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حلب الشهباء في عيون الشعراء وثيقةٌ تاريخيّة وأدبيّة في مجلداتها الثلاث (بالغضافة إلى مجلد للفارس) تستعرض أكثر من 009 قصيدة كُتبتْ عن مدينة حلب أو ذكرَتْها، بين القرن السابع للميلاد ومطلع القرن الحادي والعشرين، معبرةً عن الأوجُه الحضارية المتعددة للمدينة العريقة، بتاريخها المديد وتراثها الغنّي وطبيعتها الكوسموبوليتية.
يهدف المؤلّفان، حسن قجّـة ومحمد قجّـة، إلى استقصاء القيمة الفعليّة والرمزيّة لمدينة حلب في عيون الشعراء ومدى انعكاس ذلك في حضورها بقصائدهم، ودلالات ذلك الحضور، كما يهدفان إلى التأكيد على المساهمة التي قام بها الشعر عبر عصوره، في التعرّف على تاريخ المدن العربية والإسلامية، وعلى قيمة تلك المدن من النواحي الموضوعية (كعمرانها وصفات سكانها ودورها الوطني) ومن النواحي المعنوية (كسمعتها وقيمتها الحضارية وفخر أبنائها بها وشوقهم إليها).
في كتاب حلب في كتابات المؤرّخين والباحثين والزوّار والأدباء يسعى حسن قجّـة إلى تسليط الضوء على التاريخ العريق لمدينة حلب من خلال الأوصاف والانطباعات والشهادات التي كتبها حولها مئات المؤرّخين والزوّار والأدباء من أنحاء العالم، عبر 51 قرناً. ويرصد الكتاب علاقة هذه النصوص بالأوجُه الحضارية المتعددة للمدينة، التي تُعرّف عراقتُها بالمفهوم الزمني التاريخي المديد والمتنوع، وبمفهوم الإرث الثقافيّ الواسع بأشكاله الماديّة وغير الماديّة، وبمفهوم الطابع التعدّدي المنفتح الذي رافق المدينة عبر معظم مراحلها التاريخية. ويهدف الكتاب إلى استقصاء القيمة الفعليّة والرمزيّة لمدينة حلب في نظر تلك الكتابات، من النواحي الموضوعية بصورةٍ رئيسة، ومن النواحي العاطفية في بعض الأحيان.
ويُستهلّ الكتاب بتقديم لمحةٍ عن تاريخ مدينة حلب، معزّزةٍ بملحقٍ للصور، كما يوْرِد عناوين مئات المؤلفات التي كُتبت عن حلب، أكثرها تتمحور حولها بالتحديد، وبعضُها يتحدث عنها في سياقاتٍ متّصلة.

The three volumes of Aleppo through Poets' Eyes shed light on Aleppo by collecting and indexing more than 900 poems that have been written about the city or mentioned it, from the 7th century to the early 21st century. The poems reflect the various civilizational aspects of Aleppo, an authentic and cosmopolitan city, the oldest functional in the world, and one of the richest in terms of culture and heritage. It is supplemented by an index volume.
The authors, Hasan Kujjah and Mohammad Kujjah, aim to investigate the actual and symbolic value of Aleppo through poets' eyes, emphasizing the contribution that poetry made to revealing the history of Arab and Islamic cities and their values, both its substantive and emotional dimensions.
Aleppo in the Writings of Historians, Scholars, Visitors and Literati sheds light on the ancient history of Aleppo, through descriptions, impressions and testimonies written by hundreds of historians, visitors, and writers, from across the globe, and over a time span of fifteen centuries.
In this book, Hasan Kujjah discusses the relationship of these texts with the various civilizational aspects of the city, whose authenticity is characterized by its long existence, broad cultural heritage (in both tangible and intangible forms), and the open, pluralistic character, that distinguished the city through most of its historical stages.
The book begins by providing an overview of the history of Aleppo, is supplemented by an appendix of photos, and lists the titles of hundreds of books written about the city.
In Communes and Conflict, Jan Dumolyn and Jelle Haemers explore the urban rebellions that regularly erupted in Flanders between the thirteenth and sixteenth centuries. They analyse not only how these rebellions were sparked and repressed, but also how they shaped the culture and identity of Flemish townspeople. Drawing from a wide range of theoretical methods and concepts, including those of discourse analysis, semiotics, speech acts, collective memory and material cultural studies, the authors return to key Marxist questions on ideology, labour and class interest to map the perspectives of the rebels, the urban patriciate and the Flemish and Burgundian nobility.
Libya Islamica is a peer reviewed book series that focuses on the different historical, geographical and cultural aspects within the borders of present-day Libya, from the Islamic conquest (1st/7th century) until the establishment of the Ottoman rule (10th/16th century). The series covers a range of topics, such as the study of autonomous powers, networks and prosopography, local and regional histories, popular memories, intellectual productions, documents and deposits, linguistic variety, archaeology and epigraphy, material cultures and heritage, etc.
Libya Islamica welcomes the submission of monographs, edited volumes, critical editions in the original languages and scripts, and annotated translations. The series aims to make available material from manuscripts held in Libyan libraries through critical editions and translations of primary sources. This makes accessible previously undisclosed materials and contributes to improved historiographical perspectives.
The series serves as a publishing platform for the academic output of the LibMed project that started in 2021 and aims to uncover hitherto unknown aspects and material from medieval Libya.
The submissions will mainly be in Arabic, English and French, but works in other languages can be considered too.
Author:
More than thirty years after German reunification, Life Stories from the German Democratic Republic addresses how life in the GDR is remembered, thereby enriching and complexifying the narratives of East German life found in public history, museums, tourist venues, film, media and popular fiction. The frequent stress on material lack, social restrictions and the repressive state is expanded and reconfigured by interviewees who variously both challenge and confirm widespread assumptions about what it meant to live in the GDR. Aimed at a wide readership, this book gives English-speaking readers access to varied and detailed accounts of everyday life, individual engagement with state institutions and different views of GDR politics, society and culture.
This book is the first to explore the rich festival culture of late sixteenth- and early seventeenth-century France as a tool for diplomacy. Bram van Leuveren examines how the late Valois and early Bourbon rulers of the kingdom made conscious use of festivals to advance their diplomatic interests in a war-torn Europe and how diplomatic stakeholders from across the continent participated in and responded to the theatrical and ceremonial events that featured at these festivals. Analysing a large body of multilingual eyewitness and commemorative accounts, as well as visual and material objects, Van Leuveren argues that French festival culture operated as a contested site where the diplomatic concerns of stakeholders from various national, religious, and social backgrounds fought for recognition.