy of Nuccio Ordine’s thesis on the usefulness of the useless. In a screenobsessed world that often destroys our serenity and the pleasure to be found in slowness, this wonderful author has found a direct line to the relevance of the ancient world and, by extension, to the world of books and many of the things they do to make life worth living. Kant distinguished between what has a price – and what has dignity.

In: Logos
Author: Elza Ungure

Abstract

The objective of the article is to deconstruct the notion of publisher through the lens of the episteme of professionalism and provide a statistical overview of mainstream and marginal book publishers in Latvia. The statistical overview is based on an alternative, experimental approach, in which publishers are grouped by the legal register they are registered in as juridical persons and the output of each group is analysed. This approach is selected to profile publishers in a context where economic indicators or other means by which to analyse publishers are not available. The results provide an insight into the diversity of those who publish books in Latvia as well as give an overview of the characteristics and patterns of their publishing practices.

In: Logos
Author: Miriam Johnson

Abstract

This article sets out to critically examine how the idea of what a book can be is changing in relation to the growth of digitally social communities and the writers and readers who congregate in these spaces, and to identify how this connectivity is altering the balance of power between the traditional industry and those who choose to write and share their work in a global village. By offering a succinct consideration of the role of social media, citizen authors, communities, gender, and genre, it can potentially help publishers determine if they need to alter the way they provide access to the industry, conventionally through the hierarchical author–agent–publisher gatekeeping system, in order to take advantage of new authors who are writing in digital communities and building a following there.

In: Logos

Abstract

The charity Reading Force encourages Forces families to read together in order to build social, emotional, and mental well-being and offset the impact of the changes and separations routine in military life. They distribute reading scrapbooks and free books and encourage families to work on them together. It was suggested that a version of the project might usefully be developed for veterans in prison, whose families experience many of the same issues. Scrapbook Dads was developed for veterans housed in the Endeavour Wing at Parc Prison, South Wales. The materials were adapted for use by prisoners and their families. They had just been distributed when the pandemic struck, visiting and social/educational activities were cancelled, and the prison went into lockdown. With the materials readily available, the project was heavily used by prison staff to seek to maintain prisoner morale and support family connectivity. This paper charts the process, comments on what was learned, and makes recommendations for how shared reading can be used in prisons in future.

In: Logos
Author: Sarah Bacaller

Abstract

Audiobooks offer increased accessibility and new ways of engaging with scholarly texts. Although the development of academic audiobooks is in a relatively early stage, one significant issue that is yet to receive appropriate attention is the presentation of referenced materials in audio form. Presently, this is approached on a case-by-case basis with no centralized industry standards, and so protocols are either set by individual publishers or negotiated between rights-holders and narrators. Narrators usually adopt one of four options for dealing with notes or other referencing tools: complete omission; addition of audio effects to differentiate the reading of references from the primary narrative; reading the reference notes at the end of a chapter or the book; or including with the audiobook files an optional PDF download with reference details. These options give consideration to aesthetic issues, but it is uncertain whether they do justice to questions of academic integrity. The purpose of this article is to encourage scholarly dialogue and a conversation between the audio publishing industry and academia on this issue, and to begin working towards a ‘best practice’ framework that satisfies questions of both aesthetic experience and academic integrity.

In: Logos

Abstract

This paper presents a Brazilian perspective on audiobooks. It contextualizes the past and current realities of the format in the country, on the basis of surveys coordinated by national associations connected to the book market and of archival research we have undertaken, and shows some examples of recorded literary works and recent initiatives in audiobook production. The ‘acoustic-editorial project’ idea is proposed as a way to highlight and deepen the materiality and production process of audiobooks, and to understand the editorial elements through which the listening experience is created. Authors from book history, bibliography, communication theory, and audiobook studies influenced this investigation and strengthened our construction of audiobooks as a research object.

In: Logos
In: Logos