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Abstract
Some of the ancient manuscripts and versions of Mark 15.15 add the phrase ‘to them’ after the verb ‘[Pilate] delivered [Jesus]’, suggesting that Pilate delivered Jesus to the Jewish crowd who subsequently crucified him. This textual variant was well-established in the Syriac and Ethiopic traditions while it remained marginal in the Greek, Latin, and Coptic traditions. This pattern suggests that those translators and readers of the gospels who lived on the Eastern fringes or outside of the territory of the Roman empire were more inclined to accept the idea that Jesus had been executed by the Jewish mob (and not by the Roman soldiers) than those translators and readers who lived in the core territories of the empire. The Diatessaron most likely played an important role in disseminating this anti-Jewish narrative. The obliteration of historical memories about crucifixion as a Roman method of execution in late antiquity contributed to the formation of one of the most devastating anti-Jewish narratives of the ensuing centuries.
Abstract
This article provides a bibliography of historical Jesus research from 2000 to 2023 in German and English language publications. In addition to the bibliography, a brief introductory essay identifies trends in historical Jesus research.
Abstract
Jesus is referred to as Rabbi or Rabbouni on four occasions in Mark. Most scholars assume that it was a commonplace term during Jesus’ lifetime and it is a Hebrew synonym for Teacher. It will be posited that it was not in use during the early decades of the first century ce and that it is actually an Aramaic term utilized by Mark and endowed with a messianic valence. This will be viewed within the context of Mark’s agenda of obfuscating the true identity of Jesus and employing Aramaic as a code language. Both Bartimaeus’ petition and Judas’ betrayal of Jesus will also be viewed from this perspective.
Abstract
This article provides a snapshot of how Mary Magdalene was understood in 1970s Britain through the character of Judith in Monty Python’s Life of Brian. Judith as presented in Life of Brian is compared with Mary Magdalene as presented in Jesus Christ Superstar, especially the receptions of the hit musical in newspapers of the time where there was a recurring focus on sexuality and gender stereotypes. The comparison shows that, while Life of Brian may not be the most progressive film in terms of gender and sexuality, it did challenge some of these stereotypes about Mary Magdalene by normalizing Judith’s attitude towards sex and making her (largely) a voice of reason in the film.
Abstract
This article argues that Martin Scorsese’s Mary Magdalene is as unique as Scorsese’s Jesus; she plays an integral role in the film, both in her own journey, and as a central catalyst in Jesus’ transformation. In these and other ways, The Last Temptation of Christ both redeems Mary Magdalene and portrays her as a redeemer of Jesus.
Abstract
Early Jesus films reveled in the traditional, historically inaccurate interpretation of Mary Magdalene as a penitent prostitute. While films produced since the 1980s are less heavy-handed in explicitly sexualizing or shaming Mary, promiscuity remains her most persistent trait. Traces of the penitent prostitute are detectable in The Chosen, a crowd-funded evangelical series on the life of Jesus which foregrounds Mary as a disciple. Her story arc in The Chosen mirrors that of the prostitute protagonist in Redeeming Love (2022), another evangelical film based on Francine River’s fictional adaptation of the Hosea/Gomer story. Both works adhere closely to what film scholar, Russell Campbell, identifies as the ‘martyr’ character type and ‘love story’ narrative structure commonly found in cinematic depictions of sex work. Ultimately, these films reinscribe patriarchal ideology when the woman is rescued and reformed by a virtuous man at risk of his own reputation.
Abstract
In this article, the author challenges the consensus surrounding Jesus’ birth in Bethlehem. This consensus claims the Bethlehem birth was a fabrication posited as messianic fulfilment of Micah 5.2. First, the author summarises the majority position on the issue. Second, the author problematises the notion that there was an expectation regarding Bethlehem as messianic birthplace. Third, the author claims the available evidence might equally suggest Jesus was born in Bethlehem, with Micah 5.2 reinterpreted in light of this. As such, the author calls for renewed discussion about Jesus’ birthplace, and the nature of scholarly argumentation surrounding the issue.
Abstract
The film Mary Magdalene (2018) has been praised for its focus on one of Jesus’ most overlooked followers. But the film includes subtly negative depictions of Jewishness as well as problematic depictions of Black characters. Despite the film’s stated attempts to reflect first-century contexts, cinematic decisions reinforce harmful stereotypes about Judaism and about Black men. Viewing the film in light of historical Christian-feminist anti-Judaism on the one hand, and on the other, the figure of the ‘Karen’, a white woman who polices the presence and behaviour of Black people, this article investigates the ways in which Mary Magdalene is characterized in line with white feminism, and as such, the ways in which this white Mary is weaponized against Jews and Black people.